Contents of a folder labelled 'LMPA - EXTRAS'. Includes:
-loose photographs and transparencies, some marked up for reproduction
-Letter of transmittal from Moore Ruble Yudell Architects and Planners sending images of Kwee House
-biographical information and transparencies from Shoei Yoh
-project information from Platou Arkitekter AS, annotated
-project information for the Winton Residence Guest House, annotated
-cuttings from Building Design, annotated
-cutting from The Sunday Times 6 October 1985 on the London Docklands
-letter from Kevin Roche John Dinkeloo and Associates to Dr Andreas Papadakis, sending images
-project information for the Allsteel Furniture Showroom, annotated
-project information for the Laure Mallet House, annotated
-cutting from The New York Times Magazine 22 Nov 1987 'The Aulenti Uproar'
-cutting from The New York Times 2 April 1987 on the new Musée d'Orsay
-photocopy of an article on the Guggenheim from the Wall Street Journal 23 March 1987
-cutting from Cobouw, 23 March 1990 [utch language]
-folder labelled 'Charles Jencks: Clients copy of return United Kingdom 1968/69' and annotated 'LPMA 1976+ Post-Modernism + Personal Photos 1977-9 containing: postcard sent from Charles to Andreas Papadakis advertising Charles' lecture at UCLA 20 May 1976 titled 'The Language of Modern Architecture'; cutting 'More Modern than Modern' by Charles from Lifespan; negatives and contact sheets.
Contents of a folder labelled 'LMPA - EXTRAS 1977-1991'. Includes:
-loose photographs, some marked up for reproduction
-envelope from the Groninger Museum
-typescript titled 'How the building systems work semantically (could include as insert box)' with a diagram
-letter from Claire-Marie Brolly in French, with typescript translation into English, enclosing a reproduction of an illustration from her thesis as a response to reading The Language of Post-Modern Architecture
-strips of transparencies
-manuscript notes headed 'Post-Modern Space + Precedents (50)' with notes for a diagram
-photocopies and cuttings from unidentified publications
-letter of transmittal from Johansen & Bhavnani Architects to Academy Editions, enclosing images of Mummers Theater and Ad-hoc House
-cutting from Building Design 8 October 1999 on Nigel Coates
Contents of a folder labelled 'LMPA - EXTRAS 1977-1991'. Includes:
-bundle of photographs, slides and transparencies, some labelled up for reproduction
-loose photographs
-slides in plastic wallets
-contact details for photographers
Yellow plastic slide box with transparent plastic lid annotated '11 Park Walk' in red ink. The majority of the slides are labelled 'doorknobs'.
Contents of a folder labelled 'A+U Architect vs. Critic'. Folder contains 1 box of slides [catalogued separately as CJA-AVC-1-a] and also includes:
-colour slides of Maggie by the Trompe l'oeil painting by Dorothy Girouard in their Chelsea flat, and colour printed versions of the same images
-folder for FM Productions California used to hold a large number of photographs including b&w prints and polaroids and colour prints, mostly photographs used to illustrate the A+U article
-manuscript notes headed 'Architect Versus Critic' with an outline of the article and headings ticked off, including a to-do list at the bottom; written on the reverse of handwritten notes about The Thematic House
-photocopies of illustrations headed 'Die Lufft' and 'Die Erde', annotated on reverse 'Cesare Ripa, Baroque & Rococo Pictorial Imagery, Dover'
-cutting from Building Design 10 Aug 1984, review by Sheena Wilson of Godfrey Golzen's 'How Architects Get Work'
-leaflet from the Architecture Press titled 'Avoid litigation! 3 books to keep you out of trouble'
-photocopy of the Jencksiana font
-b&w photograph of the Elemental House
-sheet of 16 slides showing various furniture and designs by Charles
-sheet of 14 slides showing various furniture and designs by Charles
-colour and b&w photographs of furniture designed by Charles for the Chelsea flat and 19 Landsdowne Walk [some are loose and some are glued to sheets of plain paper]
-typescript letter from Officina Alessi enclosing colour slides of the tea and coffee set and giving news of its presentation in New York and Milan, 1983
-manuscript letter on Patrizia Scarzello Architect headed paper regarding the Alessi collaboration, 1983
-typescript document on yellow and white lined paper titled 'The Thematic House The Matic How See Design Credits'
-manuscript to-do list relating to 19 Lansdowne Walk
-typescript on pink paper headed 'Programme for an Anglo-Chinese Bed' with pencil sketches
-pencil and coloured pencil drawings of a bed
-copy letter from Charles to William on UCLA headed paper sending symbolic programmes and drawings, 1985
-copy letter from Charles to Caroline and William regarding the design for the bed
-printed proofs of line drawings
-pen and ink drawing on tracing paper used as illustration on the RIBA poster
-poster for a lecture by Charles at RIBA titled 'Post-Modernism - the true inheritor of modernism', 1982 [folded]
