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[Elemental House]
CJA-TSA-6 · File · nd [c1985]
Part of Charles Jencks Archive
Colour transparencies attached to sheets of paper labelled with TSA numbers. The transparencies have been overlaid with tracing paper detailing size and other printing requirements.
[Garagia Rotunda]
CJA-TSA-7 · File · nd [c1985]
Part of Charles Jencks Archive
Colour transparencies attached to paper, labelled with TSA numbers. The transparencies have been overlaid with tracing paper with measurements and other printing details. Also b&w photographs of the Garagia Rotunda, the Four Square Room, Summer and a photographic reproduction of a Chinese drawing. The reproduction is identified on the reverse as being by Sun K'O-hung from the Avery Brundage Collection.
[Studiolo and Face of the Vernacular]
CJA-TSA-8 · File · nd [1984-1985]
Part of Charles Jencks Archive
8 slides in a plastic wallet, two of which are labelled Studiolo. 8 slides in a plastic wallet, unlabelled. Typescript ink writing had transferred onto the plastic. 6 colour transparencies in a wallet, labelled 'credit Tiggy Ruthven'. Photocopied sketches titled 'Stylisation of birds' and 'CJ Oct 84'.
Studiolo Seconds
CJA-TSA-9 · File · [1979-1984]
Part of Charles Jencks Archive

Contents of a file labelled 'Studiolo Seconds'.

Includes:
-colour transparencies in a plastic wallet
-pencil and coloured pencil drawings of furniture with measurements
-colour slides in a plastic wallet
-b&w negatve transparency of a floor plan, enveloped labelled 'Studiolo'
-typescript document titled 'The Studiolo of a Young Sportsman/Statesman' annotated 'photos Ianthe Ruthven'
-pages from Building Design 25 May 1979
-typescript document titled 'The Studiolo of a Young Sportsman/Statesman C. Jencks Oct 84' with 'Extras to consider' at the bottom of the page with costs
-pencil drawings and photocopies of furniture designs
-sketches on Inter Design '84 Sapporo headed paper
-typescript documents titled 'The Studiolo of a Young Sportsman/Statesman' with pencil annotations
-typescript document titled 'The Face of the Vernacular'
-typescript document titled 'Captions to Studiolo'
-manuscript notes of costs, including those incurred by Marcia Hare
-typescript costs
-manuscript letter from [illegible] St Leonard's Terrace SW3
-receipts from Nu-Line Paints Ltd
1980 Venice Biennale
CJA-VBE · Sub-Fonds · 1980
Part of Charles Jencks Archive
Documents relating to Charles involvement in the first Venice Architecture Biennale, held in 1980 in the Corderie dell'Arsenale.
Freestyle + 1980 Biennale
CJA-VBE-1 · File
Part of Charles Jencks Archive
Contents of a folder labelled 'Freestyle + 1980 Biennale'. Consists predominantly of loose photographs, some marked up for publication or labelled with details for AD1/2 82. There are also 6 loose colour transparencies mounted in plastic frames.
Biennale original documents
CJA-VBE-2 · File
Part of Charles Jencks Archive
Contents of a folder labelled 'Biennale original documents - Biennale 1980'
Includes three slides boxes as well as:
-colour transparency strip
-leaflet titled 'Prima, Mostra Internazionale di Architettura' [bilingual Italian/English)
-pencil drawings and diagrams
-ink and coloured pencil drawing attached to foamboard showing a pencil and a book labelled ‘all the wasms have become isms’
-room layout sketch with explanation
-La Biennale di Venezia headed paper
-press cuttings
-typescript reproduced pamphlet titled ‘Post-Modern Architecture’ with a text by Charles and lists of slides. Multiple versions with corrections, annotations and alterations to the slides list
-copy manuscript letter to 'Pete’' regarding his symposium at the Venice Biennale
-photocopied typescript documents from the Architecture Department, La Biennale di Venezia, including lists of names of architects with manuscript annotations
-manuscript notes
-photocopied manuscript lists of names with Charles’ annotations
-photocopied typescript document headed ‘Giuseppe Galasso’ regarding the role of Architecture in the Biennale
-photocopied plans, some with manuscript annotations
-correspondence with the Fort Mason Center, San Francisco requesting a set of the slides, with Charles’ annotations regarding reply, and typescript copy reply
-manuscript notes of architects names under categories; one page headed USA
-photocopy of the Evolutionary Tree
-manuscript letter from 'Kitty & Ned' enclosing an article from New York
-topographic plan of Milan from Domus 506, gennaio 1972
-photocopied sketches
-typescript document titled 'Program of the Façade in the Venice Biennale/Programma Relativo alla Facciata Nella Mostra Della Biennale'
-typescript titled ‘The Counter-Reformation in Architecture: Reflections on the 1980 Venice Biennale’ by Charles with manuscript annotations
-photocopied letter from Paolo Portoghesi thanking Charles for the material concerning the 'Mosque of London’ and inviting him to be on the experts committee for the Venice Biennale
-typescript letter from Paolo Portoghesi with further details about the Biennale, an Italian translation of Charles’ book and sending photos of the Mosque.
-manuscript notes of architects names under categories; page headed Japan
1980 Biennale/Biennale 1980 Russia etc. 93 slides 4BxW + documents
CJA-VBE-3 · File
Part of Charles Jencks Archive
Contents of a folder labelled '1980 Biennale/Biennale 1980 Russia etc. 93 slides 4BxW + documents'. Includes:
-colour film strip showing men in a factory/workshop
-plastic strips containing 12 slides, one labelled 'Biennale 1982'
-negative strips [showing 1980 Biennale], bag annotated with instructions for printing
-photocopied typescript titled ‘Translation: The Tournament’ relating to the XIV Congress of UIA, Warsaw. S. Okojomox, Warsaw-Moscow’.
-manuscript letter from Glazytchev Slava in Moscow regarding translations of Charles’ work, their publication in domus, work with Eugene [Rosenblum] and Mark [Konik] under the auspicises of Artists’ Union and work of others throughout the Soviet Republic with sketch drawings of the buildings.
-publication: Архитектура ИЗДАЕТСЯ СОВМЕСТНО С СОЮЗОМ АРХИТЕКТОРОВ СССР И ГОСГРАЖДАНСТРОЕМ № 16 (500) 2 августа 1981 [Russian language]
-copied typescript document headed ‘Digging up the past: treatment for a 45 minute film’ to document post-modern architect and be presented and co-authored by Charles, by Scott Thomas, 1981; annotated.
-manuscript letter from Suzanne [Frank] at The Institute for Architecture and Urban Studies; annotated.
-postcard of New York from [illegible] [Stephens], annotated by Charles ‘re Vidler piece’
Centre D’Etudes et de Recherches Architecturales, Paris - Bulletin d’information inter-establissements no 51 Mai 1980 with a paragraph annotated ‘translate’
-guidelines for submissions to the Arts Films Committee
-manuscript letter from Scott [Thomas] regarding the film, including a list of people on the Arts Films Advisory Committee
-typescript letter from Scott Thomas regarding a proposed film on Post-Modernism for a general audience and a copy letter from Carter H Manny at the Graham Foundation for Advanced Studies in the Fine Arts
-photocopies from an unknown publication, on classicism; annotated
-typescript copy letter from Charles titled ‘Letters to the Editor Re: Classical confusion’ regarding an article by Tony Vidler [1981]
-postcard of a drawing of a building by Hans Robert Hiegel, used as a Christmas Card
-christmas letter from Thomas and [Marina] Smith
-cutting on Ricardo Bofill's Le Palaccio d'Abraxas
-manuscript notes titled ‘The Reurbanisation of Runcorn’ [not Charles’ hand]
-anuscript article ‘The transformation of Chandigarh – Rodrigo Pérez de Arce'
-manuscript letter from Kazuhiro Ishii on Kazuro Ishii Architect & Associates headed paper regarding windows in Charles’ "Post-Modernism book".
-typescript letter from Laurence Booth on Booth/Hansen & Associated headed paper regarding Post Modern Classicism, 1980
-typescript letter from Paolo Portoghesi thanking Charles for the material concerning the “Mosque of London’ and inviting him to be on the experts committee for the Venice Biennale, 1979
-manuscript list of architects’ names on Los Angeles: School of Architecture and Urban Planning headed paper
-receipt from the Metropolitan Museum of Art photograph services, 1981
-typescript letter from Eugene Kupper enclosing material for the Venice Biennale, 1980
-typescript letter from Helle Klint asking to feature on of Charles’ houses in a monthly column for Berlingske Tidende, enclosing an example, 1979
-typescript document titled ‘Contemporary Architects: Publication Spring 1979 (London: Macmillan, NYC: St Martin’s) with details of the editor, advisory board and contributors with a covering notes from Muriel Emanuel asking Charles to contribute, 1978
-manuscript lists of architect’s names, titled ‘C.Jencks’ sub-headed Japan, USA, Europe/England
-change of address from Kuro and Chris Fawcett, on the reverse a manuscript list of Japanese architects
-manuscript lists of architects sub headed ‘Japanese metaphysical school + symbolism’, ‘USA historicism, symbolism, [remainder], ‘European historicism, urbanism, vernacular’
-business card for Claudio D’Amato Guerrieri
-photograph of an unidentified man in front of the Holy Trinity [Kingsway] church
-cutting from Building Design 9 July 1982 on the Art and Architecture Action Group at the ICA
-typescript note titled ‘(for Stirling Bayer)’ regarding Lutyens' Midland Bank headquarters.
-leaflet for laboratorio de arquitectura 1982 centro de arte y comunicaión, Viamonte
-L. A Architecture: A publication of the Los Angeles Chapter, American Institute of Architects Vol 7 No 3 Mar 1981 including a mention of Charles lecturing on Post-Modern Classicism at the Pacific Design Center
-Architectural Association School of Architecture Events list 10, Autumn Term 8-10 Dec 1980 including an exhibition on Garagia Rotunda and a lecture on Post-Modern Classicism by Charles
-typescript letter from Romi Khosla on The Grüp New Delhi headed paper, asking if their work was featured in Charles’ book, 1981
-photocopied review of Signs, Symbols and Architecture by Linda groat, sent by Geoffrey Broadbent
-cutting from the International Herald Tribune 21 May 1982 on demographics
-manuscript letter from Humphrey B[illegible] regarding a meeting with Robert on Brown’s Hotel notepaper regarding a meeting with Robert
-cutting from an unidentified publication 'Neo-classical (again)' by Loyd Grossman
-cutting from an unidentified publication [possibly the Maltings Free Press] on Jeremy Dixon with annotations
-photocopy from Casabella No. 470 6/1981 titled 'Post-post....'
-typescript document titled ‘Palladio and the Japanese’
-manuscript letter from Edward Jones 'acting as a messenger for Christian Broza' with some drawings and talking about what movements Charles has left out of his “family tree”
-b&w professional photographs of the Venice Biennale
-cutting of ‘The Presence of the Past’ by Charles in domus 61 [in Italian] with compliments slip