9 pen drawings on tracing paper labelled as follows:
1 - Side Elevation : Structure
Side Elevation : Ideas - 1
Side Elevation : Ideas - 2
1 - Rear Elevation : Structure
2 - Rear Elevation : Structure
Rear Elevation : Ideas - 1
Rear Elevation : Ideas - 2
Rear Elevation : Ideas - 3
Rear Elevation : Ideas - 4
The drawings labelled 'structure' each have a key showing 'Existing openings - to be left', 'Existing openings - to be filled in' and 'New Openings proposed'. The drawings labelled 'ideas' are alternative proposals for the West and Rear elevations.
Contents of a folder labelled 'Lansdowne Walk Correspondence and invoices, 1982-1983'
Includes:
-correspondence from Terry Farrell Partnership regarding issues with the chimneys and potential resolution
-manuscript invoices and correspondence from Valentine Abbatt for blinds, curtains, bedcovers and cushions
-Certificate of Employers' Liability Insurance for Maggie
-manuscript invoices from Bill Reed including details of how long each drawing took
-transaction statement for Charles' account with GSF International/Votainer
-estimate for work by Spiral Staircase Systems
-detailed manuscript invoice from Ray Watson for work on the mosaic and receipt
-manuscript letter from Teresa regarding lettering, with contact details of another letterer
-statement of Charles' account with Sandell Perkins and annotated correction
-advertisement for a mezzotint of Canaletto's Eton College
-delivery note from Sandell Perkins
-manuscript letter from Celia [Scott] regarding the patination of Vulcan [sic] and including a sketch of the bust, 1983
-correspondence from Matheson Trust Co Limited regarding payments
-manuscript letter and invoice from Penny [Jencks]
-invoice from Royal College of Art for casting bronze bust
-typescript letter from Tessa Codrington, photographer regarding plans and fees for photographing the house
-invoice from Jumbo Electronics Co (UK) Ltd for hi-fi equipment
-Customs Import Entry form for shipment from Penelope Jencks
-typescript letter and invoice from Michael Graves, architect
-manuscript invoice from Harriet Wynter Ltd
-manuscript and typescript correspondence from Ian Hamilton Finlay on Little Sparta headed paper regarding visits, gifts, and gardens.
-copy manuscript notes headed 'Thematic House Treatment'
-typescript letters from After Image regarding potential television programmes for Channel 4
-invoice from bathroom tiles
-invoice from Eddie O'Brien
-payment for an Austrian Cherry wood chair
-correspondence regarding damp with neighbouring properties and party wall issues
-copy letter from Charles regarding the latest version of the alphabet
-copy typescript snag lists for May, July and August 1982 with manuscript annotations
-manuscript invoices for exterior axonometric drawings from David W [Feldman]
-invoice for drawing's of 'your study' from Helen Roe
-order for office furniture from Ryman
-invoice from Home Decorating (Wallpapers) Limited
-invoices from Nu-Line Painted Ltd
-typescript letter from Ann Barr at Harpers & Queen requesting to write about the house
-typescript letter from Drusilla Beyfus of Vogue regarding a visit to the house, and draft reply from Charles
-copy letter from Terry Farrell Partnership to the Royal Borough of Kensington and Chelsea regarding planning permission in relation to the garden stair
-invoice from The Alpha Mosaic & Terrazzo Co Ltd
-invoice from Edward Heath regarding drawings of drainwork
-invoices from Johnny Grey Design
-invoices and correspondence from Ilinca Cantacuzino
-invoice from Hodgson Brothers
-invoice from terry Farrell Partnership for expenditure by Richard Solomon
-Typescript letter from Ralph Lebens regarding measurements
-correspondence between Terry Farrell Partnership and Notable Heating Ltd regarding changes to radiators
-specification and quotation for work by Chubb, with manuscript list of suggested alarms
-newspaper cutting regarding the demolition of Kensington Town Hall
-invoice for interim payment from Terry Farrell Partnership
-correspondence from Terry Farrell Partnership regarding work by Jim Dixon
-faxed plan with ink annotations and post-it note headed 'Alistair'
-faxed plans and drawings
-Plan labelled 'National Galleries of Sctland: Landform: as built grades at front driveway: 02.05.02 [folded]
-design by Terry Farrell & Partmers labelled 'SNGMA Landform: Running Fence Elevation Scale 1:200 August 2001'
-copy manuscript costs
-manuscript fax from Charles to Duncan Whatmore with a drawing of a rough site plan and fencing
-typescript letter from Charles to Duncan Whatmore confirming the split of labour and fees, 2002
-pencil drawings on plain paper and tracing paper
-Land drainage and Fencing: National Galleries of Scotland: Landform: Ian White Associates, 19 Mar 2001 [folded]
-typescript document titled 'Landforms in Edinburgh' with a list of project partners and contact details
-computer-generated drawings labelled '106/Jencks Landform/15 September 1999' and 'coevolution'
-manuscript faxes from Charles to Duncan Whatmore and John Farquhar at Ian White Associates discussing different options for the site and its constraints, 2001
-faxed [faded] drawings with ink additions, 2001
-typescript fax [faded] from John Farquhar at Ian White Associates to Charles sending plans, 2001
-copy typescript letter from Ian White Associates to Dew Construction Limited raising concerns about the completion of work on the Landform, 2002
-1:200 computer print-out scale plan of the shite with ink annotations (mostly numbers) [folded]
-typescript fax (faded) from Duncan Whatmore at Terry Farrell & Partners making suggestions based on Charles' designs including pumps, relocation of the Graham sculpture and costs, 1999
-typescript fax from John Farquhar at Ian White Associates regarding the change of meeting time, and manuscript reponse from Charles, 2002
-typescript invoices for work on the Landform Ramp/Steps/Triangle Entrance June-July 2002
-manuscript and copy manuscript notes of expenses
-typescript copy letter from Charles to Richard Calvocoressi sending his response to seeing the landform in use, discussing snagging and costs, 2002
-computer-generated drawings labelled '106/Jencks Landform/Block Model 2/24 November 1999' and 'coevolution'
-typescript letter from Helen Jackson on coevolution headed paper to Richard Calvocoressi sending images illustrating Charles' design for the landform, and comparisons with previous version, 1999
-typescript letter from Helen Jackson on coevolution headed paper to Press and Information Department, National Galleries of Scotland, celebrating the publication of the visualisation in the Edinburgh Evening News, 1999
-typescript letter from Helen Jackson on coevolution headed paper to Duncan Whatmore, Terry Farrell & Partners, sending sections of the revised Gallery of Modern Art landform model
-typescript fax from Duncan Whatmore, Terry Farrell & Partners, forwarding a fax to coevolution arranging to meet resolve path junctions, widths and positions
-typescript copy letter from Calvocoressi to the Chairman, Director and Trustees of the Scottish National Gallery of Modern Art proposing a trip to The Garden of Cosmic Speculation to discuss the landform proposals, 1998
-copy letter from Thomas Florey at Smiths Gore , regarding delays to the High Kilroy Farmhouse project with details fo costs, 2004
-manuscript note from Charles to Bunny, with draft letter relating to High Kilroy, 2004
-typescript letter from Smiths Gore to Charles responding to his queries about High Kilroy, 2004
-typescript letter from Smiths Gore to Charles regarding progress at High Kilroy Farmhouse, and a barn conversion, 2003
-estimate from R. Jardine for work at High Kilroy Farmhouse, Portrack estate, 2003
-colour print-outs of computer-generated images overlaid on photographs, branded 'coevolution'.
Comb-bound A3 volume titled 'Landform for The Scottish National Gallery of Modern Art: A proposal by Charles Jencks, Terry Farrell & Partners; Ian White Associates; 20 November 2000'. Illustrated throughout with colour and b&w illustrations.
Headings includes:
-What landforms would do
-Four schemes compared
-The Stretched S or Serpent
-Portrack Garden and other precedents
-Planning Permission
-Virtual reality simulation
-Construction process
Inserted:
-plastic slide holder with 9 spaces, containing 4 slides; cutting from New Scientist 14 Oct 2006 with an illustration of Chinese paddy fields; colour photograph of paddy fields
-b&w print-out diagram headed 'GPS workshop'
-plastic slide holder with 8 spaces, containing 7 slides
-colour photographs of people visiting Landform UEDA
-coloured in photocopy sketch design
-colour print-out on photographic paper annotated on reverse 'Caro solution model'
-b&w computer model print-out
-whiteprint labelled 'Ground Floor Plan Electrics/Drainage' by Terry Farrell Partnership, Oct 1980. Annotations in coloured pencil (folded)
-whiteprint labelled 'Annex sections' by Farrell/Grimshaw Partnership, Jul 1979 (folded)
-photocopy of a second floor plan by Terry Farrell Partnership, Oct 1980, with pencil annotations (folded)
-whiteprint labelled 'Final Design Drawing: Lower Ground Floor Plan' by Terry Farrell Partnership, Sep 1980, with pencil annotations (folded)
-whiteprint labelled 'Proposed conservatory addition' by Farrell/Grimshaw Partnership, Jun 1979 (folded)
-photocopy of a drawing labelled 'Final Design Drawing: First Floor Plan' by Terry Farrell Partnership, Oct 1980, with pencil and red ink annotations, with notes for the bedroom of The Matic House (folded)
-photocopied drawing labelled 'Cabinets and kitchen' by Terry Farrell Partnership, Aug 1981, with pencil annotations (folded)
Contents of a folder labelled 'Thematic House: Engineering Report'.
Includes:
-Unlabelled perspective drawings (folded)
-Annex Plans by Farrell/Grimshaw Partnership June 1979 with pen annotations (folded)
-felt tip pen on tracing paper labelled 'Rear Elevation; Jencks' House Nov '78 (folded)
-comb-bound printed report by ACRAED titled 'A Feasibility Study of Passive Solar Heating for the Jenks House 19 Lansdown Walk, London March 1979' [sic] including 8 options for insulation and glazing of the house and conservatory with a comparison of predicted heating loads and costs.
-Notes in ink on tracing paper titled 'Design Solutions + Performance Analysis?' mainly regarding insulation, heating and solar energy collection (folded)
-calculation sheets from David French & Partners labelled 'preliminary' detailing loading calculations, with ink sketches on reverse
Contents of a folder labelled 'Thematic House: Ground Floor; Winter Spring rejects; Sundial rejects'
Includes:
-b&w photographs of clay head, one labelled 'Early Spring'
-colour slides of the Samuel Eliot Morison sculpture by Penelope Jencks
-pencil designs for furniture
-pencil designs on tracing paper for seating in Spring
-photocopy elevations of the Spring fireplace
-typescript list of marble colours for the Spring and Winter fireplaces on Michael Graves headed paper
-photocopy design for astrological symbols
-photocopy titled 'Jencks Fireplace: wall stencil' with colour key, and used stencils
-photocopy of Botticelli's Primavera from an unknown publication
-typescript 'Sculptural Program for Spring Fireplace'
-whiteprint by Michael Graves Architect titled 'Spring Fireplace: Terrace House', 1983, folded
-manuscript letter from [Penelope Jencks] to Charles regarding sculpture costs on the back of a photocopy letter relating to the Morison Monument
-typescript notes on Winter and Hephaestus
-photocopy from an unknown publication relating to Hephaestus
-pencil plans for terrace seating in the Architectural Library
-pencil sketch plan on tracing paper
-b&w polaroid photographs of Spring annotated in pen with numbers and attached to a piece of paper. Pencil annotations on the paper regarding the use of the photographs
-whiteprint by Michael Graves Architect titled 'Terrace House Fireplace, Mar 1982', folded. Two copies, one has the bottom corner cut out but still with the whiteprint, the other has some pencil annotations
-whiteprint by Terry Farrell Partnership titled 'Terrace House: Survey - Winter Chimneybreast', Nov 1981, folded. Two copies, one has a fireplace drawn on in pencil.
-pencil and pen designs for seating in the Sundial Arcade
-pencil manuscript notes titled 'Hephaestus Program'
-copy letters from Charles to Michael Graves regarding commissions for the fireplaces and possible sculptors for Spring
-colour photograph of an unidentified sculpture
-pencil sketch on tracing paper of the ceiling in Winter
-heavily annotated Ground Floor plan with alternative room arrangements and notes of problems
-sundial diagram by Mark Lennox-Boyd with covering note
Contents of a folder labelled 'Plans - Designs - Sketches: Lily's Room - Lilies; Bathroom; Floor plans'.
Includes:
-whiteprint plan of Lily's Room, coloured in with coloured pencil (folded)
-whiteprint plan of Nan's Room, coloured in with coloured pencil (folded)
-photocopy design for the Room of Doubles with pen annotations
-whiteprint plan of the kitchen with appliances indicated (folded)
-photocopies plan of Nan's bathroom with pencil annotations
-pencil perspective sketch of the Bathpool
-photocopy sketch of decorative elements of Indian Summer
-photocopy perspective sketch of Winter and Spring
-photocopy sketch designs for furniture in the Architectural Library
-photocopy sketch of designs for the Moonwell
-photocopy sketch of designs for Jacob's Ladder labelled 'CJ Dressing Room'
-pencil and coloured pencil sketch with measurements of the Sundial Arcade
-photocopy plan by Terry Farrell Partnership titled 'Main Bedroom Plan' dated 20 Apr 1982 with detailed list of work to be done across the house handwritten in pencil on reverse and titled 'Punch List'.
-photocopied designs for Lilies by various artists from an unidentified publication
-pencil sketches of lilies
-pencil perspective sketch of the Bathpool with design for bathroom cabinet
-pencil design for a mirror and sink titled 'Shower bathroom'
-pencil plan titled 'MK's Study'
-pencil design with measurements for a bookcase
-bundle of papers with a sheet labelled '2 Themes and an Allegory: The Thematic House'. Includes photocopy typescript document titled 'The Thematic House - The Matic How See' regarding the passage of time and listing 15 themes in the house; pencil manuscript notes titled 'Foursquare Room'; typescript notes on Los Angeles; School of Architecture and Urban Planning notepaper titled 'Allegory: MK. Architecture Defeated/Architecture Triumphant'.
-pencil drawings of birds and flowers
-pencil plan of the Bathpool titled 'Main Bedroom Bathroom'
-pencil design for the bed and desk in Lily's Room
-whiteprint by Terry Farrell Partnership titled 'Cabinets & Kitchen' Aug 1981 (folded)
-whiteprint by Terry Farrell Partnership titled 'Final Design Drawing First Floor Plan' Oct 1980 (folded)
-whiteprint by Terry Farrell Partnership titled 'Final Design Drawing Second Floor Plan' Oct 1980 (folded)
-whiteprint by Terry Farrell Partnership titled 'Final Design Drawing Lower Ground Floor Plan' Oct 1980 (folded)
-pencil and coloured pencil sketches of the Sundial Arcade with notes; one page is on the reverse of a draft submission to the International Design Yearbook [submission date 1 Dec 1984]
-pen sketches of Egyptian wall paintings titled 'Sun well'
-pen sketch plan on tracing paper showing the ground floor
-photocopied final drawing for Lily's Room, Spoonglyphs, Architectural Library and Bookhouses
-biro drawing
-pencil notes and sketch titled 'Lily's Room' with names of lilies
-pen and pencil plans and sketches for Lily's Room, including measured plan dated 31 July 1982 and initialled 'M'
-biro sketches for intertwining C/J/M/L initials
-photocopied lily designs from unknown publications
-pencil sketch on tracing paper labelled 'Lily's Room'
-sketches for lilies [ON LOAN]