Includes three slides boxes as well as:
-colour transparency strip
-leaflet titled 'Prima, Mostra Internazionale di Architettura' [bilingual Italian/English)
-pencil drawings and diagrams
-ink and coloured pencil drawing attached to foamboard showing a pencil and a book labelled ‘all the wasms have become isms’
-room layout sketch with explanation
-La Biennale di Venezia headed paper
-press cuttings
-typescript reproduced pamphlet titled ‘Post-Modern Architecture’ with a text by Charles and lists of slides. Multiple versions with corrections, annotations and alterations to the slides list
-copy manuscript letter to 'Pete’' regarding his symposium at the Venice Biennale
-photocopied typescript documents from the Architecture Department, La Biennale di Venezia, including lists of names of architects with manuscript annotations
-manuscript notes
-photocopied manuscript lists of names with Charles’ annotations
-photocopied typescript document headed ‘Giuseppe Galasso’ regarding the role of Architecture in the Biennale
-photocopied plans, some with manuscript annotations
-correspondence with the Fort Mason Center, San Francisco requesting a set of the slides, with Charles’ annotations regarding reply, and typescript copy reply
-manuscript notes of architects names under categories; one page headed USA
-photocopy of the Evolutionary Tree
-manuscript letter from 'Kitty & Ned' enclosing an article from New York
-topographic plan of Milan from Domus 506, gennaio 1972
-photocopied sketches
-typescript document titled 'Program of the Façade in the Venice Biennale/Programma Relativo alla Facciata Nella Mostra Della Biennale'
-typescript titled ‘The Counter-Reformation in Architecture: Reflections on the 1980 Venice Biennale’ by Charles with manuscript annotations
-photocopied letter from Paolo Portoghesi thanking Charles for the material concerning the 'Mosque of London’ and inviting him to be on the experts committee for the Venice Biennale
-typescript letter from Paolo Portoghesi with further details about the Biennale, an Italian translation of Charles’ book and sending photos of the Mosque.
-manuscript notes of architects names under categories; page headed Japan
Contents of a box labelled '1 Thematic 1979-81 '.
Includes colour slides of Nan's Rom, the Architectural Library, Indian Summer, the Solar Stair and the Winter fireplace during construction, as well as photographs of people on the roof of the Architectural Library, one of which is labelled 'Marcia'. Many of the slides are annotated 'Terrace Hse' with one labelled 'Jencks elev.'. There is also a slide of Ulysse Pagliazizi 'Before The Fall' 1983.
-typescript document titled 'AA Adhoc lecture 24 October 2013' with an overview of the content and a biography, and Charles' manuscript notes for the same on the reverse of printed-out e-mails making arrangements for the lecture
-negatives and contact sheet prints of images used in Adhocism and furniture, possibly at Charles' Wimpole Street flat
-arrangements for an event at the V&A with Charles, Nathan Silver and Martino Gamper
-contract with MIT Press for the publication of the revised version of Adhocism
-correspondence and notes from meetings between Nathan Silver, Charles and Roger Conover regarding the revised version of Adhocism
-typescript document titled 'Adhocism introduction material' with annotations
-typescript corrections to colour proofs
-print-out of a [Wikipedia] article on Matera
-typescript document titled 'Descriptive terms and neologisms we've used in Adhocism NS 24 Jul 12'
-typescript document titled 'Notes on rereading Adhocism: The case for improvisation, 1972 for CJ from NS 22 Jul 12 and INCOMPLETE'
-print-out of a [Wikipedia] article on the platypus
-slides in plastic wallets
Bundle of documents found loose on the shelf.
Includes:
-photograph of Jane Fonda in Barbarella
-colour and b&w transparencies marked up for publication
-photocopy floorplan for the Omnimax Theatre Alternative
-colour photograph of powerhouse::uk
-colour photograph of Groninger Museum, marked up for publication
-sheet of slides labelled 'Ecs. Nature 1+2 France = [illegible]', 14 slides in 20 pockets
-sheet of slides labelled '4 Ecstatic empathy with 1) face + mood 2) body + gesture and 5 [illegible]', 18 slides in 20 pockets
-plastic ziplock bag [removed for conservation reasons] containing colour transparencies, prints and floor plans labelled 'Coop Himmelblau'
-fax titled 'The Dissipation of Our Bodies in the City' from Coop Himmelblau with a covering notes asking to replace the previous text with this one, and [faxed] text titled 'The Architecture of Clouds', crossed out and annotated 'No', 1988
-sheet of slides labelled '5 Roccoco and Art Nouveau' crossed out and replaced with 'COATES ECSTACITY', 8 slides in 20 pockets
-photocopy ['Statue of Olympian Zeus, made by Phidias in gold and ivory, drawn after Pausanias's ' by Fischer von Erlach]
-Royal Academy of Arts branded folder annotated 'Ecstatic Architecture symposium' containing manuscript notes on the reverse of programmes for the International Symposium on Ecstatic Space at the Royal Academy, 17 Nov 1997; fax titled 'Paolo Portoghesi 'Ekstasis' with a covering message, 1997; partial fax with a list of potential events and speakers, annotated, 2 Sep 1997; New Titles from Academy Editions Autumn/Winter 1997; printed texts from the event participants.
-photocopy ['The Colossus of Rhodes' by Fischer von Erlach]
-photocopy ['Mount Athos and the Athos peninsula' by Fischer von Erlach
-press release 'Atelier Mendini '90-'94' at the Groninger Museum
-cutting 'Schiphol via Tokyo' [Branson Coates] Blueprint Mar 1994
-typescript letter on Branson Coates Architecture Limited headed paper enclosing cuttings and press released for current work, 1994
-press release from the Tate Gallery 'Architectural Competition for new Tate Gallery of Modern Art at Bankside', 1994
-cutting 'Who's who at Bankside' Building Design 30 Sep 1994
Publisher: Faber & Faber Ltd.
Inserted: slides of graphics and diagrams relating to Rogers' buildings; manuscript notes on the reverse of an invitation to the Forum Guest Lecture given by Richard Rogers on 25 Sep 1997; press cuttings.
Rogers, Richard George