Bundle of documents found loose on the shelf.

Includes:
-photograph of Jane Fonda in Barbarella
-colour and b&w transparencies marked up for publication
-photocopy floorplan for the Omnimax Theatre Alternative
-colour photograph of powerhouse::uk
-colour photograph of Groninger Museum, marked up for publication
-sheet of slides labelled 'Ecs. Nature 1+2 France = [illegible]', 14 slides in 20 pockets
-sheet of slides labelled '4 Ecstatic empathy with 1) face + mood 2) body + gesture and 5 [illegible]', 18 slides in 20 pockets
-plastic ziplock bag [removed for conservation reasons] containing colour transparencies, prints and floor plans labelled 'Coop Himmelblau'
-fax titled 'The Dissipation of Our Bodies in the City' from Coop Himmelblau with a covering notes asking to replace the previous text with this one, and [faxed] text titled 'The Architecture of Clouds', crossed out and annotated 'No', 1988
-sheet of slides labelled '5 Roccoco and Art Nouveau' crossed out and replaced with 'COATES ECSTACITY', 8 slides in 20 pockets
-photocopy ['Statue of Olympian Zeus, made by Phidias in gold and ivory, drawn after Pausanias's ' by Fischer von Erlach]
-Royal Academy of Arts branded folder annotated 'Ecstatic Architecture symposium' containing manuscript notes on the reverse of programmes for the International Symposium on Ecstatic Space at the Royal Academy, 17 Nov 1997; fax titled 'Paolo Portoghesi 'Ekstasis' with a covering message, 1997; partial fax with a list of potential events and speakers, annotated, 2 Sep 1997; New Titles from Academy Editions Autumn/Winter 1997; printed texts from the event participants.
-photocopy ['The Colossus of Rhodes' by Fischer von Erlach]
-photocopy ['Mount Athos and the Athos peninsula' by Fischer von Erlach
-press release 'Atelier Mendini '90-'94' at the Groninger Museum
-cutting 'Schiphol via Tokyo' [Branson Coates] Blueprint Mar 1994
-typescript letter on Branson Coates Architecture Limited headed paper enclosing cuttings and press released for current work, 1994
-press release from the Tate Gallery 'Architectural Competition for new Tate Gallery of Modern Art at Bankside', 1994
-cutting 'Who's who at Bankside' Building Design 30 Sep 1994

Contents of a box file labelled 'ROGERS 1985-current'.

Includes:
-bundle of press cuttings labelled 'ROGERS articles 2001-current
-copy letter from Charles to Richard Rogers 'inspired by' the latter's talk regarding the development of London, and requesting specific images to use in lectures, and a letter from Richard Rogers Partnership enclosing slides [no longer enclosed]
-manuscript notes titled 'Richard Rogers: Public responsibility + Private Greed June 14 95'
-typescript letter from Richard Rogers [signed] to Charles, thanking him for the introduction to Romi in India and asking about the 'Paternoster/Arups/Simpson/Prince Charles battle' [1990]
-typescript letter from Richard Rogers to Charles, written from Goa, and responding to 'The Condition of Post Modernity', enclosing copy drawings for the Tokyo International Design Forum Competition
-Financial Times: Architecture At Work: 1987 Award for Industrial and Commercial Buildings brochure (winner: Lloyd's of London) used as a folder for a bundle of papers labelled 'Lloyds/Rogers completed 1986'. Includes press cuttings, a statement by the Chairman of Llloyd's to the General Meeting of Members 1987; sheet of 14 slides of the Lloyd's building, presumed to have been taken by Charles; typescript letter from Richard Rogers [signed] to Charles responding to the latter's essay on Prince Charles; press photograph of Richard Rogers with Partners in front of the Lloyd's Building [copyright Daily Telegraph] and a b&w photograph of the Lloyd's building taken from across the street.