Press cuttings

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          Press cuttings

          • UF Newscuttings
          • UF News cuttings
          • UF Newspaper cuttings
          • UF Presscuttings
          • UF Cuttings

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          Press cuttings

            3 Archival description results for Press cuttings

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            CJ Thesis Phd 1966-1970
            CJA-PHD-1 · File · 1966-1970
            Part of Charles Jencks Archive

            Contents of a folder labelled 'CJ Thesis Phd 1966-1970 UCL' in red ink, 'MOD-1945-MANU' and 'ACTIVE FILE' in blue ink, as well as a numbered list of names written in different inks (27 in total).

            Includes:
            -photograph of Charles in the front row of a lecture theatre, with some attendees using headphones (including Charles)
            -typescript headed 'Chapter II A Theory of Value' with manuscript corrections and notes on the reverse
            -manuscript notes headed [illegible] on trial Sept 1966?'
            -envelope with manuscript notes on both sides headed 'what a boar to know Doctor Banham' and 'The Failure of Success', folded and used as a folder to hold: a review of Banham's The New Brutalism by Nikolaus Pevsner; typescript letter to the editor of The Guardian from Isaac Bickerstaff; cutting of a letter to the editor from Fred Partridge [publication unknown] and typescript version of the same letter with manuscript corrections; typescript letter to the editor signed Charles Jencks, Architectural Association in response to Reyner Banham and manuscript draft; typescript letter to the editor signed Fred Partridge in response to Reyner Banham; manuscript notes headed 'The flip side of Dr Banham'; review of Banham's The New Brutalism by Stephen Mullion from New Society 8 Dec 1966; article titled 'Monumental Folly' by Peter Hall, New Society 24 Oct 1968, annotated.
            -typescript headed 'The Major Histories' with manuscript annotations
            -manuscript notes on plain paper headed 'Pevsner'
            -manuscript notes on plain and lined paper headed 'Banham' [possibly not all Charles' hand]
            -typescript headed 'Giedion SpaceTime and Arch'
            -manuscript notes headed 'Scully'
            -manuscript notes headed 'Collins Changing Ideal in MA 1965 (reaction to Giedion & space)'
            -manuscript notes headed 'Hitchcok Arch. 19th & 20th centuries' with biro sketches
            -envelope labelled 'Historians: Pevsner, Banham 1966-1971, Summerson 1981-4, Pei' [empty]
            -manuscript headed 'The Failure of Success' including a copy typescript letter from Charles to Mr De Carlo asking to be able to attend the Urbino meeting
            -manuscript headed 'Banham Le Corbusier chapter'
            -typescript copy letter from Charles to Reyner Banham responding to his criticisms
            -manuscript comments [from Reyner Banham], titled by Charles 'Partially a response to Outline?'
            -typescript and manuscript headed 'Foreward'
            -manuscript letter and notes from Reyner Banham to Charles [letter on headed paper], attached to a typescript headed 'Aalto and some concepts of value
            -typescript headed 'Modern Architecture' with manuscript notes [from Reyner Banham] attached
            -typescript headed 'History as Myth: 1st revision, Banham notes'.
            -typescript and manuscript notes headed 'Modern architecture - the tradition since 1945: a list of architects to be criticised'
            -typescript diagram with numerical values applied to architect's names
            -typescript headed 'Diagram Relation of American Architects'
            -article from Time 2 Aug 1968 titled 'Modern Living'
            -article from Newsweek 20 Mar 1967 titled 'The Architects Come Into Their Own', annotated
            -article from the International Herald Tribune 29-30 May 1971 titled 'Celebrities Jam Gala Premiere at JFK Center', annotated
            -article from The New York Times Magazine 17 Oct 1971 by Paul Goldberger, annotated
            -manuscript diagram of architect's names headed 'Camp Non Camp'
            -manuscript diagrams
            -pages from ROBAJ Jun 1966, 'RIBA Annual Discourse' by Myron Goldsmith, annotated
            -folded titled 'John Summerson + Charles Jencks, exchanges over PMC [Post-Modern Classicism] 1981, FSC [Freestyle Classicism] 1982, + TH [Thematic House] 1984 including manuscript letters from Summerson to Charles and typed copies; and copy typescript letters from Charles to Summerson; as well as: typescript headed 'The New Taboo: Ure Chisel'; a leaflet for Das Linz Café; typescript titled 'The Face of the Vernacular' and captions; a sketch labelled 'Validimir - Moscow 19/10/93'; a letter on Little Sparta headed paper from Ian [Hamilton Finlay] regarding the garden scheme; draft typescript letter from Charles on UCLA headed paper to I.M. Pei, 1983 and reply; letter from I.M. Pei to Henry Kewswick regarding Maggie, 2003
            -typescript letter from Nikolaus Pevsner on Birkbeck College headed paper to Charles declining to supervise his thesis, and copy typescript reply from Charles; cuttings on Pevsner.
            Les Maisons de Rêve de Los Angeles
            CJA-RES-AL-B13-5-51 · Item · 1978
            Part of Charles Jencks Archive

            Publisher: Academy Editions

            Inserted:
            -polaroid photographs of houses, addresses annotated on reverse, numbered 1-9 [4 is missing]
            -postcard from [Malie] congratulating Charles on the Day Dream book
            -card from [Jo Jo] congratulating Charles on the Dream Houses of LA book, 1978
            -typescript letter from John [possibly John Leighton Chase] regarding overlaps with his book on West Hollywood, 1978
            -cutting from Time, 1 May 1989 titled 'Million-Dollar "Birthday Cakes"'
            -typescript titled 'Photocaptions to Daydream Houses of LA'
            -drawing in coloured pencil of An L.A Daydream House
            -manuscript letter from Neil Pinney, California, enclosing contenders for Daydream Houses, with cuttings
            -manuscript letter on Roland E Coate AIA headed paper regarding a house he is designing, 1978
            -manuscript letter from Paulette Gershen, California regarding potential contributions of 'Witches houses' to the sequel of Daydream Houses of Los Angeles
            -correspondence with the owners of 333 Copa de Oro Road regarding potential legal action after the inclusion of their house in Daydream Houses of Los Angeles, 1979, including copy of Charles' reply
            -bundle of correspondence with Ambassador magazine arranging to write 750-1000 words on houses in Los Angeles; includes draft typescript, cutting of published article, correspondence regarding captions and return of slides; signed contract, 1981
            -photocopied letter from Flaniken Construction, California to Charles via Academy Editions, detailing their involvement in two of the houses in Daydream Houses of Los Angeles, 1979

             AD
            1980 Biennale/Biennale 1980 Russia etc. 93 slides 4BxW + documents
            CJA-VBE-3 · File
            Part of Charles Jencks Archive
            Contents of a folder labelled '1980 Biennale/Biennale 1980 Russia etc. 93 slides 4BxW + documents'. Includes:
            -colour film strip showing men in a factory/workshop
            -plastic strips containing 12 slides, one labelled 'Biennale 1982'
            -negative strips [showing 1980 Biennale], bag annotated with instructions for printing
            -photocopied typescript titled ‘Translation: The Tournament’ relating to the XIV Congress of UIA, Warsaw. S. Okojomox, Warsaw-Moscow’.
            -manuscript letter from Glazytchev Slava in Moscow regarding translations of Charles’ work, their publication in domus, work with Eugene [Rosenblum] and Mark [Konik] under the auspicises of Artists’ Union and work of others throughout the Soviet Republic with sketch drawings of the buildings.
            -publication: Архитектура ИЗДАЕТСЯ СОВМЕСТНО С СОЮЗОМ АРХИТЕКТОРОВ СССР И ГОСГРАЖДАНСТРОЕМ № 16 (500) 2 августа 1981 [Russian language]
            -copied typescript document headed ‘Digging up the past: treatment for a 45 minute film’ to document post-modern architect and be presented and co-authored by Charles, by Scott Thomas, 1981; annotated.
            -manuscript letter from Suzanne [Frank] at The Institute for Architecture and Urban Studies; annotated.
            -postcard of New York from [illegible] [Stephens], annotated by Charles ‘re Vidler piece’
            Centre D’Etudes et de Recherches Architecturales, Paris - Bulletin d’information inter-establissements no 51 Mai 1980 with a paragraph annotated ‘translate’
            -guidelines for submissions to the Arts Films Committee
            -manuscript letter from Scott [Thomas] regarding the film, including a list of people on the Arts Films Advisory Committee
            -typescript letter from Scott Thomas regarding a proposed film on Post-Modernism for a general audience and a copy letter from Carter H Manny at the Graham Foundation for Advanced Studies in the Fine Arts
            -photocopies from an unknown publication, on classicism; annotated
            -typescript copy letter from Charles titled ‘Letters to the Editor Re: Classical confusion’ regarding an article by Tony Vidler [1981]
            -postcard of a drawing of a building by Hans Robert Hiegel, used as a Christmas Card
            -christmas letter from Thomas and [Marina] Smith
            -cutting on Ricardo Bofill's Le Palaccio d'Abraxas
            -manuscript notes titled ‘The Reurbanisation of Runcorn’ [not Charles’ hand]
            -anuscript article ‘The transformation of Chandigarh – Rodrigo Pérez de Arce'
            -manuscript letter from Kazuhiro Ishii on Kazuro Ishii Architect & Associates headed paper regarding windows in Charles’ "Post-Modernism book".
            -typescript letter from Laurence Booth on Booth/Hansen & Associated headed paper regarding Post Modern Classicism, 1980
            -typescript letter from Paolo Portoghesi thanking Charles for the material concerning the “Mosque of London’ and inviting him to be on the experts committee for the Venice Biennale, 1979
            -manuscript list of architects’ names on Los Angeles: School of Architecture and Urban Planning headed paper
            -receipt from the Metropolitan Museum of Art photograph services, 1981
            -typescript letter from Eugene Kupper enclosing material for the Venice Biennale, 1980
            -typescript letter from Helle Klint asking to feature on of Charles’ houses in a monthly column for Berlingske Tidende, enclosing an example, 1979
            -typescript document titled ‘Contemporary Architects: Publication Spring 1979 (London: Macmillan, NYC: St Martin’s) with details of the editor, advisory board and contributors with a covering notes from Muriel Emanuel asking Charles to contribute, 1978
            -manuscript lists of architect’s names, titled ‘C.Jencks’ sub-headed Japan, USA, Europe/England
            -change of address from Kuro and Chris Fawcett, on the reverse a manuscript list of Japanese architects
            -manuscript lists of architects sub headed ‘Japanese metaphysical school + symbolism’, ‘USA historicism, symbolism, [remainder], ‘European historicism, urbanism, vernacular’
            -business card for Claudio D’Amato Guerrieri
            -photograph of an unidentified man in front of the Holy Trinity [Kingsway] church
            -cutting from Building Design 9 July 1982 on the Art and Architecture Action Group at the ICA
            -typescript note titled ‘(for Stirling Bayer)’ regarding Lutyens' Midland Bank headquarters.
            -leaflet for laboratorio de arquitectura 1982 centro de arte y comunicaión, Viamonte
            -L. A Architecture: A publication of the Los Angeles Chapter, American Institute of Architects Vol 7 No 3 Mar 1981 including a mention of Charles lecturing on Post-Modern Classicism at the Pacific Design Center
            -Architectural Association School of Architecture Events list 10, Autumn Term 8-10 Dec 1980 including an exhibition on Garagia Rotunda and a lecture on Post-Modern Classicism by Charles
            -typescript letter from Romi Khosla on The Grüp New Delhi headed paper, asking if their work was featured in Charles’ book, 1981
            -photocopied review of Signs, Symbols and Architecture by Linda groat, sent by Geoffrey Broadbent
            -cutting from the International Herald Tribune 21 May 1982 on demographics
            -manuscript letter from Humphrey B[illegible] regarding a meeting with Robert on Brown’s Hotel notepaper regarding a meeting with Robert
            -cutting from an unidentified publication 'Neo-classical (again)' by Loyd Grossman
            -cutting from an unidentified publication [possibly the Maltings Free Press] on Jeremy Dixon with annotations
            -photocopy from Casabella No. 470 6/1981 titled 'Post-post....'
            -typescript document titled ‘Palladio and the Japanese’
            -manuscript letter from Edward Jones 'acting as a messenger for Christian Broza' with some drawings and talking about what movements Charles has left out of his “family tree”
            -b&w professional photographs of the Venice Biennale
            -cutting of ‘The Presence of the Past’ by Charles in domus 61 [in Italian] with compliments slip