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Contents of a folder labelled 'Thematic House: Ground Floor; Winter Spring rejects; Sundial rejects'

Includes:
-b&w photographs of clay head, one labelled 'Early Spring'
-colour slides of the Samuel Eliot Morison sculpture by Penelope Jencks
-pencil designs for furniture
-pencil designs on tracing paper for seating in Spring
-photocopy elevations of the Spring fireplace
-typescript list of marble colours for the Spring and Winter fireplaces on Michael Graves headed paper
-photocopy design for astrological symbols
-photocopy titled 'Jencks Fireplace: wall stencil' with colour key, and used stencils
-photocopy of Botticelli's Primavera from an unknown publication
-typescript 'Sculptural Program for Spring Fireplace'
-whiteprint by Michael Graves Architect titled 'Spring Fireplace: Terrace House', 1983, folded
-manuscript letter from [Penelope Jencks] to Charles regarding sculpture costs on the back of a photocopy letter relating to the Morison Monument
-typescript notes on Winter and Hephaestus
-photocopy from an unknown publication relating to Hephaestus
-pencil plans for terrace seating in the Architectural Library
-pencil sketch plan on tracing paper
-b&w polaroid photographs of Spring annotated in pen with numbers and attached to a piece of paper. Pencil annotations on the paper regarding the use of the photographs
-whiteprint by Michael Graves Architect titled 'Terrace House Fireplace, Mar 1982', folded. Two copies, one has the bottom corner cut out but still with the whiteprint, the other has some pencil annotations
-whiteprint by Terry Farrell Partnership titled 'Terrace House: Survey - Winter Chimneybreast', Nov 1981, folded. Two copies, one has a fireplace drawn on in pencil.
-pencil and pen designs for seating in the Sundial Arcade
-pencil manuscript notes titled 'Hephaestus Program'
-copy letters from Charles to Michael Graves regarding commissions for the fireplaces and possible sculptors for Spring
-colour photograph of an unidentified sculpture
-pencil sketch on tracing paper of the ceiling in Winter
-heavily annotated Ground Floor plan with alternative room arrangements and notes of problems
-sundial diagram by Mark Lennox-Boyd with covering note

Contents of a folder labelled 'Plans - Designs - Sketches: Lily's Room - Lilies; Bathroom; Floor plans'.

Includes:
-whiteprint plan of Lily's Room, coloured in with coloured pencil (folded)
-whiteprint plan of Nan's Room, coloured in with coloured pencil (folded)
-photocopy design for the Room of Doubles with pen annotations
-whiteprint plan of the kitchen with appliances indicated (folded)
-photocopies plan of Nan's bathroom with pencil annotations
-pencil perspective sketch of the Bathpool
-photocopy sketch of decorative elements of Indian Summer
-photocopy perspective sketch of Winter and Spring
-photocopy sketch designs for furniture in the Architectural Library
-photocopy sketch of designs for the Moonwell
-photocopy sketch of designs for Jacob's Ladder labelled 'CJ Dressing Room'
-pencil and coloured pencil sketch with measurements of the Sundial Arcade
-photocopy plan by Terry Farrell Partnership titled 'Main Bedroom Plan' dated 20 Apr 1982 with detailed list of work to be done across the house handwritten in pencil on reverse and titled 'Punch List'.
-photocopied designs for Lilies by various artists from an unidentified publication
-pencil sketches of lilies
-pencil perspective sketch of the Bathpool with design for bathroom cabinet
-pencil design for a mirror and sink titled 'Shower bathroom'
-pencil plan titled 'MK's Study'
-pencil design with measurements for a bookcase
-bundle of papers with a sheet labelled '2 Themes and an Allegory: The Thematic House'. Includes photocopy typescript document titled 'The Thematic House - The Matic How See' regarding the passage of time and listing 15 themes in the house; pencil manuscript notes titled 'Foursquare Room'; typescript notes on Los Angeles; School of Architecture and Urban Planning notepaper titled 'Allegory: MK. Architecture Defeated/Architecture Triumphant'.
-pencil drawings of birds and flowers
-pencil plan of the Bathpool titled 'Main Bedroom Bathroom'
-pencil design for the bed and desk in Lily's Room
-whiteprint by Terry Farrell Partnership titled 'Cabinets & Kitchen' Aug 1981 (folded)
-whiteprint by Terry Farrell Partnership titled 'Final Design Drawing First Floor Plan' Oct 1980 (folded)
-whiteprint by Terry Farrell Partnership titled 'Final Design Drawing Second Floor Plan' Oct 1980 (folded)
-whiteprint by Terry Farrell Partnership titled 'Final Design Drawing Lower Ground Floor Plan' Oct 1980 (folded)
-pencil and coloured pencil sketches of the Sundial Arcade with notes; one page is on the reverse of a draft submission to the International Design Yearbook [submission date 1 Dec 1984]
-pen sketches of Egyptian wall paintings titled 'Sun well'
-pen sketch plan on tracing paper showing the ground floor
-photocopied final drawing for Lily's Room, Spoonglyphs, Architectural Library and Bookhouses
-biro drawing
-pencil notes and sketch titled 'Lily's Room' with names of lilies
-pen and pencil plans and sketches for Lily's Room, including measured plan dated 31 July 1982 and initialled 'M'
-biro sketches for intertwining C/J/M/L initials
-photocopied lily designs from unknown publications
-pencil sketch on tracing paper labelled 'Lily's Room'
-sketches for lilies [ON LOAN]

Contents of a folder labelled 'Thematic House 1978-84 Seconds: Indian Summer & Autumn'.

Includes:
-b&w polaroid photographs of built-in furniture in Indian Summer and Autumn
-pencil and ink sketches of kitchen units with annotations of measurements
-manuscript notes on design problems
-pencil drawings of design elements on tracing paper
-pencil notes and sketches titled 'Spoonglyphs'
-colour slide of the kitchen units during construction
-pencil perspective drawings with coloured pencil shading showing furniture designs in Indian Summer
-pencil plan on tracing paper showing the layout of Summer, Indian Summer and Autumn labelled 'CJ Jan 22, 82'
-whiteprint by Johnny Grey Design showing the arrangement of the sinks and hob in Indian Summer, folded
-pencil sketches on tracing paper, badly torn and creased
-pencil, ink and photocopied sketches of design details

Inside the folder is a bundle of papers labelled KITCHEN including:
-pencil sketches of design elements on tracing paper
-invitation to Sir John Soane's Museum to celebrate the Bicentenary of Soane's appointment as Architect & Surveyor to the Bank of England and view his Restored Picture Room, 1988
-scale plan of the kitchen on tracing paper with loose cut-out representations of kitchen units, appliances and cleaning equipment
-whiteprint by Johnny Grey Design titled 'The Nannys kitchen' with a specification sheet attached, March 1982, folded.
-whiteprint by Johnny Grey Design titled 'Sink Structure: overall plan', May 1982, folded.
-whiteprint by Johnny Grey Design titled 'Sink Structure: pavilions' April 182, folded.
-whiteprint by Johnny Grey Design titled 'Sink Structure: frieze', April 1981, folded
-b&w polaroid photograph taken from Autumn, looking through Indian Summer to Summer
-colour design on tracing paper titled 'Door Panel Study, scale 1:5'.
-pencil perspective drawing of Indian Summer with colour pencil shading
-two page cutting from an unknown magazine about a Sir Christopher Wren exhibition at the Whitechapel Gallery
-pencil sketch on University of California, Los Angeles headed paper
-whiteprint labelled 'Family room: plans and elevations; with 'dining kitchen' annotated above.

Contents of an envelope labelled 'Drawings Mostly furniture'.

Includes:
-photocopied and pencil sketch chair designs
-magazine cutting of Jencksian motifs
-pencil drawings of a tall building labelled 'cosmos' at the top
-photocopied, photographic paper and pencil sketch lettering designs on paper and tracing paper
-manuscript letter from [illegible], Shepherd's Hill, Highgate and 70-71 New Bond Street regarding lettering and drawings of the house, 1984
-designs for the Sun table and chairs on tracing paper
-drawings of the Winter armchairs
-colour drawings of the Sun chairs
-coloured pencil drawings of the Danae light and House light
-colour drawings of the Spring sofas
-drawings of the Window Seat
-drawing of the Sun table
-Drawing of a Slidescraper
-photocopied cartoon 'All the wasms have become isms'
-pencil drawing on tracing paper 'Towards a symbolic architecture'

Contents of a folder titled '2nd Schemes; CJ + Terry Farrell 1978-9' with 'November 1978-Jan-Feb 1979' added in a different pen.

Includes:
-annotated ground floor plan labelled 'CJ's correction of Terry's Design Jan 1979'
-pen and pencil manuscript notes on yellow paper labelled 'Notes on House Plans as of Jan 79 Proposal C' focussing on the kitchen and sitting room, with pen and pencil sketches on columns on the reverse
-Ground Floor plan by Farrell/Grimshaw Partnership May 79 with annotations in pen and pencil (folded)
-unlabelled plan of the kitchen (folded)
-Sections, Existing & Proposed by Farrell/Grimshaw Partnership with the top left-hand drawing [presumed to be the proposed longitudinal section] cut out (A2 folded)
-plan labelled 'Lower Ground Floor; Jencks House Dec 78' (folded)
-photocopies of cross sections and plans
-drawing labelled 'Section 1; Jencks House Dec 78' (folded)
-photocopied letter from Terry Farrell detailing fees, contractors and Farrell's role with a copy of the programme of work from Nov 1978-July 1979
-photocopied plans and elevations with pen annotations
-rough pencil sketches
-photocopy proposal for square glazed bays and plenum system
-ink sketch section through sitting room/playroom showing the angle of the sun on the glazing
-manuscript agenda for 2nd setup meeting Dec 78
-colour (felt tip?) rough elevation [splashed with coffee or similar]
-drawing labelled 'Gable Elevation; Survey; Jencks House, Nov 78' (folded)
-drawing labelled 'Second Floor; Jencks House, Dec 78' (folded)
-drawing labelled 'Gable End Elevation; Jencks House, Dec 78' (folded)
-rough pencil sketch of gable elevation on Farrell/Grimshaw Partnership headed tracing paper
-unlabelled section of the house showing the staircase (folded)
-drawing labelled 'Lower Ground Floor; Jencks House Dec 78' (olded)
-Proposed Restoration and Additions Jan 79 by Farrell/Grimshaw Partnership showing front, side and rear elevation, and plans of the lower ground floor, first floor, second floor and bathroom gallery. The central drawing(s) have been cut out. (folded)
-photocopied rough sketch plan
-pencil and pen sketches of proposals for the entrance hall on yellow lined paper
-pencil sketches on tracing paper with a manuscript note titled 'first joint meetings with Terry Oct/November 78' with notes of agreements
-plan labelled 'Ground Floor: Proposal C Jan 1979' with pen annotations explaining the resolution of problems with the kitchen/dining area (folded)
-plans and sections labelled 'Second Floor + Roof Gallery June 1979' (folded)
-plan labelled 'Ground Floor Jan 1979' (folded)
-Ground Floor Plan by Farrell/GrimshawPartnership March 1979 (folded)
-photocopied Ground Floor plan with pen annotations and details of potential savings from omitting various features.

Bundle of drawings with a covering page labelled 'Rear Elevation'. The bundle is wrapped in a whiteprint by Terry Farrell Partnership labelled 'C&M Jencks House: conservatory sketch Nov 1980' with manuscript annotations.

Within the bundle, there is also a smaller bundle of papers, also wrapped inside a whiteprint. This whiteprint is annotated 'Key Elevation. Done in Scotland June [crossed out]/July 1980. C. Jencks'. This bundle includes:
-photocopied drawings of windows
-pencil drawing on tracing paper of balustrades, folded
- whiteprint drawing of windows, doors and balustrades annotated 'key elevation. Done in Scotland. June 1980? [crossed out]. July 18, 1980. C Jencks'.
-photocopied elevation drawings with pen annotations
-whiteprint drawing by Terry Farrell Partnership titled 'Setting out Jacuzzi Elevation' Aug 1981, folded and used as a wrapper. Inside are a whiteprint drawing by Terry Farrell Partnership titled 'Rear Elevation' Feb 1981 [folded] and photocopied front elevations with pen annotations
-unlabelled whiteprints of front elevation and axonometric drawings, with a list of potential savings to be offset against the balustrading and columns
-whiteprint rear elevation annotated 'key elevation. Done in Scotland. June 1980? [crossed out]. July 18, 1980. C Jencks'.
-whiteprint front elevation with a note from Charles to Terry at the bottom
-unlabelled whiteprint front elevation, folded
-unlabelled whiteprint rear elevation, folded
-pencil drawing on tracing paper of the rear elevation and garden plan, with problems listed at the bottom, folded. Inside are a folded whiteprint version of the same drawing plus front and rear elevations and smaller pencil sketches on tracing paper.
-whiteprint axonometric drawing of the house and a proposed garden design including a grotto. Folded
-whiteprint drawing of windows with measurements, folded
-pencil sketches on tracing paper of Jencksiana designs
-whiteprint unlabelled rear elevation with manuscript notes and ink annotations, folded
-whiteprint sketch rear elevation
-whiteprint by Terry Farrell Partnership labelled 'Back Elevation (almost final design drawing)' Oct 1980, folded

The rest of the bundle includes:
-b&w polaroid photograph of the rear elevation
-unlabelled whiteprint rear elevation, folded
-whiteprint roof terrace plan, folded
-photocopy of a photograph of the rear elevation during construction
-photocopied window designs coloured in with felt tip pen
-unlabelled whiteprint rear elevations, folded
-b&w photograph of the house from the street during construction
-pencil sketch on tracing paper showing steps into the garden
-pencil sketch on tracing paper of the rear elevation
-unlabelled whiteprint of sketch rear elevations, used as a wrapper for photocopies of axonometric drawings of octagonal windows
-envelope labelled 'Penny & Anthropomorphism'
-photocopies from unknown publications showing figures representing abstract concepts
-pencil drawings of figures representing art and architecture, folded, with pencil manuscript correspondence inside from Penny [Jencks] regarding the figures and giving personal news
-manuscript letter from Penny [Jencks] to Charles written on an envelope discussing the figures.
-colour photographs of figures on buildings. The photographs have been glued to white paper with manuscript captions. [6 pages, the glue has failed on many of the photographs] with a manuscript covering letter from Charles to Penny
-colour reproduction of a building with figures either side of the window
-letter from John Cullen Lighting Design
-manuscript letter from Charles to Penny regarding termes by Hugues Sambin
-invitation to the St Botolph Club, Boston
-colour photograph of a clay sculpture
-invitation to and programme for the dedication of a statue to Admiral Samuel Eliot Morison by Penelope Jencks
-b&w photograph of the rear of the house during construction.

Correspondence between Ian Hamilton Finlay and Charles relating to designs for the Time Garden, and plans for the garden.

The correspondence includes discussion of Albert Speer, a list of cities to be represented in the Roman Fragments and news from Hamilton Finlay about forthcoming work and exhibitions. Sketches of the garden in pencil and ink with a list of conceptual themes; a typescript list titled 'Cultural time' with manuscript annotations and program for the Foursquare Room.

Typescript lists variously titled 'Work on The Matic House', 'Park Walk Completion Lists', 'Overall snag list', 'Thematic House: must be finished and painted by September 10th', 'Snag list', 'Lansdowne Walk Hit List', 'Work on The Matic House'.

The lists also have manuscript annotations and one has a sketch on reverse. Not all are dated, but those which are cover 1982-1984. On some lists the work is allocated to particular individuals.