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Contents of a folder labelled 'CJ Thesis Phd 1966-1970 UCL' in red ink, 'MOD-1945-MANU' and 'ACTIVE FILE' in blue ink, as well as a numbered list of names written in different inks (27 in total).

Includes:
-photograph of Charles in the front row of a lecture theatre, with some attendees using headphones (including Charles)
-typescript headed 'Chapter II A Theory of Value' with manuscript corrections and notes on the reverse
-manuscript notes headed [illegible] on trial Sept 1966?'
-envelope with manuscript notes on both sides headed 'what a boar to know Doctor Banham' and 'The Failure of Success', folded and used as a folder to hold: a review of Banham's The New Brutalism by Nikolaus Pevsner; typescript letter to the editor of The Guardian from Isaac Bickerstaff; cutting of a letter to the editor from Fred Partridge [publication unknown] and typescript version of the same letter with manuscript corrections; typescript letter to the editor signed Charles Jencks, Architectural Association in response to Reyner Banham and manuscript draft; typescript letter to the editor signed Fred Partridge in response to Reyner Banham; manuscript notes headed 'The flip side of Dr Banham'; review of Banham's The New Brutalism by Stephen Mullion from New Society 8 Dec 1966; article titled 'Monumental Folly' by Peter Hall, New Society 24 Oct 1968, annotated.
-typescript headed 'The Major Histories' with manuscript annotations
-manuscript notes on plain paper headed 'Pevsner'
-manuscript notes on plain and lined paper headed 'Banham' [possibly not all Charles' hand]
-typescript headed 'Giedion SpaceTime and Arch'
-manuscript notes headed 'Scully'
-manuscript notes headed 'Collins Changing Ideal in MA 1965 (reaction to Giedion & space)'
-manuscript notes headed 'Hitchcok Arch. 19th & 20th centuries' with biro sketches
-envelope labelled 'Historians: Pevsner, Banham 1966-1971, Summerson 1981-4, Pei' [empty]
-manuscript headed 'The Failure of Success' including a copy typescript letter from Charles to Mr De Carlo asking to be able to attend the Urbino meeting
-manuscript headed 'Banham Le Corbusier chapter'
-typescript copy letter from Charles to Reyner Banham responding to his criticisms
-manuscript comments [from Reyner Banham], titled by Charles 'Partially a response to Outline?'
-typescript and manuscript headed 'Foreward'
-manuscript letter and notes from Reyner Banham to Charles [letter on headed paper], attached to a typescript headed 'Aalto and some concepts of value
-typescript headed 'Modern Architecture' with manuscript notes [from Reyner Banham] attached
-typescript headed 'History as Myth: 1st revision, Banham notes'.
-typescript and manuscript notes headed 'Modern architecture - the tradition since 1945: a list of architects to be criticised'
-typescript diagram with numerical values applied to architect's names
-typescript headed 'Diagram Relation of American Architects'
-article from Time 2 Aug 1968 titled 'Modern Living'
-article from Newsweek 20 Mar 1967 titled 'The Architects Come Into Their Own', annotated
-article from the International Herald Tribune 29-30 May 1971 titled 'Celebrities Jam Gala Premiere at JFK Center', annotated
-article from The New York Times Magazine 17 Oct 1971 by Paul Goldberger, annotated
-manuscript diagram of architect's names headed 'Camp Non Camp'
-manuscript diagrams
-pages from ROBAJ Jun 1966, 'RIBA Annual Discourse' by Myron Goldsmith, annotated
-folded titled 'John Summerson + Charles Jencks, exchanges over PMC [Post-Modern Classicism] 1981, FSC [Freestyle Classicism] 1982, + TH [Thematic House] 1984 including manuscript letters from Summerson to Charles and typed copies; and copy typescript letters from Charles to Summerson; as well as: typescript headed 'The New Taboo: Ure Chisel'; a leaflet for Das Linz Café; typescript titled 'The Face of the Vernacular' and captions; a sketch labelled 'Validimir - Moscow 19/10/93'; a letter on Little Sparta headed paper from Ian [Hamilton Finlay] regarding the garden scheme; draft typescript letter from Charles on UCLA headed paper to I.M. Pei, 1983 and reply; letter from I.M. Pei to Henry Kewswick regarding Maggie, 2003
-typescript letter from Nikolaus Pevsner on Birkbeck College headed paper to Charles declining to supervise his thesis, and copy typescript reply from Charles; cuttings on Pevsner.

Guest-edited by Charles; includes an introduction and an article titled 'London Flat' by Charles [photos include Maggie and a Jencksiana]

Publisher: Academy Editions

Includes articles titled 'Post-Modernism and Discontinuity' and 'Post-Modernism and Eclectic Continuity' by Charles; 'Cathay in the West: Pavilions and a Chinese Garden in Bel Air, California' by Charles and Maggie; and 'Letters to the Editor: Designing a House' with a detailed response to Terry Farrell's article in a previous issue of AD, and Farrell's response.

Publisher: Academy Editions

Bundle of designs, plans and photographs. Each consists of a card support, with a the original drawing or photograph attached to the card with tape, and then tracing paper layered over the top with dimensions for reproduction.

Includes:
-Room of Doubles
-'South Elevation - CJ design'
-'Ground Floor - CJ design'
-[Ground Floor] - 'MK's original layout'
-'West Elevation'
-'MK's Garden Design Dec 78/Jan 79'
-'First Floor Alternative: A Stepped Study'
-detailed pencil plan with details of columns annotated 'Feb 19, 1979 This must be full page as it is described at length!!!'
-Front elevation annotated 'only bottom drawing'
-photocopied front elevation
-'TFP proposed longitudonal[sic] section Jan 1979'
-'CJ Sketch Nov 78'
-b&w photograph of Nan's Room and of a staircase pre-renovation.
-'First Floor CJ Design'
-section of the house
-photocopy of a sketch of the Room of Doubles with birds drawn around it
-typescript text on The Sun Chair
-CJ sketch Oct 78 annotated 'must be Nov?'
-b&w photographs of chairs

Contents of a folder labelled "1st Schemes: Lansdowne Walk: CJ & M. Fisher 1978' with 'July-Oct 1978' annotated in a different pen.

The folder includes:
-b&w photograph of the original stairwell
-ink drawings on tracing paper by Charles including the South Elevation, West Elevation, Ground Floor plan, First Floor plan and an unlabelled section of the house
-Maggie's original ink design of the ground floor on tracing paper
-photocopies of the original designs
-rough sketches and notes in ink on graph and lined paper
-ink and pencil sketches on plain paper and tracing paper, including alternative front elevation design
-pencil floor plans on plain and tracing paper
-photocopies of elevations, sections and floor plans labelled 'as proposed by Charles Jencks'
-typescript and manuscript correspondence from Fisher Associates regarding hourly rates, planning applications and estimates for roof repairs; the letters also include personal notes from Michael Fisher
-drawing by Fisher Associates of the Proposed Front Elevation (folded)
-rough ink sketches of floor plans on plain paper
-elevation drawing (folded)
-typescript document with multiple pen and pencil annotations by Charles on yellow and white lined paper. The document was originally titled 'The Thematic House/ The Matic How See/Design Credits' but this title is crossed through and it has been labelled 'Appendix: Design credits at the Thematic House'. The document gives a detailed history of the development of designs for The Thematic House both overall and on a room-by-room basis.