Photograph

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          Photograph

            46 Archival description results for Photograph

            15 results directly related Exclude narrower terms
            [Reproduction of images for publications]
            CJA-TCH-b-34 · File · [1984-1987]
            Part of Charles Jencks Archive

            Contents of a folder relating to the publication of images of the Thematic House.

            Includes:
            -b&w polaroid photographs of Spring
            -colour slide of Spring
            -colour slide annotated 'Dallas Reunion Hotel interior'
            -colour transparency of the Cosmic Loo
            -colour transparencies with tracing paper wrappers marked up for publication
            -colour transparency of the Moonwell
            -letter from John Calmann & King regarding images for Robert Stern's Modern Classicism' and 'Design' by Philip Rawson
            -letter from Belgische Radio en Televisie thanking Charles for his contribution to the television show 'Island' and enclosing slides by Johan Thielemans
            -letter from Richard Bryant enclosing xeroxes of the photographs of the house with reference numbers and discussion of magazine articles
            -photocopies of photographs of the Thematic House with reference numbers
            -colour slides of the Time Garden
            -colour transparencies by Lucinda Lambton, with reference numbers
            -copy agreement between Arcaid and House & Garden magazine, New York
            -colour transparencies by Richard Bryant, with reference numbers
            -b&w photographs of winter by Richard Bryant
            -colour photograph of [East Building, National Gallery of Art, Washington DC]
            -colour transparencies by Ben Johnson
            -colour transparencies of plans of rooms in the Thematic House
            Extras
            CJA-TCH-b-36 · File · nd [1984-1985]
            Part of Charles Jencks Archive

            Contents of an envelope labelled 'Extras' containing slides, photographs, correspondence and transparencies.

            Includes:
            -compliments slip from Richard Bryant
            -b&w photographs by Robin Laurence for NYT of Charles' Biedermeier chairs alongside some of the Symbolic Furniture, and Charles sitting on one of the Sun chairs, stamped on reverse,1985
            -photograph from the collection of the National Monuments Record of a unidentified historic building
            -colour polaroids of the Foursquare Room
            -b&w photographs of Esna, Temple of Khnum, one with extensive annotations, and the pyramid of King Chephren
            -colour transparencies by Richard Bryant
            -b&w photographs of the Elemental House
            -b&w photographs of the Architectural Library, John's Room and Lily's Room with the furniture installed but no other furnishings
            -colour photograph of the West elevation
            -b&w negative of Winter
            -letter from Mark Lewis of Lewis & Horning regarding the work he did on Indian Summer, 1985
            -cutting from an unidentified magazine
            -manuscript notes labelled 'Richard Bryant' with a list of rooms in a variety of different handwritings, including notes about Medite
            -b&w polaroid photographs of the Cosmic Oval
            -transparencies inside tracing paper, annotated for publication
            -colour slides of rooms in the Thematic House labelled 'C Jencks: not used before. 20 slides - 4 Square RM + Bathpool' but including most of the ground floor, the Time Garden and the chimneys
            -letter from William Stok regarding photography of this mural and enclosing a postcard of a work by Chagall [not included], 1985
            -colour transparency of the Garagia Rotunda annotated 'Chapter 2'
            -envelope enclosing b&w photographs with a message from 'Eamon of the shop'
            -b&w photograph of Charles in front of the Spring fireplace [over-sized, damaged]
            -b&w photograph of Charles and Maggie in front of the Spring fireplace. Charles is holding a mobile phone [over-sized, damaged]
            [Loose photographs and illustration]
            CJA-TCH-b-38 · File · nd [1984-1985]
            Part of Charles Jencks Archive

            Bundle of photographs and an illustration.

            Includes:
            -b&w polaroid photograph of Spring, tracing paper attached marked for publication. Annotated 'A/A files/Book reviews p110 A'.
            -colour photograph of the Spring fireplace
            -colour photograph of the Cosmic Oval
            -colour photograph of the shelves in Indian Summer
            -colour photograph looking into the Sundial Arcade
            -b&w print on photographic paper of the bookplate design inside Towards A Symbolic Architecture, with some of the text glued on
            Freestyle + 1980 Biennale
            CJA-VBE-1 · File
            Part of Charles Jencks Archive
            Contents of a folder labelled 'Freestyle + 1980 Biennale'. Consists predominantly of loose photographs, some marked up for publication or labelled with details for AD1/2 82. There are also 6 loose colour transparencies mounted in plastic frames.
            Biennale original documents
            CJA-VBE-2 · File
            Part of Charles Jencks Archive
            Contents of a folder labelled 'Biennale original documents - Biennale 1980'
            Includes three slides boxes as well as:
            -colour transparency strip
            -leaflet titled 'Prima, Mostra Internazionale di Architettura' [bilingual Italian/English)
            -pencil drawings and diagrams
            -ink and coloured pencil drawing attached to foamboard showing a pencil and a book labelled ‘all the wasms have become isms’
            -room layout sketch with explanation
            -La Biennale di Venezia headed paper
            -press cuttings
            -typescript reproduced pamphlet titled ‘Post-Modern Architecture’ with a text by Charles and lists of slides. Multiple versions with corrections, annotations and alterations to the slides list
            -copy manuscript letter to 'Pete’' regarding his symposium at the Venice Biennale
            -photocopied typescript documents from the Architecture Department, La Biennale di Venezia, including lists of names of architects with manuscript annotations
            -manuscript notes
            -photocopied manuscript lists of names with Charles’ annotations
            -photocopied typescript document headed ‘Giuseppe Galasso’ regarding the role of Architecture in the Biennale
            -photocopied plans, some with manuscript annotations
            -correspondence with the Fort Mason Center, San Francisco requesting a set of the slides, with Charles’ annotations regarding reply, and typescript copy reply
            -manuscript notes of architects names under categories; one page headed USA
            -photocopy of the Evolutionary Tree
            -manuscript letter from 'Kitty & Ned' enclosing an article from New York
            -topographic plan of Milan from Domus 506, gennaio 1972
            -photocopied sketches
            -typescript document titled 'Program of the Façade in the Venice Biennale/Programma Relativo alla Facciata Nella Mostra Della Biennale'
            -typescript titled ‘The Counter-Reformation in Architecture: Reflections on the 1980 Venice Biennale’ by Charles with manuscript annotations
            -photocopied letter from Paolo Portoghesi thanking Charles for the material concerning the 'Mosque of London’ and inviting him to be on the experts committee for the Venice Biennale
            -typescript letter from Paolo Portoghesi with further details about the Biennale, an Italian translation of Charles’ book and sending photos of the Mosque.
            -manuscript notes of architects names under categories; page headed Japan
            1980 Biennale/Biennale 1980 Russia etc. 93 slides 4BxW + documents
            CJA-VBE-3 · File
            Part of Charles Jencks Archive
            Contents of a folder labelled '1980 Biennale/Biennale 1980 Russia etc. 93 slides 4BxW + documents'. Includes:
            -colour film strip showing men in a factory/workshop
            -plastic strips containing 12 slides, one labelled 'Biennale 1982'
            -negative strips [showing 1980 Biennale], bag annotated with instructions for printing
            -photocopied typescript titled ‘Translation: The Tournament’ relating to the XIV Congress of UIA, Warsaw. S. Okojomox, Warsaw-Moscow’.
            -manuscript letter from Glazytchev Slava in Moscow regarding translations of Charles’ work, their publication in domus, work with Eugene [Rosenblum] and Mark [Konik] under the auspicises of Artists’ Union and work of others throughout the Soviet Republic with sketch drawings of the buildings.
            -publication: Архитектура ИЗДАЕТСЯ СОВМЕСТНО С СОЮЗОМ АРХИТЕКТОРОВ СССР И ГОСГРАЖДАНСТРОЕМ № 16 (500) 2 августа 1981 [Russian language]
            -copied typescript document headed ‘Digging up the past: treatment for a 45 minute film’ to document post-modern architect and be presented and co-authored by Charles, by Scott Thomas, 1981; annotated.
            -manuscript letter from Suzanne [Frank] at The Institute for Architecture and Urban Studies; annotated.
            -postcard of New York from [illegible] [Stephens], annotated by Charles ‘re Vidler piece’
            Centre D’Etudes et de Recherches Architecturales, Paris - Bulletin d’information inter-establissements no 51 Mai 1980 with a paragraph annotated ‘translate’
            -guidelines for submissions to the Arts Films Committee
            -manuscript letter from Scott [Thomas] regarding the film, including a list of people on the Arts Films Advisory Committee
            -typescript letter from Scott Thomas regarding a proposed film on Post-Modernism for a general audience and a copy letter from Carter H Manny at the Graham Foundation for Advanced Studies in the Fine Arts
            -photocopies from an unknown publication, on classicism; annotated
            -typescript copy letter from Charles titled ‘Letters to the Editor Re: Classical confusion’ regarding an article by Tony Vidler [1981]
            -postcard of a drawing of a building by Hans Robert Hiegel, used as a Christmas Card
            -christmas letter from Thomas and [Marina] Smith
            -cutting on Ricardo Bofill's Le Palaccio d'Abraxas
            -manuscript notes titled ‘The Reurbanisation of Runcorn’ [not Charles’ hand]
            -anuscript article ‘The transformation of Chandigarh – Rodrigo Pérez de Arce'
            -manuscript letter from Kazuhiro Ishii on Kazuro Ishii Architect & Associates headed paper regarding windows in Charles’ "Post-Modernism book".
            -typescript letter from Laurence Booth on Booth/Hansen & Associated headed paper regarding Post Modern Classicism, 1980
            -typescript letter from Paolo Portoghesi thanking Charles for the material concerning the “Mosque of London’ and inviting him to be on the experts committee for the Venice Biennale, 1979
            -manuscript list of architects’ names on Los Angeles: School of Architecture and Urban Planning headed paper
            -receipt from the Metropolitan Museum of Art photograph services, 1981
            -typescript letter from Eugene Kupper enclosing material for the Venice Biennale, 1980
            -typescript letter from Helle Klint asking to feature on of Charles’ houses in a monthly column for Berlingske Tidende, enclosing an example, 1979
            -typescript document titled ‘Contemporary Architects: Publication Spring 1979 (London: Macmillan, NYC: St Martin’s) with details of the editor, advisory board and contributors with a covering notes from Muriel Emanuel asking Charles to contribute, 1978
            -manuscript lists of architect’s names, titled ‘C.Jencks’ sub-headed Japan, USA, Europe/England
            -change of address from Kuro and Chris Fawcett, on the reverse a manuscript list of Japanese architects
            -manuscript lists of architects sub headed ‘Japanese metaphysical school + symbolism’, ‘USA historicism, symbolism, [remainder], ‘European historicism, urbanism, vernacular’
            -business card for Claudio D’Amato Guerrieri
            -photograph of an unidentified man in front of the Holy Trinity [Kingsway] church
            -cutting from Building Design 9 July 1982 on the Art and Architecture Action Group at the ICA
            -typescript note titled ‘(for Stirling Bayer)’ regarding Lutyens' Midland Bank headquarters.
            -leaflet for laboratorio de arquitectura 1982 centro de arte y comunicaión, Viamonte
            -L. A Architecture: A publication of the Los Angeles Chapter, American Institute of Architects Vol 7 No 3 Mar 1981 including a mention of Charles lecturing on Post-Modern Classicism at the Pacific Design Center
            -Architectural Association School of Architecture Events list 10, Autumn Term 8-10 Dec 1980 including an exhibition on Garagia Rotunda and a lecture on Post-Modern Classicism by Charles
            -typescript letter from Romi Khosla on The Grüp New Delhi headed paper, asking if their work was featured in Charles’ book, 1981
            -photocopied review of Signs, Symbols and Architecture by Linda groat, sent by Geoffrey Broadbent
            -cutting from the International Herald Tribune 21 May 1982 on demographics
            -manuscript letter from Humphrey B[illegible] regarding a meeting with Robert on Brown’s Hotel notepaper regarding a meeting with Robert
            -cutting from an unidentified publication 'Neo-classical (again)' by Loyd Grossman
            -cutting from an unidentified publication [possibly the Maltings Free Press] on Jeremy Dixon with annotations
            -photocopy from Casabella No. 470 6/1981 titled 'Post-post....'
            -typescript document titled ‘Palladio and the Japanese’
            -manuscript letter from Edward Jones 'acting as a messenger for Christian Broza' with some drawings and talking about what movements Charles has left out of his “family tree”
            -b&w professional photographs of the Venice Biennale
            -cutting of ‘The Presence of the Past’ by Charles in domus 61 [in Italian] with compliments slip