Contents of a folder labelled 'CJ Thesis Phd 1966-1970 UCL' in red ink, 'MOD-1945-MANU' and 'ACTIVE FILE' in blue ink, as well as a numbered list of names written in different inks (27 in total).

Includes:
-photograph of Charles in the front row of a lecture theatre, with some attendees using headphones (including Charles)
-typescript headed 'Chapter II A Theory of Value' with manuscript corrections and notes on the reverse
-manuscript notes headed [illegible] on trial Sept 1966?'
-envelope with manuscript notes on both sides headed 'what a boar to know Doctor Banham' and 'The Failure of Success', folded and used as a folder to hold: a review of Banham's The New Brutalism by Nikolaus Pevsner; typescript letter to the editor of The Guardian from Isaac Bickerstaff; cutting of a letter to the editor from Fred Partridge [publication unknown] and typescript version of the same letter with manuscript corrections; typescript letter to the editor signed Charles Jencks, Architectural Association in response to Reyner Banham and manuscript draft; typescript letter to the editor signed Fred Partridge in response to Reyner Banham; manuscript notes headed 'The flip side of Dr Banham'; review of Banham's The New Brutalism by Stephen Mullion from New Society 8 Dec 1966; article titled 'Monumental Folly' by Peter Hall, New Society 24 Oct 1968, annotated.
-typescript headed 'The Major Histories' with manuscript annotations
-manuscript notes on plain paper headed 'Pevsner'
-manuscript notes on plain and lined paper headed 'Banham' [possibly not all Charles' hand]
-typescript headed 'Giedion SpaceTime and Arch'
-manuscript notes headed 'Scully'
-manuscript notes headed 'Collins Changing Ideal in MA 1965 (reaction to Giedion & space)'
-manuscript notes headed 'Hitchcok Arch. 19th & 20th centuries' with biro sketches
-envelope labelled 'Historians: Pevsner, Banham 1966-1971, Summerson 1981-4, Pei' [empty]
-manuscript headed 'The Failure of Success' including a copy typescript letter from Charles to Mr De Carlo asking to be able to attend the Urbino meeting
-manuscript headed 'Banham Le Corbusier chapter'
-typescript copy letter from Charles to Reyner Banham responding to his criticisms
-manuscript comments [from Reyner Banham], titled by Charles 'Partially a response to Outline?'
-typescript and manuscript headed 'Foreward'
-manuscript letter and notes from Reyner Banham to Charles [letter on headed paper], attached to a typescript headed 'Aalto and some concepts of value
-typescript headed 'Modern Architecture' with manuscript notes [from Reyner Banham] attached
-typescript headed 'History as Myth: 1st revision, Banham notes'.
-typescript and manuscript notes headed 'Modern architecture - the tradition since 1945: a list of architects to be criticised'
-typescript diagram with numerical values applied to architect's names
-typescript headed 'Diagram Relation of American Architects'
-article from Time 2 Aug 1968 titled 'Modern Living'
-article from Newsweek 20 Mar 1967 titled 'The Architects Come Into Their Own', annotated
-article from the International Herald Tribune 29-30 May 1971 titled 'Celebrities Jam Gala Premiere at JFK Center', annotated
-article from The New York Times Magazine 17 Oct 1971 by Paul Goldberger, annotated
-manuscript diagram of architect's names headed 'Camp Non Camp'
-manuscript diagrams
-pages from ROBAJ Jun 1966, 'RIBA Annual Discourse' by Myron Goldsmith, annotated
-folded titled 'John Summerson + Charles Jencks, exchanges over PMC [Post-Modern Classicism] 1981, FSC [Freestyle Classicism] 1982, + TH [Thematic House] 1984 including manuscript letters from Summerson to Charles and typed copies; and copy typescript letters from Charles to Summerson; as well as: typescript headed 'The New Taboo: Ure Chisel'; a leaflet for Das Linz Café; typescript titled 'The Face of the Vernacular' and captions; a sketch labelled 'Validimir - Moscow 19/10/93'; a letter on Little Sparta headed paper from Ian [Hamilton Finlay] regarding the garden scheme; draft typescript letter from Charles on UCLA headed paper to I.M. Pei, 1983 and reply; letter from I.M. Pei to Henry Kewswick regarding Maggie, 2003
-typescript letter from Nikolaus Pevsner on Birkbeck College headed paper to Charles declining to supervise his thesis, and copy typescript reply from Charles; cuttings on Pevsner.

Contents of a folder labelled 'Farrell-Jencks Letters 1978-1983'.

The file comprises letters between Maggie and Charles, Terry Farrell and staff at the Farrell/Grimshaw Partnership and Terry Farrell Partnership. Letters from Terry Farrell and his firm form the majority of the file; there are also some copy letters from Maggie and Charles, as well as photocopied correspondence from other parties, notes taken at meetings (manuscript and typescript) and a few draft designs. Many of the letters received from Terry Farrell/Terry Farrell Partnership have been annotated or have sketches on the reverse.

Topics covered include:
-programme of work
-builders and tradesmen
-fees and costs of work
-solar tempering
-planning consent
-program of work
-insurance
-reaction of neighbours to the designs and work
-cost/progress reports
-Venice Biennale
-request from Farrell for a name for the house
-credit for the designs
-problems arising due to working methods
-Charles' role as architect and client
-proposals for completion of works

Includes pages torn from Sunday Times Magazine 16 January 1983 with an article on Terry Farrell by Deyan Sudjic including discussion of the unfinished Jencks's house; photocopies of an Astragal piece in the AJ 19 May 1982 regarding the building work on 19 Lansdowne Walk and subsequent correspondence; incomplete manuscript notes (headed 3 and 4) regarding credit for the designs for the house.

Contents of a folder labelled from the Kunstmuseum Wolfsburg labelled by Charles 'a new beauty?'

Includes:
-Press release and transparencies for the Jackson Pollock exhibition at the Tate Gallery 1999
-photocopies from 'They Have A Word for It' by Howard Rheingold chapter 4 'The Eye of the Beholder: conceptions of Beauty'
-press cutting on the 7 year itch with an image of Marilyn Monroe [2001]
-rejection letter from Thames & Hudson for an unnamed book proposal [1999]
-photocopy from an article in the San Francisco Chronicle on brain synapses [1999]
-manuscript fax from Charles to Adrian Hamilton at the Independent enclosing 12 pages [not enclosed]
-fax from The Independent regarding Charles' article on Beauty [1999]
-manuscript notes headed 'New Paradigms'
-leaflet for an event held at the [Architectural Association] titled Paradigm Shifts featuring Charles
-article titled 'Keeping An Eye on Nature' by Professor David Cooper
-typescript text by Charles titled 'A Different Theory of Beauty'
-manuscript notes on Harvard Club of New York City headed paper
-itinerary in Bologna and Venice
-review by Paul Mattick of Wendy Steiner's 'Venus in Exile'.
-article by Charles titled 'Our modern age requires a new definition of beauty' from The Independent [1999]
--typescript text by Charles titled 'A Different Theory of Beauty' with manuscript notes in a different hand
-review by Hal Foster of 'Nobrow' by John Seabrook [2000]
-review by Kendall L Walton of the Encyclopedia of Aesthetics [2000]
-article by Miles Under titled 'Finding Art in Random Images Is as old as Art Itself' [2000]
-bundle of photocopies newspaper articles with annotations
-three sheets of slides, one with a covering note from the Royal Academy of Arts
-postcards of work by Franz X. Messerschmidt
-article by Mark Henderson titled 'brightly coloured beaks are the key to birds sex appeal'
-typescript by Charles titled 'EP Phone Home or What a Pleasure to Meet Mr Darwin' [18 pages]
-photocopies of the cover pages for 'Music, the Brain and ecstasy' by Robert Jourdan
-manuscript notes headed '8,500 words: Louisa's comments'.
-dust cover for Wendy Steiner's 'The Trouble With Beauty'
-postcard of the hall at the Kunsthistorisches Museum, Wien
-reviews of Geoffrey Miller's 'The Mating Mind' [2000]
-article by Daniel McNeill titled 'The hidden face of beauty' [1999]
-manuscript draft guestlist for a proposed Portrack seminar on Beauty, to be held 2002/2003
-colour transparency marked for publication in The Jumping Universe
-article by Massimilano Finazzer Flory titled 'Beauty - not a context, but a need and an opportunity'
-review by Marina Warner or Wendy Steiner's 'The Trouble with Beauty' [2002]
-article by Michael Prowse titled 'Let's clip the tails of the peacocks that strut around the boardroom'
-still from Barbarella
-postcard of Jake & Dinos Chapman's Hell
-review of Hugh Pearman of the British Museum's 'Defining Beauty' exhibition
-postcards of the Venus von Willendorf from the Naturhistorische Museum Wien and Arcimboldo works from the Kunsthistorisches Museum Wien
-invitation to the launch of Wendy Steiners 'The Trouble with Beauty'
-article by Jackie Wullschlager titled 'Beauty in the labyrinth' [2000]
-page from the New Scientist with reviews of multiple books.