Bundle of loose papers including:
-typescript document titled 'AA Adhoc lecture 24 October 2013' with an overview of the content and a biography, and Charles' manuscript notes for the same on the reverse of printed-out e-mails making arrangements for the lecture
-negatives and contact sheet prints of images used in Adhocism and furniture, possibly at Charles' Wimpole Street flat
-arrangements for an event at the V&A with Charles, Nathan Silver and Martino Gamper
-contract with MIT Press for the publication of the revised version of Adhocism
-correspondence and notes from meetings between Nathan Silver, Charles and Roger Conover regarding the revised version of Adhocism
-typescript document titled 'Adhocism introduction material' with annotations
-typescript corrections to colour proofs
-print-out of a [Wikipedia] article on Matera
-typescript document titled 'Descriptive terms and neologisms we've used in Adhocism NS 24 Jul 12'
-typescript document titled 'Notes on rereading Adhocism: The case for improvisation, 1972 for CJ from NS 22 Jul 12 and INCOMPLETE'
-print-out of a [Wikipedia] article on the platypus
-slides in plastic wallets
Bundle of loose papers including:
-The MIT Press Spring 2013 brochure
-envelope of photographs possibly showing furniture in a domestic interior, possibly Charles' Wimpole Street flat
-cuttings of article by Edwin Heathcote
-photocopied reviews of Adhocism [1973]
-colour proofs for the revised edition of Adhocism
-details of flights to Hong Kong for the opening of the Maggie's Centre
-visit to The Garden of Cosmic Speculation by Mary-Jane Rubenstein
-correspondence betwee Charles, Nathan Silver and Roger Conover regarding the revised edition of Adhocism
-typescript document titled 'The Style of Eureka' by Charles
-colour proofs
-news cuttings
-typescript document titled 'Afterword (final version, now cut - 17 Sep 12)' by Nathan Silver
-marketing guidance from MIT Press
Contents of a folder labelled 'A+U Architect vs. Critic'. Folder contains 1 box of slides [catalogued separately as CJA-AVC-1-a] and also includes:
-colour slides of Maggie by the Trompe l'oeil painting by Dorothy Girouard in their Chelsea flat, and colour printed versions of the same images
-folder for FM Productions California used to hold a large number of photographs including b&w prints and polaroids and colour prints, mostly photographs used to illustrate the A+U article
-manuscript notes headed 'Architect Versus Critic' with an outline of the article and headings ticked off, including a to-do list at the bottom; written on the reverse of handwritten notes about The Thematic House
-photocopies of illustrations headed 'Die Lufft' and 'Die Erde', annotated on reverse 'Cesare Ripa, Baroque & Rococo Pictorial Imagery, Dover'
-cutting from Building Design 10 Aug 1984, review by Sheena Wilson of Godfrey Golzen's 'How Architects Get Work'
-leaflet from the Architecture Press titled 'Avoid litigation! 3 books to keep you out of trouble'
-photocopy of the Jencksiana font
-b&w photograph of the Elemental House
-sheet of 16 slides showing various furniture and designs by Charles
-sheet of 14 slides showing various furniture and designs by Charles
-colour and b&w photographs of furniture designed by Charles for the Chelsea flat and 19 Landsdowne Walk [some are loose and some are glued to sheets of plain paper]
-typescript letter from Officina Alessi enclosing colour slides of the tea and coffee set and giving news of its presentation in New York and Milan, 1983
-manuscript letter on Patrizia Scarzello Architect headed paper regarding the Alessi collaboration, 1983
-typescript document on yellow and white lined paper titled 'The Thematic House The Matic How See Design Credits'
-manuscript to-do list relating to 19 Lansdowne Walk
-typescript on pink paper headed 'Programme for an Anglo-Chinese Bed' with pencil sketches
-pencil and coloured pencil drawings of a bed
-copy letter from Charles to William on UCLA headed paper sending symbolic programmes and drawings, 1985
-copy letter from Charles to Caroline and William regarding the design for the bed
-printed proofs of line drawings
-pen and ink drawing on tracing paper used as illustration on the RIBA poster
-poster for a lecture by Charles at RIBA titled 'Post-Modernism - the true inheritor of modernism', 1982 [folded]
