Publications by Charles

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        Publications by Charles

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        Publications by Charles

          275 Archival description results for Publications by Charles

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          -CJA-TCH-b-39 · File · nd [1983-1985]
          Part of Charles Jencks Archive

          Colour transparencies overlaid with tracing paper, marked up for publication with outline and measurements in pencil. There are three pieces of paper; two of the papers each have two transparencies attached, the third has four attached. Each image is marked with a 'TSA' number.

          Images include:
          - the Tulip Stairs in the Queens House at Greenwich, London.
          -the Face of the Vernacular
          -Studiolo

          Furniture Designs [1]
          -CJA-TCH-c-5 · File · 1983- 1990
          Part of Charles Jencks Archive
          Includes:
          -pencil, coloured pencil, felt tip and photocopied furniture designs on paper and tracing paper
          -letter from Art Monthly to Charles commissioning a contribution to a book 'Art in Public Places' based on Charles' "ICA contribution', 1983
          -private view card from Medite House at RIBA, 1990
          -designs for cushions for Johnny's Room with fabric samples
          -correspondence with James Stirling and Robin Hamlyn at the Tate Gallery regarding interview text, with ink drawings on reverse, 1987
          -cutting from the Sunday Times 22 Sep 1985, 'Heavy Metal in Milan' by Deyan Sudjic
          -letter from the Formica Corporation regarding the donation of a Sun chair to the Art Institute of Chicago
          -printed programs for furniture
          -pencils sketches of a gateway
          -sketch plan of furniture in rooms on the reverse of notepaper from Interior Design '84 Sapporo
          -correspondence with Shinji Kohmoto, National Museum of Modern Art Kyoto regarding inclusion of the Alessi Tea & Coffee set in the exhibition 'Contemporary Landscape: From the Horizon of Postmodern Design'
          -letter from Spiral Staircase Systems quoting for the manufacture of ten sets of Alloy spheres, 1985
          -cutting from an unidentified newspaper about designer Albert Hadley
          -colour transparency of a table
          Biennale original documents
          -CJA-VBE-2 · File
          Part of Charles Jencks Archive
          Contents of a folder labelled 'Biennale original documents - Biennale 1980'
          Includes three slides boxes as well as:
          -colour transparency strip
          -leaflet titled 'Prima, Mostra Internazionale di Architettura' [bilingual Italian/English)
          -pencil drawings and diagrams
          -ink and coloured pencil drawing attached to foamboard showing a pencil and a book labelled ‘all the wasms have become isms’
          -room layout sketch with explanation
          -La Biennale di Venezia headed paper
          -press cuttings
          -typescript reproduced pamphlet titled ‘Post-Modern Architecture’ with a text by Charles and lists of slides. Multiple versions with corrections, annotations and alterations to the slides list
          -copy manuscript letter to 'Pete’' regarding his symposium at the Venice Biennale
          -photocopied typescript documents from the Architecture Department, La Biennale di Venezia, including lists of names of architects with manuscript annotations
          -manuscript notes
          -photocopied manuscript lists of names with Charles’ annotations
          -photocopied typescript document headed ‘Giuseppe Galasso’ regarding the role of Architecture in the Biennale
          -photocopied plans, some with manuscript annotations
          -correspondence with the Fort Mason Center, San Francisco requesting a set of the slides, with Charles’ annotations regarding reply, and typescript copy reply
          -manuscript notes of architects names under categories; one page headed USA
          -photocopy of the Evolutionary Tree
          -manuscript letter from 'Kitty & Ned' enclosing an article from New York
          -topographic plan of Milan from Domus 506, gennaio 1972
          -photocopied sketches
          -typescript document titled 'Program of the Façade in the Venice Biennale/Programma Relativo alla Facciata Nella Mostra Della Biennale'
          -typescript titled ‘The Counter-Reformation in Architecture: Reflections on the 1980 Venice Biennale’ by Charles with manuscript annotations
          -photocopied letter from Paolo Portoghesi thanking Charles for the material concerning the 'Mosque of London’ and inviting him to be on the experts committee for the Venice Biennale
          -typescript letter from Paolo Portoghesi with further details about the Biennale, an Italian translation of Charles’ book and sending photos of the Mosque.
          -manuscript notes of architects names under categories; page headed Japan
          -CJA-VBE-3 · File
          Part of Charles Jencks Archive
          Contents of a folder labelled '1980 Biennale/Biennale 1980 Russia etc. 93 slides 4BxW + documents'. Includes:
          -colour film strip showing men in a factory/workshop
          -plastic strips containing 12 slides, one labelled 'Biennale 1982'
          -negative strips [showing 1980 Biennale], bag annotated with instructions for printing
          -photocopied typescript titled ‘Translation: The Tournament’ relating to the XIV Congress of UIA, Warsaw. S. Okojomox, Warsaw-Moscow’.
          -manuscript letter from Glazytchev Slava in Moscow regarding translations of Charles’ work, their publication in domus, work with Eugene [Rosenblum] and Mark [Konik] under the auspicises of Artists’ Union and work of others throughout the Soviet Republic with sketch drawings of the buildings.
          -publication: Архитектура ИЗДАЕТСЯ СОВМЕСТНО С СОЮЗОМ АРХИТЕКТОРОВ СССР И ГОСГРАЖДАНСТРОЕМ № 16 (500) 2 августа 1981 [Russian language]
          -copied typescript document headed ‘Digging up the past: treatment for a 45 minute film’ to document post-modern architect and be presented and co-authored by Charles, by Scott Thomas, 1981; annotated.
          -manuscript letter from Suzanne [Frank] at The Institute for Architecture and Urban Studies; annotated.
          -postcard of New York from [illegible] [Stephens], annotated by Charles ‘re Vidler piece’
          Centre D’Etudes et de Recherches Architecturales, Paris - Bulletin d’information inter-establissements no 51 Mai 1980 with a paragraph annotated ‘translate’
          -guidelines for submissions to the Arts Films Committee
          -manuscript letter from Scott [Thomas] regarding the film, including a list of people on the Arts Films Advisory Committee
          -typescript letter from Scott Thomas regarding a proposed film on Post-Modernism for a general audience and a copy letter from Carter H Manny at the Graham Foundation for Advanced Studies in the Fine Arts
          -photocopies from an unknown publication, on classicism; annotated
          -typescript copy letter from Charles titled ‘Letters to the Editor Re: Classical confusion’ regarding an article by Tony Vidler [1981]
          -postcard of a drawing of a building by Hans Robert Hiegel, used as a Christmas Card
          -christmas letter from Thomas and [Marina] Smith
          -cutting on Ricardo Bofill's Le Palaccio d'Abraxas
          -manuscript notes titled ‘The Reurbanisation of Runcorn’ [not Charles’ hand]
          -anuscript article ‘The transformation of Chandigarh – Rodrigo Pérez de Arce'
          -manuscript letter from Kazuhiro Ishii on Kazuro Ishii Architect & Associates headed paper regarding windows in Charles’ "Post-Modernism book".
          -typescript letter from Laurence Booth on Booth/Hansen & Associated headed paper regarding Post Modern Classicism, 1980
          -typescript letter from Paolo Portoghesi thanking Charles for the material concerning the “Mosque of London’ and inviting him to be on the experts committee for the Venice Biennale, 1979
          -manuscript list of architects’ names on Los Angeles: School of Architecture and Urban Planning headed paper
          -receipt from the Metropolitan Museum of Art photograph services, 1981
          -typescript letter from Eugene Kupper enclosing material for the Venice Biennale, 1980
          -typescript letter from Helle Klint asking to feature on of Charles’ houses in a monthly column for Berlingske Tidende, enclosing an example, 1979
          -typescript document titled ‘Contemporary Architects: Publication Spring 1979 (London: Macmillan, NYC: St Martin’s) with details of the editor, advisory board and contributors with a covering notes from Muriel Emanuel asking Charles to contribute, 1978
          -manuscript lists of architect’s names, titled ‘C.Jencks’ sub-headed Japan, USA, Europe/England
          -change of address from Kuro and Chris Fawcett, on the reverse a manuscript list of Japanese architects
          -manuscript lists of architects sub headed ‘Japanese metaphysical school + symbolism’, ‘USA historicism, symbolism, [remainder], ‘European historicism, urbanism, vernacular’
          -business card for Claudio D’Amato Guerrieri
          -photograph of an unidentified man in front of the Holy Trinity [Kingsway] church
          -cutting from Building Design 9 July 1982 on the Art and Architecture Action Group at the ICA
          -typescript note titled ‘(for Stirling Bayer)’ regarding Lutyens' Midland Bank headquarters.
          -leaflet for laboratorio de arquitectura 1982 centro de arte y comunicaión, Viamonte
          -L. A Architecture: A publication of the Los Angeles Chapter, American Institute of Architects Vol 7 No 3 Mar 1981 including a mention of Charles lecturing on Post-Modern Classicism at the Pacific Design Center
          -Architectural Association School of Architecture Events list 10, Autumn Term 8-10 Dec 1980 including an exhibition on Garagia Rotunda and a lecture on Post-Modern Classicism by Charles
          -typescript letter from Romi Khosla on The Grüp New Delhi headed paper, asking if their work was featured in Charles’ book, 1981
          -photocopied review of Signs, Symbols and Architecture by Linda groat, sent by Geoffrey Broadbent
          -cutting from the International Herald Tribune 21 May 1982 on demographics
          -manuscript letter from Humphrey B[illegible] regarding a meeting with Robert on Brown’s Hotel notepaper regarding a meeting with Robert
          -cutting from an unidentified publication 'Neo-classical (again)' by Loyd Grossman
          -cutting from an unidentified publication [possibly the Maltings Free Press] on Jeremy Dixon with annotations
          -photocopy from Casabella No. 470 6/1981 titled 'Post-post....'
          -typescript document titled ‘Palladio and the Japanese’
          -manuscript letter from Edward Jones 'acting as a messenger for Christian Broza' with some drawings and talking about what movements Charles has left out of his “family tree”
          -b&w professional photographs of the Venice Biennale
          -cutting of ‘The Presence of the Past’ by Charles in domus 61 [in Italian] with compliments slip