Bundle of plans and drawings of elevations of the the Thematic House and b&w photographs.

Includes:
-Final Design Drawing Side Elevation by Terry Farrell Partnership Oct 1980 (folded)
-copy of a sketch showing a detailed view of the back of the house (folded)
-photocopied sketch headed '4 symmetrical sets'
-felt tip pen sketch of windows
-b&w contact sheet prints showing work in progress
-typescript notes on plain paper with pencil manuscript alterations titled 'Personification of Art and Architecture July 2, 1982'.
-Polaroid photograph of the rear of the house
-Details Side [Elevation] by Terry Farrell Partnership Feb 1981 (folded)
-pencil sketch on tracing paper of windows
-photocopied drawings for a staircase annotated 'TFP Jan '82'
-Render - End [Elevation] by Terry Farrell Partnership (folded)
-pencil sketches of columns on Architectural Association School of Architecture headed paper
-perspective drawing of the house and garden (folded)

Bundle of drawings with a covering page labelled 'Rear Elevation'. The bundle is wrapped in a whiteprint by Terry Farrell Partnership labelled 'C&M Jencks House: conservatory sketch Nov 1980' with manuscript annotations.

Within the bundle, there is also a smaller bundle of papers, also wrapped inside a whiteprint. This whiteprint is annotated 'Key Elevation. Done in Scotland June [crossed out]/July 1980. C. Jencks'. This bundle includes:
-photocopied drawings of windows
-pencil drawing on tracing paper of balustrades, folded
- whiteprint drawing of windows, doors and balustrades annotated 'key elevation. Done in Scotland. June 1980? [crossed out]. July 18, 1980. C Jencks'.
-photocopied elevation drawings with pen annotations
-whiteprint drawing by Terry Farrell Partnership titled 'Setting out Jacuzzi Elevation' Aug 1981, folded and used as a wrapper. Inside are a whiteprint drawing by Terry Farrell Partnership titled 'Rear Elevation' Feb 1981 [folded] and photocopied front elevations with pen annotations
-unlabelled whiteprints of front elevation and axonometric drawings, with a list of potential savings to be offset against the balustrading and columns
-whiteprint rear elevation annotated 'key elevation. Done in Scotland. June 1980? [crossed out]. July 18, 1980. C Jencks'.
-whiteprint front elevation with a note from Charles to Terry at the bottom
-unlabelled whiteprint front elevation, folded
-unlabelled whiteprint rear elevation, folded
-pencil drawing on tracing paper of the rear elevation and garden plan, with problems listed at the bottom, folded. Inside are a folded whiteprint version of the same drawing plus front and rear elevations and smaller pencil sketches on tracing paper.
-whiteprint axonometric drawing of the house and a proposed garden design including a grotto. Folded
-whiteprint drawing of windows with measurements, folded
-pencil sketches on tracing paper of Jencksiana designs
-whiteprint unlabelled rear elevation with manuscript notes and ink annotations, folded
-whiteprint sketch rear elevation
-whiteprint by Terry Farrell Partnership labelled 'Back Elevation (almost final design drawing)' Oct 1980, folded

The rest of the bundle includes:
-b&w polaroid photograph of the rear elevation
-unlabelled whiteprint rear elevation, folded
-whiteprint roof terrace plan, folded
-photocopy of a photograph of the rear elevation during construction
-photocopied window designs coloured in with felt tip pen
-unlabelled whiteprint rear elevations, folded
-b&w photograph of the house from the street during construction
-pencil sketch on tracing paper showing steps into the garden
-pencil sketch on tracing paper of the rear elevation
-unlabelled whiteprint of sketch rear elevations, used as a wrapper for photocopies of axonometric drawings of octagonal windows
-envelope labelled 'Penny & Anthropomorphism'
-photocopies from unknown publications showing figures representing abstract concepts
-pencil drawings of figures representing art and architecture, folded, with pencil manuscript correspondence inside from Penny [Jencks] regarding the figures and giving personal news
-manuscript letter from Penny [Jencks] to Charles written on an envelope discussing the figures.
-colour photographs of figures on buildings. The photographs have been glued to white paper with manuscript captions. [6 pages, the glue has failed on many of the photographs] with a manuscript covering letter from Charles to Penny
-colour reproduction of a building with figures either side of the window
-letter from John Cullen Lighting Design
-manuscript letter from Charles to Penny regarding termes by Hugues Sambin
-invitation to the St Botolph Club, Boston
-colour photograph of a clay sculpture
-invitation to and programme for the dedication of a statue to Admiral Samuel Eliot Morison by Penelope Jencks
-b&w photograph of the rear of the house during construction.

Contents of an envelope labelled 'Extras' containing slides, photographs, correspondence and transparencies.

Includes:
-compliments slip from Richard Bryant
-b&w photographs by Robin Laurence for NYT of Charles' Biedermeier chairs alongside some of the Symbolic Furniture, and Charles sitting on one of the Sun chairs, stamped on reverse,1985
-photograph from the collection of the National Monuments Record of a unidentified historic building
-colour polaroids of the Foursquare Room
-b&w photographs of Esna, Temple of Khnum, one with extensive annotations, and the pyramid of King Chephren
-colour transparencies by Richard Bryant
-b&w photographs of the Elemental House
-b&w photographs of the Architectural Library, John's Room and Lily's Room with the furniture installed but no other furnishings
-colour photograph of the West elevation
-b&w negative of Winter
-letter from Mark Lewis of Lewis & Horning regarding the work he did on Indian Summer, 1985
-cutting from an unidentified magazine
-manuscript notes labelled 'Richard Bryant' with a list of rooms in a variety of different handwritings, including notes about Medite
-b&w polaroid photographs of the Cosmic Oval
-transparencies inside tracing paper, annotated for publication
-colour slides of rooms in the Thematic House labelled 'C Jencks: not used before. 20 slides - 4 Square RM + Bathpool' but including most of the ground floor, the Time Garden and the chimneys
-letter from William Stok regarding photography of this mural and enclosing a postcard of a work by Chagall [not included], 1985
-colour transparency of the Garagia Rotunda annotated 'Chapter 2'
-envelope enclosing b&w photographs with a message from 'Eamon of the shop'
-b&w photograph of Charles in front of the Spring fireplace [over-sized, damaged]
-b&w photograph of Charles and Maggie in front of the Spring fireplace. Charles is holding a mobile phone [over-sized, damaged]