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Publications by Charles
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1980 Biennale/Biennale 1980 Russia etc. 93 slides 4BxW + documents
CJA-VBE-3 · File
Part of Charles Jencks Archive
Contents of a folder labelled '1980 Biennale/Biennale 1980 Russia etc. 93 slides 4BxW + documents'. Includes:
-colour film strip showing men in a factory/workshop
-plastic strips containing 12 slides, one labelled 'Biennale 1982'
-negative strips [showing 1980 Biennale], bag annotated with instructions for printing
-photocopied typescript titled ‘Translation: The Tournament’ relating to the XIV Congress of UIA, Warsaw. S. Okojomox, Warsaw-Moscow’.
-manuscript letter from Glazytchev Slava in Moscow regarding translations of Charles’ work, their publication in domus, work with Eugene [Rosenblum] and Mark [Konik] under the auspicises of Artists’ Union and work of others throughout the Soviet Republic with sketch drawings of the buildings.
-publication: Архитектура ИЗДАЕТСЯ СОВМЕСТНО С СОЮЗОМ АРХИТЕКТОРОВ СССР И ГОСГРАЖДАНСТРОЕМ № 16 (500) 2 августа 1981 [Russian language]
-copied typescript document headed ‘Digging up the past: treatment for a 45 minute film’ to document post-modern architect and be presented and co-authored by Charles, by Scott Thomas, 1981; annotated.
-manuscript letter from Suzanne [Frank] at The Institute for Architecture and Urban Studies; annotated.
-postcard of New York from [illegible] [Stephens], annotated by Charles ‘re Vidler piece’
Centre D’Etudes et de Recherches Architecturales, Paris - Bulletin d’information inter-establissements no 51 Mai 1980 with a paragraph annotated ‘translate’
-guidelines for submissions to the Arts Films Committee
-manuscript letter from Scott [Thomas] regarding the film, including a list of people on the Arts Films Advisory Committee
-typescript letter from Scott Thomas regarding a proposed film on Post-Modernism for a general audience and a copy letter from Carter H Manny at the Graham Foundation for Advanced Studies in the Fine Arts
-photocopies from an unknown publication, on classicism; annotated
-typescript copy letter from Charles titled ‘Letters to the Editor Re: Classical confusion’ regarding an article by Tony Vidler [1981]
-postcard of a drawing of a building by Hans Robert Hiegel, used as a Christmas Card
-christmas letter from Thomas and [Marina] Smith
-cutting on Ricardo Bofill's Le Palaccio d'Abraxas
-manuscript notes titled ‘The Reurbanisation of Runcorn’ [not Charles’ hand]
-anuscript article ‘The transformation of Chandigarh – Rodrigo Pérez de Arce'
-manuscript letter from Kazuhiro Ishii on Kazuro Ishii Architect & Associates headed paper regarding windows in Charles’ "Post-Modernism book".
-typescript letter from Laurence Booth on Booth/Hansen & Associated headed paper regarding Post Modern Classicism, 1980
-typescript letter from Paolo Portoghesi thanking Charles for the material concerning the “Mosque of London’ and inviting him to be on the experts committee for the Venice Biennale, 1979
-manuscript list of architects’ names on Los Angeles: School of Architecture and Urban Planning headed paper
-receipt from the Metropolitan Museum of Art photograph services, 1981
-typescript letter from Eugene Kupper enclosing material for the Venice Biennale, 1980
-typescript letter from Helle Klint asking to feature on of Charles’ houses in a monthly column for Berlingske Tidende, enclosing an example, 1979
-typescript document titled ‘Contemporary Architects: Publication Spring 1979 (London: Macmillan, NYC: St Martin’s) with details of the editor, advisory board and contributors with a covering notes from Muriel Emanuel asking Charles to contribute, 1978
-manuscript lists of architect’s names, titled ‘C.Jencks’ sub-headed Japan, USA, Europe/England
-change of address from Kuro and Chris Fawcett, on the reverse a manuscript list of Japanese architects
-manuscript lists of architects sub headed ‘Japanese metaphysical school + symbolism’, ‘USA historicism, symbolism, [remainder], ‘European historicism, urbanism, vernacular’
-business card for Claudio D’Amato Guerrieri
-photograph of an unidentified man in front of the Holy Trinity [Kingsway] church
-cutting from Building Design 9 July 1982 on the Art and Architecture Action Group at the ICA
-typescript note titled ‘(for Stirling Bayer)’ regarding Lutyens' Midland Bank headquarters.
-leaflet for laboratorio de arquitectura 1982 centro de arte y comunicaión, Viamonte
-L. A Architecture: A publication of the Los Angeles Chapter, American Institute of Architects Vol 7 No 3 Mar 1981 including a mention of Charles lecturing on Post-Modern Classicism at the Pacific Design Center
-Architectural Association School of Architecture Events list 10, Autumn Term 8-10 Dec 1980 including an exhibition on Garagia Rotunda and a lecture on Post-Modern Classicism by Charles
-typescript letter from Romi Khosla on The Grüp New Delhi headed paper, asking if their work was featured in Charles’ book, 1981
-photocopied review of Signs, Symbols and Architecture by Linda groat, sent by Geoffrey Broadbent
-cutting from the International Herald Tribune 21 May 1982 on demographics
-manuscript letter from Humphrey B[illegible] regarding a meeting with Robert on Brown’s Hotel notepaper regarding a meeting with Robert
-cutting from an unidentified publication 'Neo-classical (again)' by Loyd Grossman
-cutting from an unidentified publication [possibly the Maltings Free Press] on Jeremy Dixon with annotations
-photocopy from Casabella No. 470 6/1981 titled 'Post-post....'
-typescript document titled ‘Palladio and the Japanese’
-manuscript letter from Edward Jones 'acting as a messenger for Christian Broza' with some drawings and talking about what movements Charles has left out of his “family tree”
-b&w professional photographs of the Venice Biennale
-cutting of ‘The Presence of the Past’ by Charles in domus 61 [in Italian] with compliments slip
Biennale original documents
CJA-VBE-2 · File
Part of Charles Jencks Archive
Contents of a folder labelled 'Biennale original documents - Biennale 1980'
Includes three slides boxes as well as:
-colour transparency strip
-leaflet titled 'Prima, Mostra Internazionale di Architettura' [bilingual Italian/English)
-pencil drawings and diagrams
-ink and coloured pencil drawing attached to foamboard showing a pencil and a book labelled ‘all the wasms have become isms’
-room layout sketch with explanation
-La Biennale di Venezia headed paper
-press cuttings
-typescript reproduced pamphlet titled ‘Post-Modern Architecture’ with a text by Charles and lists of slides. Multiple versions with corrections, annotations and alterations to the slides list
-copy manuscript letter to 'Pete’' regarding his symposium at the Venice Biennale
-photocopied typescript documents from the Architecture Department, La Biennale di Venezia, including lists of names of architects with manuscript annotations
-manuscript notes
-photocopied manuscript lists of names with Charles’ annotations
-photocopied typescript document headed ‘Giuseppe Galasso’ regarding the role of Architecture in the Biennale
-photocopied plans, some with manuscript annotations
-correspondence with the Fort Mason Center, San Francisco requesting a set of the slides, with Charles’ annotations regarding reply, and typescript copy reply
-manuscript notes of architects names under categories; one page headed USA
-photocopy of the Evolutionary Tree
-manuscript letter from 'Kitty & Ned' enclosing an article from New York
-topographic plan of Milan from Domus 506, gennaio 1972
-photocopied sketches
-typescript document titled 'Program of the Façade in the Venice Biennale/Programma Relativo alla Facciata Nella Mostra Della Biennale'
-typescript titled ‘The Counter-Reformation in Architecture: Reflections on the 1980 Venice Biennale’ by Charles with manuscript annotations
-photocopied letter from Paolo Portoghesi thanking Charles for the material concerning the 'Mosque of London’ and inviting him to be on the experts committee for the Venice Biennale
-typescript letter from Paolo Portoghesi with further details about the Biennale, an Italian translation of Charles’ book and sending photos of the Mosque.
-manuscript notes of architects names under categories; page headed Japan
Furniture Designs [1]
Furniture Designs [1]
CJA-TCH-c-5 · File · 1983- 1990
Part of Charles Jencks Archive
Includes:
-pencil, coloured pencil, felt tip and photocopied furniture designs on paper and tracing paper
-letter from Art Monthly to Charles commissioning a contribution to a book 'Art in Public Places' based on Charles' "ICA contribution', 1983
-private view card from Medite House at RIBA, 1990
-designs for cushions for Johnny's Room with fabric samples
-correspondence with James Stirling and Robin Hamlyn at the Tate Gallery regarding interview text, with ink drawings on reverse, 1987
-cutting from the Sunday Times 22 Sep 1985, 'Heavy Metal in Milan' by Deyan Sudjic
-letter from the Formica Corporation regarding the donation of a Sun chair to the Art Institute of Chicago
-printed programs for furniture
-pencils sketches of a gateway
-sketch plan of furniture in rooms on the reverse of notepaper from Interior Design '84 Sapporo
-correspondence with Shinji Kohmoto, National Museum of Modern Art Kyoto regarding inclusion of the Alessi Tea & Coffee set in the exhibition 'Contemporary Landscape: From the Horizon of Postmodern Design'
-letter from Spiral Staircase Systems quoting for the manufacture of ten sets of Alloy spheres, 1985
-cutting from an unidentified newspaper about designer Albert Hadley
-colour transparency of a table
[Images prepared for publication]
CJA-TCH-b-39 · File · nd [1983-1985]
Part of Charles Jencks Archive

Colour transparencies overlaid with tracing paper, marked up for publication with outline and measurements in pencil. There are three pieces of paper; two of the papers each have two transparencies attached, the third has four attached. Each image is marked with a 'TSA' number.

Images include:
- the Tulip Stairs in the Queens House at Greenwich, London.
-the Face of the Vernacular
-Studiolo
[Loose photographs and illustration]
CJA-TCH-b-38 · File · nd [1984-1985]
Part of Charles Jencks Archive

Bundle of photographs and an illustration.

Includes:
-b&w polaroid photograph of Spring, tracing paper attached marked for publication. Annotated 'A/A files/Book reviews p110 A'.
-colour photograph of the Spring fireplace
-colour photograph of the Cosmic Oval
-colour photograph of the shelves in Indian Summer
-colour photograph looking into the Sundial Arcade
-b&w print on photographic paper of the bookplate design inside Towards A Symbolic Architecture, with some of the text glued on
Facades 3.3
CJA-TCH-b-37 · File · nd [1983-1985]
Part of Charles Jencks Archive

Contents of a folder labelled 'Facades 3.3' with 'Face of the Vernacular' crossed out underneath.

Colour transparencies and ink drawings with tracing paper covers. The images have been prepared for publication with outlines and measurements drawn in pencil, attached to pieces of paper. The papers are labelled with TSA numbers (TSA88/89. TSA 100/101, TSA 102). The transparencies show the exterior of the house.
Extras
CJA-TCH-b-36 · File · nd [1984-1985]
Part of Charles Jencks Archive

Contents of an envelope labelled 'Extras' containing slides, photographs, correspondence and transparencies.

Includes:
-compliments slip from Richard Bryant
-b&w photographs by Robin Laurence for NYT of Charles' Biedermeier chairs alongside some of the Symbolic Furniture, and Charles sitting on one of the Sun chairs, stamped on reverse,1985
-photograph from the collection of the National Monuments Record of a unidentified historic building
-colour polaroids of the Foursquare Room
-b&w photographs of Esna, Temple of Khnum, one with extensive annotations, and the pyramid of King Chephren
-colour transparencies by Richard Bryant
-b&w photographs of the Elemental House
-b&w photographs of the Architectural Library, John's Room and Lily's Room with the furniture installed but no other furnishings
-colour photograph of the West elevation
-b&w negative of Winter
-letter from Mark Lewis of Lewis & Horning regarding the work he did on Indian Summer, 1985
-cutting from an unidentified magazine
-manuscript notes labelled 'Richard Bryant' with a list of rooms in a variety of different handwritings, including notes about Medite
-b&w polaroid photographs of the Cosmic Oval
-transparencies inside tracing paper, annotated for publication
-colour slides of rooms in the Thematic House labelled 'C Jencks: not used before. 20 slides - 4 Square RM + Bathpool' but including most of the ground floor, the Time Garden and the chimneys
-letter from William Stok regarding photography of this mural and enclosing a postcard of a work by Chagall [not included], 1985
-colour transparency of the Garagia Rotunda annotated 'Chapter 2'
-envelope enclosing b&w photographs with a message from 'Eamon of the shop'
-b&w photograph of Charles in front of the Spring fireplace [over-sized, damaged]
-b&w photograph of Charles and Maggie in front of the Spring fireplace. Charles is holding a mobile phone [over-sized, damaged]
Drawings mostly Furniture
CJA-TCH-a-41 · File · nd [1978-1984]
Part of Charles Jencks Archive

Contents of an envelope labelled 'Drawings Mostly furniture'.

Includes:
-photocopied and pencil sketch chair designs
-magazine cutting of Jencksian motifs
-pencil drawings of a tall building labelled 'cosmos' at the top
-photocopied, photographic paper and pencil sketch lettering designs on paper and tracing paper
-manuscript letter from [illegible], Shepherd's Hill, Highgate and 70-71 New Bond Street regarding lettering and drawings of the house, 1984
-designs for the Sun table and chairs on tracing paper
-drawings of the Winter armchairs
-colour drawings of the Sun chairs
-coloured pencil drawings of the Danae light and House light
-colour drawings of the Spring sofas
-drawings of the Window Seat
-drawing of the Sun table
-Drawing of a Slidescraper
-photocopied cartoon 'All the wasms have become isms'
-pencil drawing on tracing paper 'Towards a symbolic architecture'
London Column
CJA-TCH-a-26 · File · nd [1978-1983]
Part of Charles Jencks Archive

Contents of a folder labelled 'London Column'.

Includes:
-ink designs for columns, coloured in with pencil, overlayed with tracing paper labelled 'TSA 136'
-pencil sketches of column designs on paper and tracing paper
-ink sketches of column designs
-photocopied column designs
-coloured pencil sketches of column designs
-prints on photographic paper of computer-generated column designs with numbers
-rough ink sketches and manuscript notes on headed paper for The Aga Khan Award for Architecture
-pencil sketches and coloured pencil sketches on paper and tracing paper
-pencil sketches on the reverse of University of California, Los Angeles headed paper relating to sun, rain and column symbols.
-pencil and ink sketches on notepaper showing the exterior of the house
-print outs of computer-generated designs with variables listed at the side including facets at shaft, facets at base and number of columns.
-ink drawing labelled 'London Column' with notes on the weather and hifi speakers on blue paper