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[Loose papers]
-CJA-RES-AL-B14-2-18 · File · 1973-2017
Part of Charles Jencks Archive
Bundle of documents found loose on the shelf. Includes:
-handout for the exhibition 'The Japanese House: photographs by Kishin Shinoyama at the AA
-'A reporter at large: from MacArthur to Miki-III' on Japan from The New Yorker Aug 18 1975, annotated
-book review titled 'Vulnerable Japan' by E.J. Hobsbawm from The New York Review, July 17 1975, annotated
-'The Japanese Godfather' by Antony Thomas from an unidentified publication
-book review titled 'Hitler and Hirohito' by Geoffrey Baraclough, The New York Review May 31 1973, annotated
-'Religion with no God' by Colin Cross from the Observer Magazine 1 Dec 1974, annotated
-'Mishima: the romantic fantasy and the appalling fact; by Francis Wyndham from an unidentified publication
-guidebook for Tsukiji Hongwanji
-'In the spirit of The Great Ando' by Robin Harding, interview with Tadao Ando, FT 5 Nov 2016
-'Sign of things to come' by Edwin Heathcote on Japanese houses, FT 6 Feb 2016, annotated
-'High culture on the mountain' interview with Tadao Ando by Caroline Roux, FT 28/29 Jun 2014
-'The house with holes in the roof that sprang leeks' by Jonathan Morrison, The Times 22 Mar 2017, review of The Japanese House at the Barbican
-review titled 'Obsessions in Tokyo; by Ian Buruma from The New York Review 10 Jan 2013, annotated
-'In Japan, home is where the art is' by Rowan Moore, review of The Japanese House at The Barbican, The Observer 26 Mar 2017
-aaq [Architectural Association Quarterly] Vol 7 No 3
Post-Modern Design
-CJA-RES-AL-B13-6-53 · Item · 1989
Part of Charles Jencks Archive

Includes a chapter on works by Charles, Michael Graves, Robert Stern, Charles Moore and Stanley Tigerman.

Publisher: Academy Editions

Papadakis, Andreas Constantine
-CJA-RES-AL-B13-5-42 · File · [1996-2011]
Part of Charles Jencks Archive
Folder for ARB centre CATH, University of Leeds annotated 'UIL Reviews: Article, miscellaneous' with previous annotations crossed out. Includes two plastic folders of cuttings, photocopies and print-outs of articles about Charles, primarily relating to his landform work. Also includes a draft letter from Charles to Jean-Pierre Bonnefoux of the North Carolina Dance Theatre.