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Contents of a folder labelled 'Lansdowne Walk Correspondence and invoices, 1982-1983'

Includes:
-correspondence from Terry Farrell Partnership regarding issues with the chimneys and potential resolution
-manuscript invoices and correspondence from Valentine Abbatt for blinds, curtains, bedcovers and cushions
-Certificate of Employers' Liability Insurance for Maggie
-manuscript invoices from Bill Reed including details of how long each drawing took
-transaction statement for Charles' account with GSF International/Votainer
-estimate for work by Spiral Staircase Systems
-detailed manuscript invoice from Ray Watson for work on the mosaic and receipt
-manuscript letter from Teresa regarding lettering, with contact details of another letterer
-statement of Charles' account with Sandell Perkins and annotated correction
-advertisement for a mezzotint of Canaletto's Eton College
-delivery note from Sandell Perkins
-manuscript letter from Celia [Scott] regarding the patination of Vulcan [sic] and including a sketch of the bust, 1983
-correspondence from Matheson Trust Co Limited regarding payments
-manuscript letter and invoice from Penny [Jencks]
-invoice from Royal College of Art for casting bronze bust
-typescript letter from Tessa Codrington, photographer regarding plans and fees for photographing the house
-invoice from Jumbo Electronics Co (UK) Ltd for hi-fi equipment
-Customs Import Entry form for shipment from Penelope Jencks
-typescript letter and invoice from Michael Graves, architect
-manuscript invoice from Harriet Wynter Ltd
-manuscript and typescript correspondence from Ian Hamilton Finlay on Little Sparta headed paper regarding visits, gifts, and gardens.
-copy manuscript notes headed 'Thematic House Treatment'
-typescript letters from After Image regarding potential television programmes for Channel 4
-invoice from bathroom tiles
-invoice from Eddie O'Brien
-payment for an Austrian Cherry wood chair
-correspondence regarding damp with neighbouring properties and party wall issues
-copy letter from Charles regarding the latest version of the alphabet
-copy typescript snag lists for May, July and August 1982 with manuscript annotations
-manuscript invoices for exterior axonometric drawings from David W [Feldman]
-invoice for drawing's of 'your study' from Helen Roe
-order for office furniture from Ryman
-invoice from Home Decorating (Wallpapers) Limited
-invoices from Nu-Line Painted Ltd
-typescript letter from Ann Barr at Harpers & Queen requesting to write about the house
-typescript letter from Drusilla Beyfus of Vogue regarding a visit to the house, and draft reply from Charles
-copy letter from Terry Farrell Partnership to the Royal Borough of Kensington and Chelsea regarding planning permission in relation to the garden stair
-invoice from The Alpha Mosaic & Terrazzo Co Ltd
-invoice from Edward Heath regarding drawings of drainwork
-invoices from Johnny Grey Design
-invoices and correspondence from Ilinca Cantacuzino
-invoice from Hodgson Brothers
-invoice from terry Farrell Partnership for expenditure by Richard Solomon
-Typescript letter from Ralph Lebens regarding measurements
-correspondence between Terry Farrell Partnership and Notable Heating Ltd regarding changes to radiators
-specification and quotation for work by Chubb, with manuscript list of suggested alarms
-newspaper cutting regarding the demolition of Kensington Town Hall
-invoice for interim payment from Terry Farrell Partnership
-correspondence from Terry Farrell Partnership regarding work by Jim Dixon

Bundle of drawings with a covering page labelled 'Rear Elevation'. The bundle is wrapped in a whiteprint by Terry Farrell Partnership labelled 'C&M Jencks House: conservatory sketch Nov 1980' with manuscript annotations.

Within the bundle, there is also a smaller bundle of papers, also wrapped inside a whiteprint. This whiteprint is annotated 'Key Elevation. Done in Scotland June [crossed out]/July 1980. C. Jencks'. This bundle includes:
-photocopied drawings of windows
-pencil drawing on tracing paper of balustrades, folded
- whiteprint drawing of windows, doors and balustrades annotated 'key elevation. Done in Scotland. June 1980? [crossed out]. July 18, 1980. C Jencks'.
-photocopied elevation drawings with pen annotations
-whiteprint drawing by Terry Farrell Partnership titled 'Setting out Jacuzzi Elevation' Aug 1981, folded and used as a wrapper. Inside are a whiteprint drawing by Terry Farrell Partnership titled 'Rear Elevation' Feb 1981 [folded] and photocopied front elevations with pen annotations
-unlabelled whiteprints of front elevation and axonometric drawings, with a list of potential savings to be offset against the balustrading and columns
-whiteprint rear elevation annotated 'key elevation. Done in Scotland. June 1980? [crossed out]. July 18, 1980. C Jencks'.
-whiteprint front elevation with a note from Charles to Terry at the bottom
-unlabelled whiteprint front elevation, folded
-unlabelled whiteprint rear elevation, folded
-pencil drawing on tracing paper of the rear elevation and garden plan, with problems listed at the bottom, folded. Inside are a folded whiteprint version of the same drawing plus front and rear elevations and smaller pencil sketches on tracing paper.
-whiteprint axonometric drawing of the house and a proposed garden design including a grotto. Folded
-whiteprint drawing of windows with measurements, folded
-pencil sketches on tracing paper of Jencksiana designs
-whiteprint unlabelled rear elevation with manuscript notes and ink annotations, folded
-whiteprint sketch rear elevation
-whiteprint by Terry Farrell Partnership labelled 'Back Elevation (almost final design drawing)' Oct 1980, folded

The rest of the bundle includes:
-b&w polaroid photograph of the rear elevation
-unlabelled whiteprint rear elevation, folded
-whiteprint roof terrace plan, folded
-photocopy of a photograph of the rear elevation during construction
-photocopied window designs coloured in with felt tip pen
-unlabelled whiteprint rear elevations, folded
-b&w photograph of the house from the street during construction
-pencil sketch on tracing paper showing steps into the garden
-pencil sketch on tracing paper of the rear elevation
-unlabelled whiteprint of sketch rear elevations, used as a wrapper for photocopies of axonometric drawings of octagonal windows
-envelope labelled 'Penny & Anthropomorphism'
-photocopies from unknown publications showing figures representing abstract concepts
-pencil drawings of figures representing art and architecture, folded, with pencil manuscript correspondence inside from Penny [Jencks] regarding the figures and giving personal news
-manuscript letter from Penny [Jencks] to Charles written on an envelope discussing the figures.
-colour photographs of figures on buildings. The photographs have been glued to white paper with manuscript captions. [6 pages, the glue has failed on many of the photographs] with a manuscript covering letter from Charles to Penny
-colour reproduction of a building with figures either side of the window
-letter from John Cullen Lighting Design
-manuscript letter from Charles to Penny regarding termes by Hugues Sambin
-invitation to the St Botolph Club, Boston
-colour photograph of a clay sculpture
-invitation to and programme for the dedication of a statue to Admiral Samuel Eliot Morison by Penelope Jencks
-b&w photograph of the rear of the house during construction.

Contents of a folder labelled 'Thematic House: Ground Floor; Winter Spring rejects; Sundial rejects'

Includes:
-b&w photographs of clay head, one labelled 'Early Spring'
-colour slides of the Samuel Eliot Morison sculpture by Penelope Jencks
-pencil designs for furniture
-pencil designs on tracing paper for seating in Spring
-photocopy elevations of the Spring fireplace
-typescript list of marble colours for the Spring and Winter fireplaces on Michael Graves headed paper
-photocopy design for astrological symbols
-photocopy titled 'Jencks Fireplace: wall stencil' with colour key, and used stencils
-photocopy of Botticelli's Primavera from an unknown publication
-typescript 'Sculptural Program for Spring Fireplace'
-whiteprint by Michael Graves Architect titled 'Spring Fireplace: Terrace House', 1983, folded
-manuscript letter from [Penelope Jencks] to Charles regarding sculpture costs on the back of a photocopy letter relating to the Morison Monument
-typescript notes on Winter and Hephaestus
-photocopy from an unknown publication relating to Hephaestus
-pencil plans for terrace seating in the Architectural Library
-pencil sketch plan on tracing paper
-b&w polaroid photographs of Spring annotated in pen with numbers and attached to a piece of paper. Pencil annotations on the paper regarding the use of the photographs
-whiteprint by Michael Graves Architect titled 'Terrace House Fireplace, Mar 1982', folded. Two copies, one has the bottom corner cut out but still with the whiteprint, the other has some pencil annotations
-whiteprint by Terry Farrell Partnership titled 'Terrace House: Survey - Winter Chimneybreast', Nov 1981, folded. Two copies, one has a fireplace drawn on in pencil.
-pencil and pen designs for seating in the Sundial Arcade
-pencil manuscript notes titled 'Hephaestus Program'
-copy letters from Charles to Michael Graves regarding commissions for the fireplaces and possible sculptors for Spring
-colour photograph of an unidentified sculpture
-pencil sketch on tracing paper of the ceiling in Winter
-heavily annotated Ground Floor plan with alternative room arrangements and notes of problems
-sundial diagram by Mark Lennox-Boyd with covering note