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              CJ Thesis Phd 1966-1970
              CJA-PHD-1 · File · 1966-1970
              Part of Charles Jencks Archive

              Contents of a folder labelled 'CJ Thesis Phd 1966-1970 UCL' in red ink, 'MOD-1945-MANU' and 'ACTIVE FILE' in blue ink, as well as a numbered list of names written in different inks (27 in total).

              Includes:
              -photograph of Charles in the front row of a lecture theatre, with some attendees using headphones (including Charles)
              -typescript headed 'Chapter II A Theory of Value' with manuscript corrections and notes on the reverse
              -manuscript notes headed [illegible] on trial Sept 1966?'
              -envelope with manuscript notes on both sides headed 'what a boar to know Doctor Banham' and 'The Failure of Success', folded and used as a folder to hold: a review of Banham's The New Brutalism by Nikolaus Pevsner; typescript letter to the editor of The Guardian from Isaac Bickerstaff; cutting of a letter to the editor from Fred Partridge [publication unknown] and typescript version of the same letter with manuscript corrections; typescript letter to the editor signed Charles Jencks, Architectural Association in response to Reyner Banham and manuscript draft; typescript letter to the editor signed Fred Partridge in response to Reyner Banham; manuscript notes headed 'The flip side of Dr Banham'; review of Banham's The New Brutalism by Stephen Mullion from New Society 8 Dec 1966; article titled 'Monumental Folly' by Peter Hall, New Society 24 Oct 1968, annotated.
              -typescript headed 'The Major Histories' with manuscript annotations
              -manuscript notes on plain paper headed 'Pevsner'
              -manuscript notes on plain and lined paper headed 'Banham' [possibly not all Charles' hand]
              -typescript headed 'Giedion SpaceTime and Arch'
              -manuscript notes headed 'Scully'
              -manuscript notes headed 'Collins Changing Ideal in MA 1965 (reaction to Giedion & space)'
              -manuscript notes headed 'Hitchcok Arch. 19th & 20th centuries' with biro sketches
              -envelope labelled 'Historians: Pevsner, Banham 1966-1971, Summerson 1981-4, Pei' [empty]
              -manuscript headed 'The Failure of Success' including a copy typescript letter from Charles to Mr De Carlo asking to be able to attend the Urbino meeting
              -manuscript headed 'Banham Le Corbusier chapter'
              -typescript copy letter from Charles to Reyner Banham responding to his criticisms
              -manuscript comments [from Reyner Banham], titled by Charles 'Partially a response to Outline?'
              -typescript and manuscript headed 'Foreward'
              -manuscript letter and notes from Reyner Banham to Charles [letter on headed paper], attached to a typescript headed 'Aalto and some concepts of value
              -typescript headed 'Modern Architecture' with manuscript notes [from Reyner Banham] attached
              -typescript headed 'History as Myth: 1st revision, Banham notes'.
              -typescript and manuscript notes headed 'Modern architecture - the tradition since 1945: a list of architects to be criticised'
              -typescript diagram with numerical values applied to architect's names
              -typescript headed 'Diagram Relation of American Architects'
              -article from Time 2 Aug 1968 titled 'Modern Living'
              -article from Newsweek 20 Mar 1967 titled 'The Architects Come Into Their Own', annotated
              -article from the International Herald Tribune 29-30 May 1971 titled 'Celebrities Jam Gala Premiere at JFK Center', annotated
              -article from The New York Times Magazine 17 Oct 1971 by Paul Goldberger, annotated
              -manuscript diagram of architect's names headed 'Camp Non Camp'
              -manuscript diagrams
              -pages from ROBAJ Jun 1966, 'RIBA Annual Discourse' by Myron Goldsmith, annotated
              -folded titled 'John Summerson + Charles Jencks, exchanges over PMC [Post-Modern Classicism] 1981, FSC [Freestyle Classicism] 1982, + TH [Thematic House] 1984 including manuscript letters from Summerson to Charles and typed copies; and copy typescript letters from Charles to Summerson; as well as: typescript headed 'The New Taboo: Ure Chisel'; a leaflet for Das Linz Café; typescript titled 'The Face of the Vernacular' and captions; a sketch labelled 'Validimir - Moscow 19/10/93'; a letter on Little Sparta headed paper from Ian [Hamilton Finlay] regarding the garden scheme; draft typescript letter from Charles on UCLA headed paper to I.M. Pei, 1983 and reply; letter from I.M. Pei to Henry Kewswick regarding Maggie, 2003
              -typescript letter from Nikolaus Pevsner on Birkbeck College headed paper to Charles declining to supervise his thesis, and copy typescript reply from Charles; cuttings on Pevsner.

              [Loose documents]
              CJA-RES-AL-B13-3-31 · File · 2009-2011
              Part of Charles Jencks Archive
              Contents of a plastic folder [removed for conservation reasons]. Includes:
              -invitation to the opening of Postmodernism: Style and Subversion 1970-1990 at the V&A
              -reviews of 1:1 - Architects build small spaces at the V&A
              -typescript document titled 'The Canons of Post-Modernism 2' by Charles with annotations
              -manuscript notes on the reverse of a printed out email making arrangements for an event at the V&A titled 'Defining Postmodernism'
              -reviews of Radical Postmodernism: Architectural Design' edited by Charles and FAT
              -interview with Charles on the Postmodernism exhibition at the V&A in the RA Magazine
              -printed letter to the editor of the Architectural Review from Charles
              -plastic envelope containing printed out composite images titled 'The Leviathan sunk by the critics: the truth speaks, the critic smiles' with figures including Jane Jacobs, Hannah Arendt, Aung Sann Suu Kyi, Anna Politkovskaya, Rachel Carson, Simon Jenkins, Jeremy Paxman and Naom [sic] Chomsky.
              -typescript titled "Post-Modernism Resurgent - ten buildings that made a difference' by Charles, with annotations
              -typescript titled 'V&A Dinner on PM Sept 20, 2011' by Charles with annotations
              -typescript titled 'The Return of Postmodernism' by Charles with annotations
              -arrangements for an interview with The Sunday Times to promote The Story of Post-Modernism
              -pages from the V&A Magazine Autumn Winter 2011
              -printout from The Art Newspaper titled 'The rebirth of postmodern design'
              -Fulcrum: The AA's Weekly Free Sheet issue 27, 9 Nov 2011 including an interview with Charles by Jack Self, and covering note
              -reviews of Postmodernism at the V&A
              -arrangements for Charles to appear on BBC's Night Waves
              -arrangements for filming a promotional video for the V&A
              -contract for a promotional film for Wiley
              -arrangements for press interviews for The Story of Postmodernism
              -plastic envelope including reviews, typescript titled 'The Legacy of Post Modernism' by Colin Fournier with Charles' annotations
              -The Sunday Times Home 4 Sep 2011 with Charles on the cover and the headline 'Less is a bore'
              [Loose documents]
              CJA-RES-AL-B13-3-32 · File · 1974-2013
              Part of Charles Jencks Archive
              Contents of a plastic folder [removed for conservation reasons]. Includes:
              -flyer for Postmodernism: stile e sovversione 1970-1990 held at Mart Rovereto 2012
              -flyer for Postmodernism: Style and Subversion 1970-1990 held at Landesmuseum Zürich
              -letter from Anne Leonard, Royal Australian Institute of Architects, returning the Melbourne Oration [not enclosed] and sending 'Non-Architecture' by Peter Corrigan [enclosed] and photocopy of an "ersatz fishie from a country area of NSW" [not enclosed], 1974
              -cutting on Distant Reading
              -reviews of the film 'The Pruitt Igoe Myth'
              -review of a talk by Charles and Patrik Schumacher at the Royal College of Art, 2012
              -typescript letters from Zdenek Hölzel, Czechoslovakia enclosing maps and plans of Prague, 1979
              -program for Architectural students competition 2005 including a lecture by Charles
              -printed out emails from Cynthia sending an edit of Charles' essay for Log magazine, with printouts of the illustrations of buildings labelled with harmonies and melodies, and an entry from Encyclopaedia Britannica on counterpoint
              -donation to the V&A from the Portrack Charitable Trust
              -Wiley Architecture & Design brochure
              -typescript document titled 'Contextual Counterpoint in Architecture' by Charles printed out to show track changes, with additional annotations
              -typescript document titled 'Post-Modern Stage II - Contextual Counterpoint' by Charles
              -flyer for 'The Story of Post-Modernism'
              -'Landscape architect has designs for the euthanasia debate' The Times 1 Dec 2012 interview with Charles ahead of a talk in Glasgow as part of Book Week Scotland
              -ar+d award for Emerging Architecture news cutting [Charles listed as a judge]
              -pages from AR Nov 2011
              -plastic folder containing photocopied designs for the Jencks typeface
              -official photographs of Charles from the Goldsmith presentation ceremonies 2011
              -Offprint from Journal of the Society of Architectural Historians Oct 1976
              -invitation to a private tour and wine tasting at 19 Lansdowne Walk with Sothebys, 2012
              -cover of Domus featuring Charles
              -published article titled 'Postmodern Tories' by Roger Scruton, 2013
              -interview with Charles in the Brooks Bulletin Spring 2013
              -printed out emails from Steve Parnell checking quotes from an interview with Charles on AD and Andreas Papadakis, with annotations
              -typescript titled '(P)relocating: the language of post-modern architecture' by Radu R Macovei and printed out email with Charles' comments
              -pages from TLS 3 Oct 2013 annotated '4th wave fem.'
              -pages from Blueprint No 2 Nov 1983 including 'High Jencks' by Deyan Sudjic
              CJA-RES-AL-B13-5-51 · Item · 1978
              Part of Charles Jencks Archive

              Publisher: Academy Editions

              Inserted:
              -polaroid photographs of houses, addresses annotated on reverse, numbered 1-9 [4 is missing]
              -postcard from [Malie] congratulating Charles on the Day Dream book
              -card from [Jo Jo] congratulating Charles on the Dream Houses of LA book, 1978
              -typescript letter from John [possibly John Leighton Chase] regarding overlaps with his book on West Hollywood, 1978
              -cutting from Time, 1 May 1989 titled 'Million-Dollar "Birthday Cakes"'
              -typescript titled 'Photocaptions to Daydream Houses of LA'
              -drawing in coloured pencil of An L.A Daydream House
              -manuscript letter from Neil Pinney, California, enclosing contenders for Daydream Houses, with cuttings
              -manuscript letter on Roland E Coate AIA headed paper regarding a house he is designing, 1978
              -manuscript letter from Paulette Gershen, California regarding potential contributions of 'Witches houses' to the sequel of Daydream Houses of Los Angeles
              -correspondence with the owners of 333 Copa de Oro Road regarding potential legal action after the inclusion of their house in Daydream Houses of Los Angeles, 1979, including copy of Charles' reply
              -bundle of correspondence with Ambassador magazine arranging to write 750-1000 words on houses in Los Angeles; includes draft typescript, cutting of published article, correspondence regarding captions and return of slides; signed contract, 1981
              -photocopied letter from Flaniken Construction, California to Charles via Academy Editions, detailing their involvement in two of the houses in Daydream Houses of Los Angeles, 1979

              AD
              CJA-RES-AL-B17-R1-6 · File · 1994-2007
              Part of Charles Jencks Archive
              Contents of a red box file labelled 'KUROKAWA CJ notes + images etc KUROKAWA'
              Includes:
              -Letter on Kisho Kurokawa architect & associates headed paper inviting Charles to become a founding member of 'Green and Recycle' association, with a list of current members, 2007
              -Letter from Kisho Kurokawa concerning the Japanese translation of 'The Architecture of the Jumping Universe', annotated draft reply from Charles confirming receipt of the translation
              -typescript titled 'Kurokawa's Double Vision: from metabolism to fractals' by Charles
              -copy fax from Charles to Kurokawa requesting specific images relating to fractals and information on other Japanese architects; and reply, 1994
              -fax from Kurokawa's secretary sending material on fractal series ; annotated draft reply by Charles requesting Kurokawa's guest lis for a dinner party 'here
              -copy fax from Charles to Kurokawa hoping to make arrangements to meet in Nara
              -copy fax from Charles to Dr Kunio Kodo regarding the Japanese translation of The Architecture of the Jumping Universe
              -draft manuscript dinner guest list, attached to a fax from Dennis Sharp to Charles regarding the Kurokawa exhibition catalogue, with a post-it note making arrangements for a tennis match, 1997
              -correspondence relating to arrangements for the opening events for the Kurokawa exhibition including a party at Charles' house
              -covering letters from Kurokawa's office confirming material has been sent to Charles
              -faxed from Kurokawa giving details of fractals and symbiosis within his work, and copy fax from Charles describing the content of 'The Architecture of The Jumping Universe', 1994
              -World Architecture Triennale, Nara, 1998, The Minutes of the Symposium and Lecture Series with a covering note from the Association for the World Architecture Exposition, Nara; includes the text of Charles' presentation in a section titled 'The City of Wood - Nara'
              -Fax from Dennis Sharp to RIBA Journal protesting their 'attack' on the Kurokawa exhibition, 1998
              -Plastic folder including: fax from Kurokawa to Charles mentioning his Paris exhibition, with annotated reply from Charles; fax confirming the postponement of the World Architecture Exposition, Nara but confirming the World Architecture Triennale and the text of Kurokawa's lecture 'From the Age of Machine to the Age of Life: From Metabolism to Symbiosis'.
              -typescript titled 'Two Seminal Architects' by Charles, with printed out e-mail from Charles to the AJ submitting copy and manuscript notes on Kurokawa and Ungers.
              -untitled typescript on Kurokawa, with printed out e-mail from Building Design confirming publication schedule; printed out photographs of Charles with Kurokawa,[Kengo] Kuma, and other unidentified men at a restaurant in Tokyo in 2007, 2007
              -manuscript sketch map showing buildings labelled with their architects in Omotesando, Tokyo
              -business card for employees at the Mori Art Museum, Casa Brutus, Taisei Corporation, Collex Living and for Takeo Nishioka
              -catalogue for the 'Kisho Kurokawa: From the Age of the Machine to the Age of Life' exhibition at the National Art Centre, Tokyo, produced as a 2007 calendar
              -carrier bag from アオヤマ・フォト・アート containing transparencies and project information sheets for: Bukit Unggul Show Bungalow; KL International Airport Terminal Complex; Fujinomiya Golf Club Clubhouse; Flores Residence, Menorca; Fractal Series Furniture, with DHL covering note from Kurokawa
              -plastic folder containing transparencies and project information sheet for Fukui City Museum of Art
              -plastic wallet containing colour publicity photographs of buildings
              CJA-RES-AL-B17-R1-7 · File · 1988-2003
              Part of Charles Jencks Archive
              Contents of a red box file labelled 'KUROKAWA CJ notes + images etc KUROKAWA'
              Includes:
              -transparencies from Kisho Kurokawa Architect and Associates of the National Bunraku Theater and Saitama Prefectural Museum of Modern Art
              -brochure for The Museum of Modern Art Wakayama/Wakayama Prefectural Museum; inserted: brochure for the Nara Palace site (平城宮); booklet titled '作品:和歌山県立美術館 和歌山県立博物館 The Museum of Modern Art Wakayama/Wakayama Prefectural Museum, プロジェクト:K.L. インターナショナル・エアポート計画案 K.L. International Airport Terminal Building Complex, 論文:アブストラクト・シンボリズムII Abstract Symbolism II by Kisho Kurokawa [Japanese language] - inserted inside this is a fax from Kurokawa inviting Charles to visit Wakayama and an english translation of 'Abstract Symbolism I, II, III' by Kurokawa heavily annotated by Charles, plus manuscript notes; Wakayama Prefecture sightseeing guide; NARA/TOTO World Architecture Triennale open division 1995 booklet; Japanese language newspaper [建設通信新聞] from 19 May 1995 folded to a page on Kurokawa
              -empty envelope from Kisho Kurokawa architect & associates
              -publicity photographs and computer printed drawings of buildings by Kisho Kurokawa architect & associates
              -letter from Kurokawa enclosing photographs and drawings and expressing regrets Charles won't be able to visit this Autumn, 1987
              -publicity photographs of the Nagoya Municipal Museum of Modern Art
              -booklet titled '作品:パシフィック・タワー Pacific Tower シロトピア記念休憩所扇観亭 Shirotopia Memorial Park Rest House Senkantei アブストラクト・シンボリズム Abstract Symbolism' by Kisho Kurokawa [Japanese language]: Inserted: project information sheets and transparencies for Ehime Prefectural Museum of General Science, the Museum of Modern Art Wakayama and Wakayama Prefectural Museum, Kuala Lumper International Airport Terminal Complex, Toshiba IHI Pavilion, Fukui City Museum of Art; manuscript notes on Kurokawa; typescript titled 'Abstract Symbolism'
              -catalogue for the Contemporary Architect Exhibition III, part of the World Architecture Triennale Nara, 1998: Inserted: business card for a staff writer at Asahi Shimbun; programme for the World Architecture Triennale Symposium and Lecture Series, faxes to Charles from Percy Weatherall on Hongkong Land Limited headed paper making arrangements to meet; manuscripts note on 'Nara - the city of wood' variously on plain paper, Dentu Tec Inc paper and Mitsui Garden Hotel Nara headed paper; business card for Hisao Kohyama; faxes confirming arrangements for the Architecture Triennale Nara; letter from Kurokawa to Charles [signed] thanking him for the dinner party and discussing organising a 'non-linear group', 1998
              -New Year's Card from Kisho Kurokawa architect & associates to Charles, 2003
              -booklet titled 'project: New Tokyo Plan, 2025' by Kisho Kurokawa with a colour photograph inside
              -correspondence between Kurokawa and Charles regarding the World Architecture Exhibition 1998 Nara, as well as mentioning lunches, symposiums and other meetings, 1990-1992
              -typescript titled 'Kurokawa' with manuscript notes on reverse
              -photocopy 'Foreword: Charles Jencks' for a book by Kurokawa, with a press cutting relating to a Kurokawa design in Paris
              -New Near's Card from Kiso Kurokawa architect & associates, 1993
              -letter from Kurokawa [signed] to Charles recommending books by Baudrillard, 1989
              -guest list for a dinner party at Kurokawa's residence, 1988
              -letter from Kurokawa [signed] to Charles, thanking him for the photos of himself [Kurokawa] at the Itsukushima Shrine, annotated with draft reply, 1988
              -printed text by Kisho Kurokawa titled 'the Philosophy of Symbiosis: from internationalism to interculturalism', annotated
              -manuscript notes
              -guest list for a lecture by Kisho Kurokawa titled 'The philosophy of symbiosis - from the age of the machine to the age of life' given as part of Japan 2001 at the RSA with Charles' manuscript notes
              -manuscript notes headed 'Kurokawa Eco-architecture/Eco-cities March 20th'
              -document outlining the World Architecture Exhibition 1998 Nara
              -leaflet for 'Celebration and Contradiction: A Japan 2001 event' held by Tate Britain in association with Kingston University.
              Kurokawa: CJ Notes + Images
              CJA-RES-AL-B17-R2-1 · File · 1987-2007
              Part of Charles Jencks Archive
              Contents of a black box file labelled 'Kurokawa CJ Notes + images'. Includes:
              -photograph of Kisho Kurokawa wearing formal traditional japanese clothing including hakama, in an ANA Hotel Tokyo mount
              -publicity photographs of the Hiroshima City Museum of Contemporary Art and collection
              -computer-generated architectural drawings of the Hiroshima City Museum of Contemporary Art
              -annotated photocopy from The Japan Architect of the Hiroshima Modern Museum of Contemporary Art project
              -photocopied newspaper cuttings relating to Kurokawa
              -press release from the Hiroshima City Museum of Contemporary Art
              -exhibition handout for 現代美術って。。。PART2 exhibition at the Hiroshima City Museum of Contemporary Art
              -typescript titled 'Towards the Evocation of Meaning' by Kisho Kurokawa
              -manuscript notes on yellow lined paper
              -typescript titled 'Hiroshima Acropolis' by Charles and covering letter sending it to Space Design magazine
              -leafleft for the Hiroshima Peace Memorial Museum
              -letter from Kisho Kurokawa to Charles enclosing a copy of his 'Towards Evocation of Meaning', photographs and axonometric drawings for Charles' article, and an english translation of his 'The Philosophy of Symbiosis' with a request to help with finding a publisher, 1989.
              -slides including Kurokawa in front of a traditional Japanese building [possibly with Maggie in the background?], and contemporary interiors, one labelled Roppongi [Prince] Hotel, one labelled TV [illegible], in a München Residenz-Museum slide wallet.
              -publication produced by AD as a catalogue for the 'Kisho Kurokawa: Recent Projects - Four Museums' exhibition at the Royal Academy, with papers inserted including: faxed correspondence between Charles and Kurokawa making arrangements for his lecture and symposiums in London, 1993; copy letter from Charles to Kurokawa regarding a possible collaboration with the BBC and NHK, and requesting material for the second edition of Architecture Today/Current Architecture, 1987; manuscript notes on plain paper; annotated typescript titled 'A Visit To The Mirror' by Charles; letter from Kisho Kurokawa [signed] to Charles thanking him for the lunch party and giving news of the symposium on the Bicentennial of the French Revolution, and Charles' copy reply referencing the symposium, news of publications and of the proposed TV series, 1989; typescript document titled 'Tokyo: TV for BBC' with manuscript notes on reverse; manuscript notes on pink and green plain paper with notes from Kurokawa, Peter Popham, Rem Koolhaas, Ben Waley, Sandy Wilson, alongside a fax with details of the International Forum on Learning From Tokyo, 1993; programme of events 12 June 1993 at the Royal Academy including The Academy Forum and the Annual Academy Architecture Lecture; Academy Forum folder containing list of Learning From Tokyo forum participants, press releases and 'New Wave Japanese Architecture' by Kisho Kurokawa; poster for a conference titled 'Tokyo: Model or Anti-Model' to be held in Copenhagen 1994; typescript titled 'Toward Evocation of Meaning' by Kiso Kurokawa with a post-it note annotation 'for The Observer'; outline of World Architecture Exhibition 1998 Nara press release; annotated typescript titled 'Philosophy of Symbiosis, New York May 3 1998, Kurokawa 1'.
              -photographs and project details for the Koshi Kaikan Center
              -photographs and project details for the Japanese Studies Institute, Thammasat University
              -photographs and project details for the Japan-German Centre Berlin
              -material on the city planning project, Astana, Kazakhstan from Kisho Kurokawa Architect & Associates
              -folder with a post-it note annotation 'All Maggie's Swansea?' containing business cards for staff at Kisho Kurokawa Architect & Associates; hand-drawn and computer generated garden and buildings drawings; manuscript notes; Kisho Kurokawa Architect & Associates scheme design documents for Maggie's Centre Swansea, 2007.
              A New Beauty?
              CJA-RES-AL-B20-3-16 · File · 1999-2002
              Part of Charles Jencks Archive

              Contents of a folder labelled from the Kunstmuseum Wolfsburg labelled by Charles 'a new beauty?'

              Includes:
              -Press release and transparencies for the Jackson Pollock exhibition at the Tate Gallery 1999
              -photocopies from 'They Have A Word for It' by Howard Rheingold chapter 4 'The Eye of the Beholder: conceptions of Beauty'
              -press cutting on the 7 year itch with an image of Marilyn Monroe [2001]
              -rejection letter from Thames & Hudson for an unnamed book proposal [1999]
              -photocopy from an article in the San Francisco Chronicle on brain synapses [1999]
              -manuscript fax from Charles to Adrian Hamilton at the Independent enclosing 12 pages [not enclosed]
              -fax from The Independent regarding Charles' article on Beauty [1999]
              -manuscript notes headed 'New Paradigms'
              -leaflet for an event held at the [Architectural Association] titled Paradigm Shifts featuring Charles
              -article titled 'Keeping An Eye on Nature' by Professor David Cooper
              -typescript text by Charles titled 'A Different Theory of Beauty'
              -manuscript notes on Harvard Club of New York City headed paper
              -itinerary in Bologna and Venice
              -review by Paul Mattick of Wendy Steiner's 'Venus in Exile'.
              -article by Charles titled 'Our modern age requires a new definition of beauty' from The Independent [1999]
              --typescript text by Charles titled 'A Different Theory of Beauty' with manuscript notes in a different hand
              -review by Hal Foster of 'Nobrow' by John Seabrook [2000]
              -review by Kendall L Walton of the Encyclopedia of Aesthetics [2000]
              -article by Miles Under titled 'Finding Art in Random Images Is as old as Art Itself' [2000]
              -bundle of photocopies newspaper articles with annotations
              -three sheets of slides, one with a covering note from the Royal Academy of Arts
              -postcards of work by Franz X. Messerschmidt
              -article by Mark Henderson titled 'brightly coloured beaks are the key to birds sex appeal'
              -typescript by Charles titled 'EP Phone Home or What a Pleasure to Meet Mr Darwin' [18 pages]
              -photocopies of the cover pages for 'Music, the Brain and ecstasy' by Robert Jourdan
              -manuscript notes headed '8,500 words: Louisa's comments'.
              -dust cover for Wendy Steiner's 'The Trouble With Beauty'
              -postcard of the hall at the Kunsthistorisches Museum, Wien
              -reviews of Geoffrey Miller's 'The Mating Mind' [2000]
              -article by Daniel McNeill titled 'The hidden face of beauty' [1999]
              -manuscript draft guestlist for a proposed Portrack seminar on Beauty, to be held 2002/2003
              -colour transparency marked for publication in The Jumping Universe
              -article by Massimilano Finazzer Flory titled 'Beauty - not a context, but a need and an opportunity'
              -review by Marina Warner or Wendy Steiner's 'The Trouble with Beauty' [2002]
              -article by Michael Prowse titled 'Let's clip the tails of the peacocks that strut around the boardroom'
              -still from Barbarella
              -postcard of Jake & Dinos Chapman's Hell
              -review of Hugh Pearman of the British Museum's 'Defining Beauty' exhibition
              -postcards of the Venus von Willendorf from the Naturhistorische Museum Wien and Arcimboldo works from the Kunsthistorisches Museum Wien
              -invitation to the launch of Wendy Steiners 'The Trouble with Beauty'
              -article by Jackie Wullschlager titled 'Beauty in the labyrinth' [2000]
              -page from the New Scientist with reviews of multiple books.

              Biennale original documents
              CJA-VBE-2 · File
              Part of Charles Jencks Archive
              Contents of a folder labelled 'Biennale original documents - Biennale 1980'
              Includes three slides boxes as well as:
              -colour transparency strip
              -leaflet titled 'Prima, Mostra Internazionale di Architettura' [bilingual Italian/English)
              -pencil drawings and diagrams
              -ink and coloured pencil drawing attached to foamboard showing a pencil and a book labelled ‘all the wasms have become isms’
              -room layout sketch with explanation
              -La Biennale di Venezia headed paper
              -press cuttings
              -typescript reproduced pamphlet titled ‘Post-Modern Architecture’ with a text by Charles and lists of slides. Multiple versions with corrections, annotations and alterations to the slides list
              -copy manuscript letter to 'Pete’' regarding his symposium at the Venice Biennale
              -photocopied typescript documents from the Architecture Department, La Biennale di Venezia, including lists of names of architects with manuscript annotations
              -manuscript notes
              -photocopied manuscript lists of names with Charles’ annotations
              -photocopied typescript document headed ‘Giuseppe Galasso’ regarding the role of Architecture in the Biennale
              -photocopied plans, some with manuscript annotations
              -correspondence with the Fort Mason Center, San Francisco requesting a set of the slides, with Charles’ annotations regarding reply, and typescript copy reply
              -manuscript notes of architects names under categories; one page headed USA
              -photocopy of the Evolutionary Tree
              -manuscript letter from 'Kitty & Ned' enclosing an article from New York
              -topographic plan of Milan from Domus 506, gennaio 1972
              -photocopied sketches
              -typescript document titled 'Program of the Façade in the Venice Biennale/Programma Relativo alla Facciata Nella Mostra Della Biennale'
              -typescript titled ‘The Counter-Reformation in Architecture: Reflections on the 1980 Venice Biennale’ by Charles with manuscript annotations
              -photocopied letter from Paolo Portoghesi thanking Charles for the material concerning the 'Mosque of London’ and inviting him to be on the experts committee for the Venice Biennale
              -typescript letter from Paolo Portoghesi with further details about the Biennale, an Italian translation of Charles’ book and sending photos of the Mosque.
              -manuscript notes of architects names under categories; page headed Japan
              CJA-VBE-3 · File
              Part of Charles Jencks Archive
              Contents of a folder labelled '1980 Biennale/Biennale 1980 Russia etc. 93 slides 4BxW + documents'. Includes:
              -colour film strip showing men in a factory/workshop
              -plastic strips containing 12 slides, one labelled 'Biennale 1982'
              -negative strips [showing 1980 Biennale], bag annotated with instructions for printing
              -photocopied typescript titled ‘Translation: The Tournament’ relating to the XIV Congress of UIA, Warsaw. S. Okojomox, Warsaw-Moscow’.
              -manuscript letter from Glazytchev Slava in Moscow regarding translations of Charles’ work, their publication in domus, work with Eugene [Rosenblum] and Mark [Konik] under the auspicises of Artists’ Union and work of others throughout the Soviet Republic with sketch drawings of the buildings.
              -publication: Архитектура ИЗДАЕТСЯ СОВМЕСТНО С СОЮЗОМ АРХИТЕКТОРОВ СССР И ГОСГРАЖДАНСТРОЕМ № 16 (500) 2 августа 1981 [Russian language]
              -copied typescript document headed ‘Digging up the past: treatment for a 45 minute film’ to document post-modern architect and be presented and co-authored by Charles, by Scott Thomas, 1981; annotated.
              -manuscript letter from Suzanne [Frank] at The Institute for Architecture and Urban Studies; annotated.
              -postcard of New York from [illegible] [Stephens], annotated by Charles ‘re Vidler piece’
              Centre D’Etudes et de Recherches Architecturales, Paris - Bulletin d’information inter-establissements no 51 Mai 1980 with a paragraph annotated ‘translate’
              -guidelines for submissions to the Arts Films Committee
              -manuscript letter from Scott [Thomas] regarding the film, including a list of people on the Arts Films Advisory Committee
              -typescript letter from Scott Thomas regarding a proposed film on Post-Modernism for a general audience and a copy letter from Carter H Manny at the Graham Foundation for Advanced Studies in the Fine Arts
              -photocopies from an unknown publication, on classicism; annotated
              -typescript copy letter from Charles titled ‘Letters to the Editor Re: Classical confusion’ regarding an article by Tony Vidler [1981]
              -postcard of a drawing of a building by Hans Robert Hiegel, used as a Christmas Card
              -christmas letter from Thomas and [Marina] Smith
              -cutting on Ricardo Bofill's Le Palaccio d'Abraxas
              -manuscript notes titled ‘The Reurbanisation of Runcorn’ [not Charles’ hand]
              -anuscript article ‘The transformation of Chandigarh – Rodrigo Pérez de Arce'
              -manuscript letter from Kazuhiro Ishii on Kazuro Ishii Architect & Associates headed paper regarding windows in Charles’ "Post-Modernism book".
              -typescript letter from Laurence Booth on Booth/Hansen & Associated headed paper regarding Post Modern Classicism, 1980
              -typescript letter from Paolo Portoghesi thanking Charles for the material concerning the “Mosque of London’ and inviting him to be on the experts committee for the Venice Biennale, 1979
              -manuscript list of architects’ names on Los Angeles: School of Architecture and Urban Planning headed paper
              -receipt from the Metropolitan Museum of Art photograph services, 1981
              -typescript letter from Eugene Kupper enclosing material for the Venice Biennale, 1980
              -typescript letter from Helle Klint asking to feature on of Charles’ houses in a monthly column for Berlingske Tidende, enclosing an example, 1979
              -typescript document titled ‘Contemporary Architects: Publication Spring 1979 (London: Macmillan, NYC: St Martin’s) with details of the editor, advisory board and contributors with a covering notes from Muriel Emanuel asking Charles to contribute, 1978
              -manuscript lists of architect’s names, titled ‘C.Jencks’ sub-headed Japan, USA, Europe/England
              -change of address from Kuro and Chris Fawcett, on the reverse a manuscript list of Japanese architects
              -manuscript lists of architects sub headed ‘Japanese metaphysical school + symbolism’, ‘USA historicism, symbolism, [remainder], ‘European historicism, urbanism, vernacular’
              -business card for Claudio D’Amato Guerrieri
              -photograph of an unidentified man in front of the Holy Trinity [Kingsway] church
              -cutting from Building Design 9 July 1982 on the Art and Architecture Action Group at the ICA
              -typescript note titled ‘(for Stirling Bayer)’ regarding Lutyens' Midland Bank headquarters.
              -leaflet for laboratorio de arquitectura 1982 centro de arte y comunicaión, Viamonte
              -L. A Architecture: A publication of the Los Angeles Chapter, American Institute of Architects Vol 7 No 3 Mar 1981 including a mention of Charles lecturing on Post-Modern Classicism at the Pacific Design Center
              -Architectural Association School of Architecture Events list 10, Autumn Term 8-10 Dec 1980 including an exhibition on Garagia Rotunda and a lecture on Post-Modern Classicism by Charles
              -typescript letter from Romi Khosla on The Grüp New Delhi headed paper, asking if their work was featured in Charles’ book, 1981
              -photocopied review of Signs, Symbols and Architecture by Linda groat, sent by Geoffrey Broadbent
              -cutting from the International Herald Tribune 21 May 1982 on demographics
              -manuscript letter from Humphrey B[illegible] regarding a meeting with Robert on Brown’s Hotel notepaper regarding a meeting with Robert
              -cutting from an unidentified publication 'Neo-classical (again)' by Loyd Grossman
              -cutting from an unidentified publication [possibly the Maltings Free Press] on Jeremy Dixon with annotations
              -photocopy from Casabella No. 470 6/1981 titled 'Post-post....'
              -typescript document titled ‘Palladio and the Japanese’
              -manuscript letter from Edward Jones 'acting as a messenger for Christian Broza' with some drawings and talking about what movements Charles has left out of his “family tree”
              -b&w professional photographs of the Venice Biennale
              -cutting of ‘The Presence of the Past’ by Charles in domus 61 [in Italian] with compliments slip