Bundle of photographs and an illustration.

Includes:
-b&w polaroid photograph of Spring, tracing paper attached marked for publication. Annotated 'A/A files/Book reviews p110 A'.
-colour photograph of the Spring fireplace
-colour photograph of the Cosmic Oval
-colour photograph of the shelves in Indian Summer
-colour photograph looking into the Sundial Arcade
-b&w print on photographic paper of the bookplate design inside Towards A Symbolic Architecture, with some of the text glued on

Contents of an envelope labelled 'Extras' containing slides, photographs, correspondence and transparencies.

Includes:
-compliments slip from Richard Bryant
-b&w photographs by Robin Laurence for NYT of Charles' Biedermeier chairs alongside some of the Symbolic Furniture, and Charles sitting on one of the Sun chairs, stamped on reverse,1985
-photograph from the collection of the National Monuments Record of a unidentified historic building
-colour polaroids of the Foursquare Room
-b&w photographs of Esna, Temple of Khnum, one with extensive annotations, and the pyramid of King Chephren
-colour transparencies by Richard Bryant
-b&w photographs of the Elemental House
-b&w photographs of the Architectural Library, John's Room and Lily's Room with the furniture installed but no other furnishings
-colour photograph of the West elevation
-b&w negative of Winter
-letter from Mark Lewis of Lewis & Horning regarding the work he did on Indian Summer, 1985
-cutting from an unidentified magazine
-manuscript notes labelled 'Richard Bryant' with a list of rooms in a variety of different handwritings, including notes about Medite
-b&w polaroid photographs of the Cosmic Oval
-transparencies inside tracing paper, annotated for publication
-colour slides of rooms in the Thematic House labelled 'C Jencks: not used before. 20 slides - 4 Square RM + Bathpool' but including most of the ground floor, the Time Garden and the chimneys
-letter from William Stok regarding photography of this mural and enclosing a postcard of a work by Chagall [not included], 1985
-colour transparency of the Garagia Rotunda annotated 'Chapter 2'
-envelope enclosing b&w photographs with a message from 'Eamon of the shop'
-b&w photograph of Charles in front of the Spring fireplace [over-sized, damaged]
-b&w photograph of Charles and Maggie in front of the Spring fireplace. Charles is holding a mobile phone [over-sized, damaged]

Contents of a folder relating to the publication of images of the Thematic House.

Includes:
-b&w polaroid photographs of Spring
-colour slide of Spring
-colour slide annotated 'Dallas Reunion Hotel interior'
-colour transparency of the Cosmic Loo
-colour transparencies with tracing paper wrappers marked up for publication
-colour transparency of the Moonwell
-letter from John Calmann & King regarding images for Robert Stern's Modern Classicism' and 'Design' by Philip Rawson
-letter from Belgische Radio en Televisie thanking Charles for his contribution to the television show 'Island' and enclosing slides by Johan Thielemans
-letter from Richard Bryant enclosing xeroxes of the photographs of the house with reference numbers and discussion of magazine articles
-photocopies of photographs of the Thematic House with reference numbers
-colour slides of the Time Garden
-colour transparencies by Lucinda Lambton, with reference numbers
-copy agreement between Arcaid and House & Garden magazine, New York
-colour transparencies by Richard Bryant, with reference numbers
-b&w photographs of winter by Richard Bryant
-colour photograph of [East Building, National Gallery of Art, Washington DC]
-colour transparencies by Ben Johnson
-colour transparencies of plans of rooms in the Thematic House

Contents of a folder labelled 'Themes'.

Includes:
-colour polaroid of the Cosmic Oval
-correspondence between Charles and Barbara Hoyle regarding Sir Fred Hoyle's contributions to the house
-program for the Entrance Ellipse
-correspondence between Charles and D McNally at the University of London Observatory, regarding an introduction to Fred Hoyle and new research in astronomy
-manuscript and photocopied lettering designs
-cuttings from Country Life 14 July 1983 regarding Villa Kerylos, French Riviera
-typescript with manuscript alterations title 'The Thematic House'
-astrological designs on tracing paper
-photocopied typeface designs and details of a course on letter design for architects
-colour, b&w photographs and floor plans of the [National Gallery of Art, Washington]
-I.M. Pei & Partners program and statistics and press release for the National Gallery of Art [Washington] Expansion
-manuscript notes on the National Gallery of Art, the Willow Tea Rooms, temples, Edzell castle
-design for the sink in the Cosmic Loo
-notes on the word 'cosmos' and for a frieze
-contact sheet and negatives of built-in furniture within the house
-manuscript notes listing rooms in the house and columns labelled 'drawings, sketches notes etc: what we have', 'Photographs: what we have' and 'What we need' dated 14 Dec 1984. There are coloured dots to indicate Maggie and Charles' preferences.
-cutting from the Guardian 'The House that Jencks built' 1984 and photocopies
-typescript notes titles 'Cultural History July 25th 1984 MK CK WS' relating to the frieze
-news cuttings on astronomy
-typescript notes titled 'Cultural Time' with manuscript annotations listing historical figures
-typescript notes titled 'Seventeen Themes of the Thematic House The Matic How See' divided into general, historical & architectural and personal
-printed typescript document titled 'Program for the Entrance Ellipse - The Cosmic Egg and Cultural History by Charles Jencks' with manuscript annotations and sketches on reverse.
-manuscript and typescript draft lists of themes
-typescript document titled 'William Stok December 2 1984: Thoughts on the Mural' with a manuscript sketch at the bottom of the page
-typescript documentitled 'Allegory MK: Architecture defeated; architecture triumphant'.
-manuscript quotations
-photocopy from an unknown publication relating to the personification of architecture
-pencil sketches on tracing paper of doors, with photocopies
-incomplete typescript document titled 'The Thematic House: Charles Jencks'
-photocopy from an unknown publication relating to the symbolism of the seasons
-typescript and manuscript notes titled 'Future Pavilion' with aphorisms about the future
-photocopy typescript article titled 'The Thematic House (A brief Summary); Charles Jencks'.
-typescript letter from Mark Girouard sending captions [not included] and returning the slides and transparencies
-typescript notes on Autumn, Aphrodite, Artemis and Spring
-horoscopes from Vogue June 1972
-typescript notes titled 'Thoughts on Reading E.H. Gombrich 'The Museum: Past, Present and Future' in Ideals and Idols, Phaidon, Oxford 1979'
-pencil and ink sketch frieze designs
-colour polaroid photograph of the Bathpool
-receipt from Harriet Wynter Ltd for an Orrery and colour reproduction labelled 'This is the ceiling of the famous planetarium built by Eise Eisinga'
-letter from D McNally at the University of London regarding the entrance ellipse and returning Charles' program (attached) and regarding introductions to Sir Fred Hoyle
-pencil lettering designs
-typescript notes titled 'Museum of Cultural History'
-private view card for 'Ornament and Decoration: Architectural Drawings by Arthur Brown Jr and Bakewell & Brown' at Phillippe Bonnafont Gallery, San Francisco, with manuscript annotations
-colour polaroid photographs of the Cosmic Oval

Contents of a folder labelled 'Thematic House: Ground Floor; Winter Spring rejects; Sundial rejects'

Includes:
-b&w photographs of clay head, one labelled 'Early Spring'
-colour slides of the Samuel Eliot Morison sculpture by Penelope Jencks
-pencil designs for furniture
-pencil designs on tracing paper for seating in Spring
-photocopy elevations of the Spring fireplace
-typescript list of marble colours for the Spring and Winter fireplaces on Michael Graves headed paper
-photocopy design for astrological symbols
-photocopy titled 'Jencks Fireplace: wall stencil' with colour key, and used stencils
-photocopy of Botticelli's Primavera from an unknown publication
-typescript 'Sculptural Program for Spring Fireplace'
-whiteprint by Michael Graves Architect titled 'Spring Fireplace: Terrace House', 1983, folded
-manuscript letter from [Penelope Jencks] to Charles regarding sculpture costs on the back of a photocopy letter relating to the Morison Monument
-typescript notes on Winter and Hephaestus
-photocopy from an unknown publication relating to Hephaestus
-pencil plans for terrace seating in the Architectural Library
-pencil sketch plan on tracing paper
-b&w polaroid photographs of Spring annotated in pen with numbers and attached to a piece of paper. Pencil annotations on the paper regarding the use of the photographs
-whiteprint by Michael Graves Architect titled 'Terrace House Fireplace, Mar 1982', folded. Two copies, one has the bottom corner cut out but still with the whiteprint, the other has some pencil annotations
-whiteprint by Terry Farrell Partnership titled 'Terrace House: Survey - Winter Chimneybreast', Nov 1981, folded. Two copies, one has a fireplace drawn on in pencil.
-pencil and pen designs for seating in the Sundial Arcade
-pencil manuscript notes titled 'Hephaestus Program'
-copy letters from Charles to Michael Graves regarding commissions for the fireplaces and possible sculptors for Spring
-colour photograph of an unidentified sculpture
-pencil sketch on tracing paper of the ceiling in Winter
-heavily annotated Ground Floor plan with alternative room arrangements and notes of problems
-sundial diagram by Mark Lennox-Boyd with covering note

Contents of a folder labelled 'Thematic House 1978-84 Seconds: Indian Summer & Autumn'.

Includes:
-b&w polaroid photographs of built-in furniture in Indian Summer and Autumn
-pencil and ink sketches of kitchen units with annotations of measurements
-manuscript notes on design problems
-pencil drawings of design elements on tracing paper
-pencil notes and sketches titled 'Spoonglyphs'
-colour slide of the kitchen units during construction
-pencil perspective drawings with coloured pencil shading showing furniture designs in Indian Summer
-pencil plan on tracing paper showing the layout of Summer, Indian Summer and Autumn labelled 'CJ Jan 22, 82'
-whiteprint by Johnny Grey Design showing the arrangement of the sinks and hob in Indian Summer, folded
-pencil sketches on tracing paper, badly torn and creased
-pencil, ink and photocopied sketches of design details

Inside the folder is a bundle of papers labelled KITCHEN including:
-pencil sketches of design elements on tracing paper
-invitation to Sir John Soane's Museum to celebrate the Bicentenary of Soane's appointment as Architect & Surveyor to the Bank of England and view his Restored Picture Room, 1988
-scale plan of the kitchen on tracing paper with loose cut-out representations of kitchen units, appliances and cleaning equipment
-whiteprint by Johnny Grey Design titled 'The Nannys kitchen' with a specification sheet attached, March 1982, folded.
-whiteprint by Johnny Grey Design titled 'Sink Structure: overall plan', May 1982, folded.
-whiteprint by Johnny Grey Design titled 'Sink Structure: pavilions' April 182, folded.
-whiteprint by Johnny Grey Design titled 'Sink Structure: frieze', April 1981, folded
-b&w polaroid photograph taken from Autumn, looking through Indian Summer to Summer
-colour design on tracing paper titled 'Door Panel Study, scale 1:5'.
-pencil perspective drawing of Indian Summer with colour pencil shading
-two page cutting from an unknown magazine about a Sir Christopher Wren exhibition at the Whitechapel Gallery
-pencil sketch on University of California, Los Angeles headed paper
-whiteprint labelled 'Family room: plans and elevations; with 'dining kitchen' annotated above.

Bundle of drawings with a covering page labelled 'Rear Elevation'. The bundle is wrapped in a whiteprint by Terry Farrell Partnership labelled 'C&M Jencks House: conservatory sketch Nov 1980' with manuscript annotations.

Within the bundle, there is also a smaller bundle of papers, also wrapped inside a whiteprint. This whiteprint is annotated 'Key Elevation. Done in Scotland June [crossed out]/July 1980. C. Jencks'. This bundle includes:
-photocopied drawings of windows
-pencil drawing on tracing paper of balustrades, folded
- whiteprint drawing of windows, doors and balustrades annotated 'key elevation. Done in Scotland. June 1980? [crossed out]. July 18, 1980. C Jencks'.
-photocopied elevation drawings with pen annotations
-whiteprint drawing by Terry Farrell Partnership titled 'Setting out Jacuzzi Elevation' Aug 1981, folded and used as a wrapper. Inside are a whiteprint drawing by Terry Farrell Partnership titled 'Rear Elevation' Feb 1981 [folded] and photocopied front elevations with pen annotations
-unlabelled whiteprints of front elevation and axonometric drawings, with a list of potential savings to be offset against the balustrading and columns
-whiteprint rear elevation annotated 'key elevation. Done in Scotland. June 1980? [crossed out]. July 18, 1980. C Jencks'.
-whiteprint front elevation with a note from Charles to Terry at the bottom
-unlabelled whiteprint front elevation, folded
-unlabelled whiteprint rear elevation, folded
-pencil drawing on tracing paper of the rear elevation and garden plan, with problems listed at the bottom, folded. Inside are a folded whiteprint version of the same drawing plus front and rear elevations and smaller pencil sketches on tracing paper.
-whiteprint axonometric drawing of the house and a proposed garden design including a grotto. Folded
-whiteprint drawing of windows with measurements, folded
-pencil sketches on tracing paper of Jencksiana designs
-whiteprint unlabelled rear elevation with manuscript notes and ink annotations, folded
-whiteprint sketch rear elevation
-whiteprint by Terry Farrell Partnership labelled 'Back Elevation (almost final design drawing)' Oct 1980, folded

The rest of the bundle includes:
-b&w polaroid photograph of the rear elevation
-unlabelled whiteprint rear elevation, folded
-whiteprint roof terrace plan, folded
-photocopy of a photograph of the rear elevation during construction
-photocopied window designs coloured in with felt tip pen
-unlabelled whiteprint rear elevations, folded
-b&w photograph of the house from the street during construction
-pencil sketch on tracing paper showing steps into the garden
-pencil sketch on tracing paper of the rear elevation
-unlabelled whiteprint of sketch rear elevations, used as a wrapper for photocopies of axonometric drawings of octagonal windows
-envelope labelled 'Penny & Anthropomorphism'
-photocopies from unknown publications showing figures representing abstract concepts
-pencil drawings of figures representing art and architecture, folded, with pencil manuscript correspondence inside from Penny [Jencks] regarding the figures and giving personal news
-manuscript letter from Penny [Jencks] to Charles written on an envelope discussing the figures.
-colour photographs of figures on buildings. The photographs have been glued to white paper with manuscript captions. [6 pages, the glue has failed on many of the photographs] with a manuscript covering letter from Charles to Penny
-colour reproduction of a building with figures either side of the window
-letter from John Cullen Lighting Design
-manuscript letter from Charles to Penny regarding termes by Hugues Sambin
-invitation to the St Botolph Club, Boston
-colour photograph of a clay sculpture
-invitation to and programme for the dedication of a statue to Admiral Samuel Eliot Morison by Penelope Jencks
-b&w photograph of the rear of the house during construction.

Contents of a box file found in a box labelled 'Thematic House: 3 files + slides'.

Includes:
-copy letter to Ruth regarding sketches for the architecture & art [icons]
-manuscript notes regarding glazing to the outside stairs and repaintings of [cills]
-typescript list with manuscript annotations titled 'Thematic House: must be finished and painted September 10th' with a list of remaining tasks to be completed. Notes of addresses and telephone numbers on reverse.
-typescript letter from Ianthe Ruthven sending 49 transparencies of the house and details of credit required.
-manuscript letter from Eileen Harris thanking Maggie and Charles for their hospitality and enclosing a photocopy regarding Thomas Wright of Durham.
-colour polaroid photograph of the columns of the Future Pavilion
- manuscript letter from Randolph, addressed from Lugano regarding the symbolism of trees and his critique of the house
-b&w polaroid photograph of Summer with the sun chairs but a different table
-manuscript letter from [unidentified] thanking Charles and Maggie for the visit to their house
-typescript letter from Peter Tigg, architect, enclosing a photograph of the house
-typescript letter from Mauro Peruchetti of Peruchetti Associates promoting their paint effects
-photocopied Labour Time Sheets with details missing/obscured
-typescript list titled 'Window Cleaning'
-typescript list titled 'Lansdowne Walk October 28. To finish for Nov L8th [sic] move'.
-red ink sketches of stool designs
-manuscript notes of names and addresses
-manuscript list of total number of days spent completing tasks in relation to the house
-typescript list with manuscript annotations titled 'Lansdowne Walk July 18, 1983 to finish by Sept 10th move'.

Contents of a folder labelled 'Thematic House 1978-84 -Garden Facade - Future Pavilion - 2nds Garden'.

Includes:
-pencil, coloured pencil, felt tip pen and photocopy designs for [the Future Pavilion]
-pencil and photocopy designs for trellis
-pencil plans of the garden on tracing paper and photocopies
-ink sketches of the garden on Portrack House headed letter paper
-pencil designs for [paving] on foolscap lined paper and A4 plain paper
-pencil sketch views of the trellis and trees from neighbouring gardens
-photocopy designs for trellis labelled with months of the year
-designs for mirrors sketched on FM Productions, Minnesota notepaper
-copy letter from Charles to Steve & John regarding the garden arch, August 1984
-colour polaroid of the garden
-pencil and ink sketches of arches on paper and tracing paper

Contents of a folder labelled 'Ground Floor - Summer (Seconds) and Summer Table'

Includes:
-b&w polaroid photographs of the sun table and sun chairs, and the Allen Jones painting reflected in the mirrored doors. The photographs are annotated 23 and 25 on the border
-b&w photograph of Summer without furniture in place
-pencil designs for the diadem arch in Summer on paper and tracing paper
-typescript document titled 'Program for Painting in Summer: Allen Jones fecit' explaining the themes and reference points for the room and which the painting should contain, with details of star signs
-ink and pencil sketches
-typescript document titled 'The Summer Room with the Sun Table and Chairs' explaining the themes and symbolism in the room with pencil annotations
-photocopied typescript document titled 'The Summer Room, captions 1'
-b&w polaroid photograph of Summer with the Sun table and chairs in situ, looking towards the cabinets
-typescript document titled 'captions' and annotated 'superseeded'[sic]
-photocopied typescript notes of quotations relating to Summer and typescript additions relating to Apollo
-colour transparency by Lucinda Lambton labelled 'Jencks: 17 Lansdown Walk Dining Room (1978-80)' [image loose]