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9 pen drawings on tracing paper labelled as follows:
1 - Side Elevation : Structure
Side Elevation : Ideas - 1
Side Elevation : Ideas - 2
1 - Rear Elevation : Structure
2 - Rear Elevation : Structure
Rear Elevation : Ideas - 1
Rear Elevation : Ideas - 2
Rear Elevation : Ideas - 3
Rear Elevation : Ideas - 4

The drawings labelled 'structure' each have a key showing 'Existing openings - to be left', 'Existing openings - to be filled in' and 'New Openings proposed'. The drawings labelled 'ideas' are alternative proposals for the West and Rear elevations.

Contents of a folder labelled 'Lansdowne Walk Correspondence and invoices, 1982-1983'

Includes:
-correspondence from Terry Farrell Partnership regarding issues with the chimneys and potential resolution
-manuscript invoices and correspondence from Valentine Abbatt for blinds, curtains, bedcovers and cushions
-Certificate of Employers' Liability Insurance for Maggie
-manuscript invoices from Bill Reed including details of how long each drawing took
-transaction statement for Charles' account with GSF International/Votainer
-estimate for work by Spiral Staircase Systems
-detailed manuscript invoice from Ray Watson for work on the mosaic and receipt
-manuscript letter from Teresa regarding lettering, with contact details of another letterer
-statement of Charles' account with Sandell Perkins and annotated correction
-advertisement for a mezzotint of Canaletto's Eton College
-delivery note from Sandell Perkins
-manuscript letter from Celia [Scott] regarding the patination of Vulcan [sic] and including a sketch of the bust, 1983
-correspondence from Matheson Trust Co Limited regarding payments
-manuscript letter and invoice from Penny [Jencks]
-invoice from Royal College of Art for casting bronze bust
-typescript letter from Tessa Codrington, photographer regarding plans and fees for photographing the house
-invoice from Jumbo Electronics Co (UK) Ltd for hi-fi equipment
-Customs Import Entry form for shipment from Penelope Jencks
-typescript letter and invoice from Michael Graves, architect
-manuscript invoice from Harriet Wynter Ltd
-manuscript and typescript correspondence from Ian Hamilton Finlay on Little Sparta headed paper regarding visits, gifts, and gardens.
-copy manuscript notes headed 'Thematic House Treatment'
-typescript letters from After Image regarding potential television programmes for Channel 4
-invoice from bathroom tiles
-invoice from Eddie O'Brien
-payment for an Austrian Cherry wood chair
-correspondence regarding damp with neighbouring properties and party wall issues
-copy letter from Charles regarding the latest version of the alphabet
-copy typescript snag lists for May, July and August 1982 with manuscript annotations
-manuscript invoices for exterior axonometric drawings from David W [Feldman]
-invoice for drawing's of 'your study' from Helen Roe
-order for office furniture from Ryman
-invoice from Home Decorating (Wallpapers) Limited
-invoices from Nu-Line Painted Ltd
-typescript letter from Ann Barr at Harpers & Queen requesting to write about the house
-typescript letter from Drusilla Beyfus of Vogue regarding a visit to the house, and draft reply from Charles
-copy letter from Terry Farrell Partnership to the Royal Borough of Kensington and Chelsea regarding planning permission in relation to the garden stair
-invoice from The Alpha Mosaic & Terrazzo Co Ltd
-invoice from Edward Heath regarding drawings of drainwork
-invoices from Johnny Grey Design
-invoices and correspondence from Ilinca Cantacuzino
-invoice from Hodgson Brothers
-invoice from terry Farrell Partnership for expenditure by Richard Solomon
-Typescript letter from Ralph Lebens regarding measurements
-correspondence between Terry Farrell Partnership and Notable Heating Ltd regarding changes to radiators
-specification and quotation for work by Chubb, with manuscript list of suggested alarms
-newspaper cutting regarding the demolition of Kensington Town Hall
-invoice for interim payment from Terry Farrell Partnership
-correspondence from Terry Farrell Partnership regarding work by Jim Dixon

Comb-bound A3 volume titled 'Landform for The Scottish National Gallery of Modern Art: A proposal by Charles Jencks, Terry Farrell & Partners; Ian White Associates; 20 November 2000'. Illustrated throughout with colour and b&w illustrations.

Headings includes:
-What landforms would do
-Four schemes compared
-The Stretched S or Serpent
-Portrack Garden and other precedents
-Planning Permission
-Virtual reality simulation
-Construction process

Inserted:
-plastic slide holder with 9 spaces, containing 4 slides; cutting from New Scientist 14 Oct 2006 with an illustration of Chinese paddy fields; colour photograph of paddy fields
-b&w print-out diagram headed 'GPS workshop'
-plastic slide holder with 8 spaces, containing 7 slides
-colour photographs of people visiting Landform UEDA
-coloured in photocopy sketch design
-colour print-out on photographic paper annotated on reverse 'Caro solution model'
-b&w computer model print-out

Contents of a folder labelled 'Thematic House: Engineering Report'.

Includes:
-Unlabelled perspective drawings (folded)
-Annex Plans by Farrell/Grimshaw Partnership June 1979 with pen annotations (folded)
-felt tip pen on tracing paper labelled 'Rear Elevation; Jencks' House Nov '78 (folded)
-comb-bound printed report by ACRAED titled 'A Feasibility Study of Passive Solar Heating for the Jenks House 19 Lansdown Walk, London March 1979' [sic] including 8 options for insulation and glazing of the house and conservatory with a comparison of predicted heating loads and costs.
-Notes in ink on tracing paper titled 'Design Solutions + Performance Analysis?' mainly regarding insulation, heating and solar energy collection (folded)
-calculation sheets from David French & Partners labelled 'preliminary' detailing loading calculations, with ink sketches on reverse

Contents of a folder labelled 'Thematic House: Ground Floor; Winter Spring rejects; Sundial rejects'

Includes:
-b&w photographs of clay head, one labelled 'Early Spring'
-colour slides of the Samuel Eliot Morison sculpture by Penelope Jencks
-pencil designs for furniture
-pencil designs on tracing paper for seating in Spring
-photocopy elevations of the Spring fireplace
-typescript list of marble colours for the Spring and Winter fireplaces on Michael Graves headed paper
-photocopy design for astrological symbols
-photocopy titled 'Jencks Fireplace: wall stencil' with colour key, and used stencils
-photocopy of Botticelli's Primavera from an unknown publication
-typescript 'Sculptural Program for Spring Fireplace'
-whiteprint by Michael Graves Architect titled 'Spring Fireplace: Terrace House', 1983, folded
-manuscript letter from [Penelope Jencks] to Charles regarding sculpture costs on the back of a photocopy letter relating to the Morison Monument
-typescript notes on Winter and Hephaestus
-photocopy from an unknown publication relating to Hephaestus
-pencil plans for terrace seating in the Architectural Library
-pencil sketch plan on tracing paper
-b&w polaroid photographs of Spring annotated in pen with numbers and attached to a piece of paper. Pencil annotations on the paper regarding the use of the photographs
-whiteprint by Michael Graves Architect titled 'Terrace House Fireplace, Mar 1982', folded. Two copies, one has the bottom corner cut out but still with the whiteprint, the other has some pencil annotations
-whiteprint by Terry Farrell Partnership titled 'Terrace House: Survey - Winter Chimneybreast', Nov 1981, folded. Two copies, one has a fireplace drawn on in pencil.
-pencil and pen designs for seating in the Sundial Arcade
-pencil manuscript notes titled 'Hephaestus Program'
-copy letters from Charles to Michael Graves regarding commissions for the fireplaces and possible sculptors for Spring
-colour photograph of an unidentified sculpture
-pencil sketch on tracing paper of the ceiling in Winter
-heavily annotated Ground Floor plan with alternative room arrangements and notes of problems
-sundial diagram by Mark Lennox-Boyd with covering note