Bundle of photographs and an illustration.

Includes:
-b&w polaroid photograph of Spring, tracing paper attached marked for publication. Annotated 'A/A files/Book reviews p110 A'.
-colour photograph of the Spring fireplace
-colour photograph of the Cosmic Oval
-colour photograph of the shelves in Indian Summer
-colour photograph looking into the Sundial Arcade
-b&w print on photographic paper of the bookplate design inside Towards A Symbolic Architecture, with some of the text glued on

Contents of a folder labelled 'Facades 3.3' with 'Face of the Vernacular' crossed out underneath.

Colour transparencies and ink drawings with tracing paper covers. The images have been prepared for publication with outlines and measurements drawn in pencil, attached to pieces of paper. The papers are labelled with TSA numbers (TSA88/89. TSA 100/101, TSA 102). The transparencies show the exterior of the house.

Contents of an envelope labelled 'Extras' containing slides, photographs, correspondence and transparencies.

Includes:
-compliments slip from Richard Bryant
-b&w photographs by Robin Laurence for NYT of Charles' Biedermeier chairs alongside some of the Symbolic Furniture, and Charles sitting on one of the Sun chairs, stamped on reverse,1985
-photograph from the collection of the National Monuments Record of a unidentified historic building
-colour polaroids of the Foursquare Room
-b&w photographs of Esna, Temple of Khnum, one with extensive annotations, and the pyramid of King Chephren
-colour transparencies by Richard Bryant
-b&w photographs of the Elemental House
-b&w photographs of the Architectural Library, John's Room and Lily's Room with the furniture installed but no other furnishings
-colour photograph of the West elevation
-b&w negative of Winter
-letter from Mark Lewis of Lewis & Horning regarding the work he did on Indian Summer, 1985
-cutting from an unidentified magazine
-manuscript notes labelled 'Richard Bryant' with a list of rooms in a variety of different handwritings, including notes about Medite
-b&w polaroid photographs of the Cosmic Oval
-transparencies inside tracing paper, annotated for publication
-colour slides of rooms in the Thematic House labelled 'C Jencks: not used before. 20 slides - 4 Square RM + Bathpool' but including most of the ground floor, the Time Garden and the chimneys
-letter from William Stok regarding photography of this mural and enclosing a postcard of a work by Chagall [not included], 1985
-colour transparency of the Garagia Rotunda annotated 'Chapter 2'
-envelope enclosing b&w photographs with a message from 'Eamon of the shop'
-b&w photograph of Charles in front of the Spring fireplace [over-sized, damaged]
-b&w photograph of Charles and Maggie in front of the Spring fireplace. Charles is holding a mobile phone [over-sized, damaged]

Contents of a folder labelled 'London Column'.

Includes:
-ink designs for columns, coloured in with pencil, overlayed with tracing paper labelled 'TSA 136'
-pencil sketches of column designs on paper and tracing paper
-ink sketches of column designs
-photocopied column designs
-coloured pencil sketches of column designs
-prints on photographic paper of computer-generated column designs with numbers
-rough ink sketches and manuscript notes on headed paper for The Aga Khan Award for Architecture
-pencil sketches and coloured pencil sketches on paper and tracing paper
-pencil sketches on the reverse of University of California, Los Angeles headed paper relating to sun, rain and column symbols.
-pencil and ink sketches on notepaper showing the exterior of the house
-print outs of computer-generated designs with variables listed at the side including facets at shaft, facets at base and number of columns.
-ink drawing labelled 'London Column' with notes on the weather and hifi speakers on blue paper

Contents of a folder labelled 'Ground Floor Cosmic Oval 4.41-4.43'

Includes:
-pencil and ink sketches on paper and tracing paper.
-photocopy of a drawing by Terry Farrell Partnership titled 'Detail of [Oval] Studwork Ground Floor Hall], Oct 1980 (folded)./
-pencil and coloured pencil sketch of the ceiling.
-photocopy of an untitled drawing by Terry Farrell Partnership with a plan for the Cosmic Oval showing measurements and doors.

Includes articles titled 'Post-Modernism and Discontinuity' and 'Post-Modernism and Eclectic Continuity' by Charles; 'Cathay in the West: Pavilions and a Chinese Garden in Bel Air, California' by Charles and Maggie; and 'Letters to the Editor: Designing a House' with a detailed response to Terry Farrell's article in a previous issue of AD, and Farrell's response.

Publisher: Academy Editions

Contents of a folder labelled 'CJ Thesis Phd 1966-1970 UCL' in red ink, 'MOD-1945-MANU' and 'ACTIVE FILE' in blue ink, as well as a numbered list of names written in different inks (27 in total).

Includes:
-photograph of Charles in the front row of a lecture theatre, with some attendees using headphones (including Charles)
-typescript headed 'Chapter II A Theory of Value' with manuscript corrections and notes on the reverse
-manuscript notes headed [illegible] on trial Sept 1966?'
-envelope with manuscript notes on both sides headed 'what a boar to know Doctor Banham' and 'The Failure of Success', folded and used as a folder to hold: a review of Banham's The New Brutalism by Nikolaus Pevsner; typescript letter to the editor of The Guardian from Isaac Bickerstaff; cutting of a letter to the editor from Fred Partridge [publication unknown] and typescript version of the same letter with manuscript corrections; typescript letter to the editor signed Charles Jencks, Architectural Association in response to Reyner Banham and manuscript draft; typescript letter to the editor signed Fred Partridge in response to Reyner Banham; manuscript notes headed 'The flip side of Dr Banham'; review of Banham's The New Brutalism by Stephen Mullion from New Society 8 Dec 1966; article titled 'Monumental Folly' by Peter Hall, New Society 24 Oct 1968, annotated.
-typescript headed 'The Major Histories' with manuscript annotations
-manuscript notes on plain paper headed 'Pevsner'
-manuscript notes on plain and lined paper headed 'Banham' [possibly not all Charles' hand]
-typescript headed 'Giedion SpaceTime and Arch'
-manuscript notes headed 'Scully'
-manuscript notes headed 'Collins Changing Ideal in MA 1965 (reaction to Giedion & space)'
-manuscript notes headed 'Hitchcok Arch. 19th & 20th centuries' with biro sketches
-envelope labelled 'Historians: Pevsner, Banham 1966-1971, Summerson 1981-4, Pei' [empty]
-manuscript headed 'The Failure of Success' including a copy typescript letter from Charles to Mr De Carlo asking to be able to attend the Urbino meeting
-manuscript headed 'Banham Le Corbusier chapter'
-typescript copy letter from Charles to Reyner Banham responding to his criticisms
-manuscript comments [from Reyner Banham], titled by Charles 'Partially a response to Outline?'
-typescript and manuscript headed 'Foreward'
-manuscript letter and notes from Reyner Banham to Charles [letter on headed paper], attached to a typescript headed 'Aalto and some concepts of value
-typescript headed 'Modern Architecture' with manuscript notes [from Reyner Banham] attached
-typescript headed 'History as Myth: 1st revision, Banham notes'.
-typescript and manuscript notes headed 'Modern architecture - the tradition since 1945: a list of architects to be criticised'
-typescript diagram with numerical values applied to architect's names
-typescript headed 'Diagram Relation of American Architects'
-article from Time 2 Aug 1968 titled 'Modern Living'
-article from Newsweek 20 Mar 1967 titled 'The Architects Come Into Their Own', annotated
-article from the International Herald Tribune 29-30 May 1971 titled 'Celebrities Jam Gala Premiere at JFK Center', annotated
-article from The New York Times Magazine 17 Oct 1971 by Paul Goldberger, annotated
-manuscript diagram of architect's names headed 'Camp Non Camp'
-manuscript diagrams
-pages from ROBAJ Jun 1966, 'RIBA Annual Discourse' by Myron Goldsmith, annotated
-folded titled 'John Summerson + Charles Jencks, exchanges over PMC [Post-Modern Classicism] 1981, FSC [Freestyle Classicism] 1982, + TH [Thematic House] 1984 including manuscript letters from Summerson to Charles and typed copies; and copy typescript letters from Charles to Summerson; as well as: typescript headed 'The New Taboo: Ure Chisel'; a leaflet for Das Linz Café; typescript titled 'The Face of the Vernacular' and captions; a sketch labelled 'Validimir - Moscow 19/10/93'; a letter on Little Sparta headed paper from Ian [Hamilton Finlay] regarding the garden scheme; draft typescript letter from Charles on UCLA headed paper to I.M. Pei, 1983 and reply; letter from I.M. Pei to Henry Kewswick regarding Maggie, 2003
-typescript letter from Nikolaus Pevsner on Birkbeck College headed paper to Charles declining to supervise his thesis, and copy typescript reply from Charles; cuttings on Pevsner.