Photographs and photocopied coloured-in designs mounted on card and captioned for display. Some of the mounts are cut into the shape of Jencksiana, others are pointed; one is rectangular.

Includes:
-Hermitage Furniture [photograph]
-The Aer Pavilion & California Pool [photograph]
-The Hermitage [photograoh]
-[unlabelled design - John's Room]
-Architectural Library [plan]
-The Foursquare Room [plan]

Contents of an envelope labelled 'Extras' containing slides, photographs, correspondence and transparencies.

Includes:
-compliments slip from Richard Bryant
-b&w photographs by Robin Laurence for NYT of Charles' Biedermeier chairs alongside some of the Symbolic Furniture, and Charles sitting on one of the Sun chairs, stamped on reverse,1985
-photograph from the collection of the National Monuments Record of a unidentified historic building
-colour polaroids of the Foursquare Room
-b&w photographs of Esna, Temple of Khnum, one with extensive annotations, and the pyramid of King Chephren
-colour transparencies by Richard Bryant
-b&w photographs of the Elemental House
-b&w photographs of the Architectural Library, John's Room and Lily's Room with the furniture installed but no other furnishings
-colour photograph of the West elevation
-b&w negative of Winter
-letter from Mark Lewis of Lewis & Horning regarding the work he did on Indian Summer, 1985
-cutting from an unidentified magazine
-manuscript notes labelled 'Richard Bryant' with a list of rooms in a variety of different handwritings, including notes about Medite
-b&w polaroid photographs of the Cosmic Oval
-transparencies inside tracing paper, annotated for publication
-colour slides of rooms in the Thematic House labelled 'C Jencks: not used before. 20 slides - 4 Square RM + Bathpool' but including most of the ground floor, the Time Garden and the chimneys
-letter from William Stok regarding photography of this mural and enclosing a postcard of a work by Chagall [not included], 1985
-colour transparency of the Garagia Rotunda annotated 'Chapter 2'
-envelope enclosing b&w photographs with a message from 'Eamon of the shop'
-b&w photograph of Charles in front of the Spring fireplace [over-sized, damaged]
-b&w photograph of Charles and Maggie in front of the Spring fireplace. Charles is holding a mobile phone [over-sized, damaged]

File relating to furniture designed by Charles both for the Thematic House and Elemental House, and for commercial licensing.

For conservation reasons, the file has been split into two folders.

Folder one includes:
-slides of Window-Seat-Window, Egyptian Room furniture, Hermitage Chair, the Face Table, Spring and Winter Furniture, screens, the Light House lamps, the sundial arcade, the Bookhouses and the Slidescrapers, and Leon Krier and Rita Wolff sat in the Spring Chair.
-photocopies of light designs and the Alessi tea and coffee service designed by Charles
-a letter from Derek McNally regarding the exhibition at Aram
-transparencies by Richard Bryant.
-colour slides from Sawaya & Moroni of the furniture
-b&W photographs of the Sun table & chairs in Summer and a matching stool and chair set.

Folder 2 includes:
-cutting from Building Design Interiors Supplement 1985 on the exhibition at Aram with colour reproductions of the furniture [duplicate]
-b&w negatives, colour polaroids and b&w photographs of furniture
-colour photographs of Sun Chairs produced commercially
-private view card for an exhibition at Sawaya & Moroni spa, Milano, opening 8 April 1987 and including work by Charles
-estimate from Albert E Chapman Ltd Upholsterers to Maggie for making, supply and fitting of blinds and curtains, 1984 and invoice for the supply of 2 hair-stuff circular seats, 1985
-MODO design magazine Nov 1986 including a discussion between Bruno Zevi and Charles, 'Post-moderno: si chiude?' [Italian language]
-House & Garden Jul 1987 cover and article titled 'The Riddle of the sphinx' by Nonie Niesewand featuring the Nile collection and Sun chair and table by Charles, available from Aram
-article from London Portrait 1988 titled 'English Modern Classics' on furniture design
-correspondence with Aram Designs regarding credit for the manufacture of Charles' furniture, statement of accounts, contracts and publicity
-invitation to a photographic exhibition at RIBA from Morley von Sternberg
-manuscript notes of costs
-typescript 'Symbolic Furniture: invoice for work done Nov 12 1985'
-typescript letter from Wendy to Charles regarding approximate prices for dining room table and chairs
-Retail price list for Charles Jencks: Symbolic Furniture
-typescript list of repairs to 'C. Jencks Furniture' 1985
-typescript list 'Symbolic Furniture: rough quotes'
-copy licence between Aram Designs Limited and Eileen Gray Designs
-typescript notes with manuscript annotations titled 'Meeting Sept 16 Zeev, Andrew, CJ'.
-manuscript notes regarding light fittings
-typescript notes with manuscript annotations titled 'Conversation with E.P. Moroni July 18, 1985'.
-typescript notes with manuscript annotations titled 'Items to discuss with Zeev July 23 1985'
-typescript notes with manuscript annotations titled 'Symbolic Furniture: items for production'
-photocopied manuscript estimation of costs for work on Dice Stools, Kitchen Chairs, Kitchen Table and Extension [Sun Table and Chairs], invoice titled 'Exibition Furniture' [sic] and 'Day Work sheet no. 1'
-letter from Aram Designs listing people who accepted and declined the exhibition invitation
-letter from Seaboard International regarding the Medite reception, 1985.
-rough drawings of furniture with measurements
-telegram correspondence between Charles and Paolo Moroni regarding contracts
-copy manuscript notes titled 'World Rights' and also listing photographs
-letter from Dan Woodside and Wendy regarding repairs to the lights
-statement from Sandell Perkins plc
-pencil and pen sketch designs titled 'Dome Chair'.
-postcard from 'Juliet & John' regarding the exhibition
-Financial Times Oct 28 1985 'The post-modernistic house that Jencks built' [photocopy duplicates]