Press cuttings

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        Press cuttings

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          Press cuttings

          • UF Newscuttings
          • UF News cuttings
          • UF Newspaper cuttings
          • UF Presscuttings
          • UF Cuttings

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          Press cuttings

            44 Archival description results for Press cuttings

            44 results directly related Exclude narrower terms
            LPMA - EXTRAS
            -CJA-LPA-3 · File · 1976-1991
            Part of Charles Jencks Archive
            Contents of a folder labelled 'LMPA - EXTRAS'. Includes:
            -loose photographs and transparencies, some marked up for reproduction
            -Letter of transmittal from Moore Ruble Yudell Architects and Planners sending images of Kwee House
            -biographical information and transparencies from Shoei Yoh
            -project information from Platou Arkitekter AS, annotated
            -project information for the Winton Residence Guest House, annotated
            -cuttings from Building Design, annotated
            -cutting from The Sunday Times 6 October 1985 on the London Docklands
            -letter from Kevin Roche John Dinkeloo and Associates to Dr Andreas Papadakis, sending images
            -project information for the Allsteel Furniture Showroom, annotated
            -project information for the Laure Mallet House, annotated
            -cutting from The New York Times Magazine 22 Nov 1987 'The Aulenti Uproar'
            -cutting from The New York Times 2 April 1987 on the new Musée d'Orsay
            -photocopy of an article on the Guggenheim from the Wall Street Journal 23 March 1987
            -cutting from Cobouw, 23 March 1990 [utch language]
            -folder labelled 'Charles Jencks: Clients copy of return United Kingdom 1968/69' and annotated 'LPMA 1976+ Post-Modernism + Personal Photos 1977-9 containing: postcard sent from Charles to Andreas Papadakis advertising Charles' lecture at UCLA 20 May 1976 titled 'The Language of Modern Architecture'; cutting 'More Modern than Modern' by Charles from Lifespan; negatives and contact sheets.
            -CJA-RES-AL-B13-5-42 · File · [1996-2011]
            Part of Charles Jencks Archive
            Folder for ARB centre CATH, University of Leeds annotated 'UIL Reviews: Article, miscellaneous' with previous annotations crossed out. Includes two plastic folders of cuttings, photocopies and print-outs of articles about Charles, primarily relating to his landform work. Also includes a draft letter from Charles to Jean-Pierre Bonnefoux of the North Carolina Dance Theatre.
            [Loose documents]
            -CJA-RES-AL-B14-2-18 · File · 1973-2017
            Part of Charles Jencks Archive
            Bundle of documents found loose on the shelf. Includes:
            -handout for the exhibition 'The Japanese House: photographs by Kishin Shinoyama at the AA
            -'A reporter at large: from MacArthur to Miki-III' on Japan from The New Yorker Aug 18 1975, annotated
            -book review titled 'Vulnerable Japan' by E.J. Hobsbawm from The New York Review, July 17 1975, annotated
            -'The Japanese Godfather' by Antony Thomas from an unidentified publication
            -book review titled 'Hitler and Hirohito' by Geoffrey Baraclough, The New York Review May 31 1973, annotated
            -'Religion with no God' by Colin Cross from the Observer Magazine 1 Dec 1974, annotated
            -'Mishima: the romantic fantasy and the appalling fact; by Francis Wyndham from an unidentified publication
            -guidebook for Tsukiji Hongwanji
            -'In the spirit of The Great Ando' by Robin Harding, interview with Tadao Ando, FT 5 Nov 2016
            -'Sign of things to come' by Edwin Heathcote on Japanese houses, FT 6 Feb 2016, annotated
            -'High culture on the mountain' interview with Tadao Ando by Caroline Roux, FT 28/29 Jun 2014
            -'The house with holes in the roof that sprang leeks' by Jonathan Morrison, The Times 22 Mar 2017, review of The Japanese House at the Barbican
            -review titled 'Obsessions in Tokyo; by Ian Buruma from The New York Review 10 Jan 2013, annotated
            -'In Japan, home is where the art is' by Rowan Moore, review of The Japanese House at The Barbican, The Observer 26 Mar 2017
            -aaq [Architectural Association Quarterly] Vol 7 No 3
            Japanese Architecture
            -CJA-RES-AL-B14-4-11 · Item · 1984-2001
            Part of Charles Jencks Archive
            Contents of a box folder labelled 'Japanese Architec-ture'.
            Includes:
            -Charles' name badge for Inter Design '84 Sapporo, attached to a folded piece of paper with manuscript notes
            -letter from Etsuko Minamino, thanking Charles for dinner and enclosing photographs of Charles taking part in a panel and with unidentified people [1992]
            -ticket for 厳島神社 [Itsukushima shrine] with a note written on reverse
            -leaflet for Hilltop Hotel Tokyo
            -letter from the Chief Executive of Japan 2001 enclosing a list of possible events [1999]
            -letter from Shin Takamatsu to Andreas Papadakis confirming he is preparing transparencies
            -envelope containing unlabelled transparencies
            -letter from Shin Takamatsu Architect & Associates regarding a publication being produced by a Swiss publisher
            -review by Richard J Samuels of Alex Kerr's Dogs and Demons, annotated, from an unidentified publication
            -folder with a business card for Tom Heneghan attached
            -article from The Time 17 Apr 2001 by Rosemary Righter on Japan
            -printed out e-mail from Makoto Sei Watanabe regarding their dinner and his recent works
            -letter from Kengo Kuma [signed] sending a special edition of l'ARCAEDIZIONI, 2000
            -A4 flyer/handout for an exhibition 'The Architecture of Fumihiko Maki at the V&A, 2001
            -covering letters from Weatherhill books sending various publications for review, with manuscript notes
            -letter from the World Architecture Exposition, 1998, Nara, regarding expenses, 1994
            -letter from Kisho Kurokawa [signed] discussing a proposal for a television programme, 1987
            -World Architecture Exposition, 1998, Nara publication Triennara 1994.3 No. 2 [Japanese/English]
            -plastic folder labelled 'British/Japanese scholarship' containing letter from Kisho Kurokawa [signed] regarding plans for Nara and various publications, 1991, with reply annotated; letter from Kisho Kurokawa [signed] thanking Charles for 'The Post-Modern Reader' and making plans to be in London; typescript list of names and addresses for architects in japan, with annotations and business cards attached; leaflet for Fairmont Hotel Tokyo
            -invitation to participate in the World Architecture Triennale, Nara, 1995 and various booklets for the Trriennale
            -letter from Kisho Kurokawa [signed] as producer of the World Architecture Exhibition 1998 Nara inviting Charles to be a board member, 1989
            -invitation card for the Royal Academy of Arts Japanese Culture Evening 1999 including a lecture by Professor Shuji Takashina, with manuscript notes loose inside
            -manuscript notes on plain paper headed 'Japan 2001' and 'Channel 4'
            -typescript list of major proposals for Japan 2001 events with annotations
            -typescript titled 'summary of the slides shown by Professor Suzuki', annotated
            -catalogue for 'Bridges' the Daiwa Foundation Anglo-Japanese Visual Arts Touring Show, inserted: faxes and correspondence relating to Japan 2001; the Ango-Japanese Annual Lecture with RIBA; and the 2000 Jerusalem Seminar in Architecture
            -postcard advertising an exhibition of Shin Takamatsu at the GA Gallery, Tokyo 11 Nov-17 Dec 1989
            -folder labelled 'Master Plan: Silkroad Town 21: World Architecture Exposition 1998 Nara' containing: heavily annotated typescript titled 'Historical/Anti-Historical City: Gold Medal Address 1992' by Charles, with manuscript notes on the reverse; photocopy of 'The Public, The Price and the Sacred' by Charles Correa from Daedelus Fall 1989; printed publication for the 1998 World Architecture Exposition; leaflets for the Nara Daibutsu and Hōryūji Temple; business cards; currency exchange and hotel receipts; photocopies descriptions of architecture projects in Japan; manuscript notes on a variety of different papers relating to Japanese architects; correspondence regarding corrections of spelling mistakes in minutes and Charles' lecture at Naras; leaflet for 'The Desiring eye: reviewing the Slow House Diller + Scofidio ディラー+スコフィディオのスローハウス' at Gallery Ma; leaflets for the Nara City Museum of Photography; トリエンナール奈良’92 brochure; letter notifying Charles he is to receive the Gold Medal with draft manuscript reply; fax from Kisho Kurokawa informing Charles that he is to receive the Gold Medal; fax detailing arrangements for the Contemporary Architectural Symposium, 1998; official correspondence from the World Architecture Exposition 1998 Nara with arrangements for Charles' stay; letter from Charles to Kisho Kurokawa regarding plans for an architectural museum at UCLA; partially used line notepad.
            [Loose documents]
            -CJA-RES-AL-B17-R1-5 · File · 1990-2018
            Part of Charles Jencks Archive
            Bundle of documents found loose on the shelf. Includes:
            -Business cards for Kako Kurokawa and Yasumasa Ishizaka
            -Cover of and pages from the RIBA Journal April 1998 referencing Kurokawa
            -New Year's Card from Kiso Kurokawa architect & associates, Jan 1999
            -two sealed, un-addressed invitations to the Kiso Kurokawa retrospective at RIBA, 1998
            -Profile of Kiso Kurokawa architect and associates in World Architecture 55, April 1997
            -Interview with Kiso Kurokawa in Building Design, 24 Apr 1998
            -Review of Kiso Kurokawa's exhibition at Manchester's Cube gallery from Building Design, 19 Oct 2001
            -Printed out article on the Nakagin Capsule Tower from The New York Times, 29 Sep 2016
            -cuttings on skyscrapers, 2017-2018
            -photocopied review of Kurokawa's Sporting Club building in Illinois, Chicago tribune, 7 Oct 1990
            -review of the film 'Rikyu' from The new York Times, 18 Jan 1991
            -invitation to the opening to Noritaka Minami exhibition at UCLA, 2012
            -feature on Kurokawa from Building Design, 18 Jun 2010
            -letters page from RIBA Journal relating to Kurokawa, May 1998
            -Plantec branded folder containing a letter from Tadasu Ohe [signed] following up from the conversation at the 1998 Nara World Architecture Exposition, enclosing his CV and colour photocopies of published articles on his work (including from The Japan Architect and Kurokawa's 'New Wave Japanese Architecture'.
            CJA-OBT-1 · File
            Part of Charles Jencks Archive
            2 volumes of press cuttings and printouts from social media of obituaries and tributes labelled 'Charles Jencks Obituary 1939-2019' with an image of 'Standing Still (For Charles) 14 October 2019' by Anthony Gormley on the front cover .
            CJ Thesis Phd 1966-1970
            CJA-PHD-1 · File · 1966-1970
            Part of Charles Jencks Archive

            Contents of a folder labelled 'CJ Thesis Phd 1966-1970 UCL' in red ink, 'MOD-1945-MANU' and 'ACTIVE FILE' in blue ink, as well as a numbered list of names written in different inks (27 in total).

            Includes:
            -photograph of Charles in the front row of a lecture theatre, with some attendees using headphones (including Charles)
            -typescript headed 'Chapter II A Theory of Value' with manuscript corrections and notes on the reverse
            -manuscript notes headed [illegible] on trial Sept 1966?'
            -envelope with manuscript notes on both sides headed 'what a boar to know Doctor Banham' and 'The Failure of Success', folded and used as a folder to hold: a review of Banham's The New Brutalism by Nikolaus Pevsner; typescript letter to the editor of The Guardian from Isaac Bickerstaff; cutting of a letter to the editor from Fred Partridge [publication unknown] and typescript version of the same letter with manuscript corrections; typescript letter to the editor signed Charles Jencks, Architectural Association in response to Reyner Banham and manuscript draft; typescript letter to the editor signed Fred Partridge in response to Reyner Banham; manuscript notes headed 'The flip side of Dr Banham'; review of Banham's The New Brutalism by Stephen Mullion from New Society 8 Dec 1966; article titled 'Monumental Folly' by Peter Hall, New Society 24 Oct 1968, annotated.
            -typescript headed 'The Major Histories' with manuscript annotations
            -manuscript notes on plain paper headed 'Pevsner'
            -manuscript notes on plain and lined paper headed 'Banham' [possibly not all Charles' hand]
            -typescript headed 'Giedion SpaceTime and Arch'
            -manuscript notes headed 'Scully'
            -manuscript notes headed 'Collins Changing Ideal in MA 1965 (reaction to Giedion & space)'
            -manuscript notes headed 'Hitchcok Arch. 19th & 20th centuries' with biro sketches
            -envelope labelled 'Historians: Pevsner, Banham 1966-1971, Summerson 1981-4, Pei' [empty]
            -manuscript headed 'The Failure of Success' including a copy typescript letter from Charles to Mr De Carlo asking to be able to attend the Urbino meeting
            -manuscript headed 'Banham Le Corbusier chapter'
            -typescript copy letter from Charles to Reyner Banham responding to his criticisms
            -manuscript comments [from Reyner Banham], titled by Charles 'Partially a response to Outline?'
            -typescript and manuscript headed 'Foreward'
            -manuscript letter and notes from Reyner Banham to Charles [letter on headed paper], attached to a typescript headed 'Aalto and some concepts of value
            -typescript headed 'Modern Architecture' with manuscript notes [from Reyner Banham] attached
            -typescript headed 'History as Myth: 1st revision, Banham notes'.
            -typescript and manuscript notes headed 'Modern architecture - the tradition since 1945: a list of architects to be criticised'
            -typescript diagram with numerical values applied to architect's names
            -typescript headed 'Diagram Relation of American Architects'
            -article from Time 2 Aug 1968 titled 'Modern Living'
            -article from Newsweek 20 Mar 1967 titled 'The Architects Come Into Their Own', annotated
            -article from the International Herald Tribune 29-30 May 1971 titled 'Celebrities Jam Gala Premiere at JFK Center', annotated
            -article from The New York Times Magazine 17 Oct 1971 by Paul Goldberger, annotated
            -manuscript diagram of architect's names headed 'Camp Non Camp'
            -manuscript diagrams
            -pages from ROBAJ Jun 1966, 'RIBA Annual Discourse' by Myron Goldsmith, annotated
            -folded titled 'John Summerson + Charles Jencks, exchanges over PMC [Post-Modern Classicism] 1981, FSC [Freestyle Classicism] 1982, + TH [Thematic House] 1984 including manuscript letters from Summerson to Charles and typed copies; and copy typescript letters from Charles to Summerson; as well as: typescript headed 'The New Taboo: Ure Chisel'; a leaflet for Das Linz Café; typescript titled 'The Face of the Vernacular' and captions; a sketch labelled 'Validimir - Moscow 19/10/93'; a letter on Little Sparta headed paper from Ian [Hamilton Finlay] regarding the garden scheme; draft typescript letter from Charles on UCLA headed paper to I.M. Pei, 1983 and reply; letter from I.M. Pei to Henry Kewswick regarding Maggie, 2003
            -typescript letter from Nikolaus Pevsner on Birkbeck College headed paper to Charles declining to supervise his thesis, and copy typescript reply from Charles; cuttings on Pevsner.

            [Loose documents]
            CJA-RES-AL-B1-1-1 · File · 2013-2019
            Part of Charles Jencks Archive

            Documents found loose on the shelf.

            Comprises mostly press cuttings on Rogers and Rogers Stirk Harbour & Partners, as well as on the Candy Brothers, high rise developments and wealth in London; and a mounted photograph of the Lloyds building. Many of the cuttings are annotated.